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Friday, 31 August 2012

Festering Saliva - Zeroline - 9 Track CD - 19.10.12


Festering Saliva
Zeroline
9 Track CD
19.10.12

  
Festering Saliva – Munich, Bayern - Germany

Links:

Genre: Death Metal

Germany’s Festering Saliva came together in 1998 and have only had two previous album releases – (which surprises me somewhat as I would have expected more) one called *Isle of Nightmares (of which an 8 minute horror video clip was filmed) and Realm of the Forgotten.   


* The disturbing 8 minute video Isle of Nightmares has now unfortunately been removed

The band have played about 200 gigs so far this includes 3 mini-tours and one abroad with bands such as Six Feet Under, God Dethroned and Equilibrium to name but three and also played a handful of festivals including Walpurgis Metal Days and Happy Cadaver. Fist Full of Metal has since been cancelled now due to the death of one of the bands family members. Sorry to read this guys.

In the 15 years this band has been going they have gathered positivity from well-known magazines in Germany i.e. Ablaze, Legacy, Eternity and Rock Hard.

The band is also due to play a live gig on the 19th October 2012 coinciding with the release of Zeroline at the Feierwerk in Munich which is part of the “Blasting Bavaria Tour 2012, gigging with Commander and Necrotic Flesh.



Amazingly only 365 likes on Facebook which is shocking to say the very least but sadly typical as maybe people tend to stick within their own areas which is understandable due to actually wanting to see a band perform live but come on people instead of telling us what you had for dinner why not use Facebook to discover new talent?

The cover of this album is gut wrenchingly grotesque and depicts a woman with her throat cut – with the band name barely recognisable in the top left hand corner a typical trait of a death metal band.

Surprisingly Danny Klupp the band’s lead guitarist is also associated with Schandmaul who are anything but death metal an opt for a more Folk Rock and traditional Deutsch Rock theme and have over 125,400 likes on Facebook – amazing!

I love death metal music – not for its blood thirsty content but just for the sheer aggression and the way in which the music tends to pump the blood around my body at an unmentionable speed not in the traditional sense that rock music does – death metal is just an exceptional genre and although very rarely can you understand the grunts and growls it still leaves a lasting imprint on the mind like a doc martin boot to the groin.

The Festering Saliva Logo

To explain death metal in a sentence be it a long sentence: “It can be recognized by its "post-human" perspective, seeing the world through biology, history, warfare and mythology instead of the "I/me/mine" viewpoint of a modern society” and maybe in the second category (the first has to be awarded to Grindcore) for having the most evil of band names such as Massacre, Autopsy and Cannibal Corpse to name but three and just as macabre song titles with sickening graphic album covers that make you want to reach for a bucket! It is nearly always the genre that starts a ferocious mosh pit and recognised by the deep growling vocals (or cookie monster vocals as death metal bands are now renowned for) and sometimes pig squeals that make this music so appealing.

Festering Saliva falls into the second category – and Gory being the most appropriate word to describe them. I am particularly excited to be reviewing this CD and the fact that the band are from Germany is another plus in the band’s favour – Germany seem to be spewing out some amazing talent and not just in the death metal genre either. (Check out Syqem! – Totally far removed from Death Metal but offers thrilling compositions with clout none the less)

In true death metal style Festering Saliva promises to stick the knife in, twist it a bit and demolish your body parts one by one – let the carnage commence!



Bloodthirst
And on cue - A stupendous blood curdling mix of blasting beats begins and with it ushers forth those thundering cookie monster vocals. Like a tidal wave the music washes over you. The nimble fingers of Danny are put to the test here with accurate precision.

Torn Apart
Faster than a whippet on heat this track will just engulf you with melodic and fast exploding beats – it only lets up to bring you a breakdown that is face melting and then some. Constant and hard driven this track compels you to listen. Grippingly aggressive as you would expect propels the track with sheer abandon.

Evil Undead
Sounds just as evil as the title. Faster than the speed of light it will astound you with those delightful cookie monster growls. It has a fantastic melodic groove element incorporating a thrash element too. This will leave you dizzy and conjure up some nasty mental images like a pneumatic drill penetrating the skull like a hammer penetrating an egg. Energetic nimble fingered riffs are played at resounding speed and ferocity and a solid bass hook surges to give it a good rhythmic sound.

Military Song
And so called because of the marching rhythmical content of the drums with driving chords give you a good configuration of anthemic quality and fluctuating with powerful vocals. This track is just superb and will or should invoke attention. Structured to mega proportions with energetic propulsion.

Rising
A sudden change in tempos solid striking guitar starts and then a change in direction bring a faster element to it with great harmonies too, and a driving layered rhythmic quality. A battle of guitar riffs pump out a feverish melodic sound that is balanced whilst the half chanted vocals give it that edgy and manic tone. This is one surging track that will no doubt get repeated several times for it offers beautiful riffs and evil gut wrenching growls all in one track alone. Epic!

3 Minutes
Powerful and rhythmic this track just appears with a hard edge of explosive blast beats that are unrelenting and fierce and coupled with the scourging ravenous vocals it is hard hitting and intense. A solid bass hook just surges and balances the track nicely. Intensely pulsating and rhythmical – you can almost hear your own heart beat grow faster with each damming riff and each blasting beat.

A Phonic Facial
Amazing bass hooks rip through the track with unrivalled guitar work – fast and furious it offers a chugging melodic feel to it. Evil vocal content adds to the mix you cannot help but move your head to this. This is a powerful track heavy to the last with superb anthemic qualities and blistering riffs it feeds the soul with a banquet of liquid flowing riffs and delightful shreds with a structural synchronised vibe!

Down through the Gullet
Blasting metal riffs with damming impacting percussion – it is fast and unrelenting. The chanting melodic vocal offers both contemplative moods as well as down-right murderous ones. Textured and unified with hypnotic rhythms it delivers in strength and prowess. It is indeed complex and scathing in aggression and executed superbly by the band.

Zeroline
The title track is spellbinding, intriguing and dramatic! Integrating some powerful vocals that have you gasping for breath they are sung that fast. Sophistication comes in the shape of some deftly awakened guitar riffs that momentarily appear as the drumming expertly executed takes over by probably an octopus on speed the raw aggressive element just shines through.

To sum up this is raw aggressive and abrasive death metal played at its very best! It leaves you gagging for more.  If you have the death metal gene to digest this then you can rest assured you are going to be well satisfied.

The menacing metal and brutal battery experienced within this tiny silver disc is nothing less than stunning. It reveals rhythmic tension and an unparalleled death metal experience for every fan with a leaning towards this brutal element of Metal.

5/5

Track Listing:
Bloodthirst
Torn Apart
Evil Undead
Military Song
Rising
3 Minutes
A Phonic Facial
Down through the Gullet
Zeroline

Festering Saliva

Members:
Roland Wagner – Vocals
Danny Klupp – Lead Guitar
Max Steiner – Rhythm Guitar
Florian Puchert – Drums
Michl Szabo - Bass

Thursday, 30 August 2012

SML8 - Surreality - 11 Track CD - 2012


SML8
Surreality
11 Track CD
2012

 The eye catching cover

SML8 – Daytona Beach - Florida

Links:

Genre: Heavy Electronic/Industrial Metal

Formed in 2009 by Scott Van Horn and Adrienne Noyes who reside in the Daytona Beach area of Florida, this band offers everything from and I quote “Heavy metal guitar riffs, distorted electronic beats, hypnotising synth mutations, screaming thrash vocals, operatic angelic female vocals, assault of acoustic drum beats and ripping bass lines with diverse modulation... and is an IN –YOUR – FACE experience!”

This genre has always been a favourite of mine as it is offers some of the most purest of extreme vocal sounds but still yet manages to hold a beauty all its own although the operatic female vocals somewhat disturbs me, but we shall see.

The cover is very Cyber influenced and immediately grabs the attention.  Inside the CD case offers a booklet which contains the lyrics, tastefully done in an electric blue colour that is extremely eye-catching and screams Industrial at you.

There seems little or no bands around Liverpool that can offer industrial in this calibre which is a shame, although we do have our fair share of metal – but the Industrial element is sadly lacking.

Intraucity
The sophistication and musical quality reaches new highs with this surging instrumental that lightens the mood and heightens the senses.

Hypnotik
Deeply profound this track spins you into an eternal abyss, haunting melodic keys, and a very hypnotic drum beat then the scourging vocals begin and then following is the female angelic voice of Adrienne. Personally I feel that the female vocal content subtracts from the extremity of the track but the harmonic content from Adrienne is however superb. 

Non-Existence
Choppy synth mutations with hooked melodies are rife as the track comes into being with a real cacophony of electronic sounds intermingling with some awesome screaming vocals – don’t fight it, just feel it! Ambience in abundance it brings a kind of dark and foreboding mood forward containing some superb jangles of eerie sounds.

Mindcraft
Begins with something that sounds similar to an EVP or (Electronic Voice Phenomenon) captured from a haunted house with some equally haunting synth although the operatic vocal somewhat disturbs this formula.  The evil chanting type of vocals however, brings it back on track with the melodic content being superb and unrelenting.

Define Design
A damming beat sets the pace and fiery vocals burst into life giving it a nice creepy feeling. Atmospheric synth and predatory beats usher forth but still not really sure about the operatic vocal content which for me again removes the extremity although it does add a haunting quality.

Deathgrip
Pulsing rhythmic tones and a hungry beat open this track with gusto and assault on the senses. The vocals are really superb and as it builds to anthemic proportion it batters the audial senses with impressive speed. With lyrics like “Hate me, Assassinate me, you can’t escape me ‘cos I am the Master!” Gives you an insight into what the track is about, and will have you singing along to it in no time - Reminiscent of the fantastic Psyclon Nine and definitely my favourite track on the album.

Eradication
Awesome beginning which wouldn’t be out of place in a sci-fi movie. Its swishing ambient sounds are complex and enticing and the beats are immensely inspiring. Adrienne’s haunting vocal starts and immediately I feel disappointed although the harsher almost whispered vocal compensates and with it brings new hope.

Reflektion
An array of squelchy synth and serious beats come into play with the most evil of vocals and a wall of sound literally takes your breath away. Beats that literally batter the skull with a resounding madness and are immensely superb!

Cross Conscious Phenomena
Dark, Deep and intriguing the synth takes you on a journey but you soon want it to stop when the female content starts – it just doesn’t motivate me I’m afraid, not that Adrienne can’t sing she has an enchanting voice and offers some diversity but not for this style of music as it once again offers a distraction for me.   I feel this kind of sound needs more extremity behind it – this may sound a little negative but it is only my opinion – A weak track in comparison to the previous ones on the CD.

Reprogram
Brilliantly executed evil vocal content with distorted electronic voice offers an intriguing quality and mixed with the choppy little melodic undertones it is exciting with nice heavy laden beats and would be ideal to listen to in a darkened room with headphones on so you don’t miss anything.

Hollow-Sin-8
A reflective track that superbly executes the music quality and is hugely enjoyable as an instrumental offering some haunting and majestic melodies intertwined with a nice assault of beats, Dave has done a great job here. It gives the listener some sophistication and is ideal meditation music – it will relax the most tense of muscles and carry you off onto a new harmonious level of subconscious.

To sum up - A highly sophisticated CD musically but disappointing as the extremity of the tracks get somewhat lost when the female vocal is added although if it were to be added as harmonized content I feel the tracks would benefit and compliment greatly but this would mean a change of direction for the band however it would still be interesting to see what would emerge if the band was to do this.

I particularly love the spelling for the track Hollow Sin 8 - it is very cleverly thought out as indeed the name itself SML8 and adds a bit of unique quality to the CD.

Maybe the female vocals will grow on me after a few more listens - I was expecting a more extreme and grisly content but no doubt it will appeal to a lot of the male population as girls in bands is something of a rarity these days.

This CD is however a musical master-piece and Adrienne’s synth playing has added to the quality of it. But I am sure it will no doubt be well received within the electronic/industrial community.  It is certainly not a bad CD even with the female vocals and definitely worth a listen as the production alone is amazing in itself.

4/5

Track Listing:
Intraucity
Hypnotik
Non-Existence
Mindcraft
Define Design
Deathgrip
Eradication
Reflektion
Cross Conscious Phenomena
Reprogram
Hollow-Sin-8

SML8 - The Band

Members:
Scott Van Horn – Vocals/Synths
Adrienne Noyes – Vocals/Synths
Jace Wertz – Guitar
Dave “Murdoc” Arellano – Drums
Mason – Live Bass

Tuesday, 28 August 2012

Hounds - The Wicked - 4 Track EP - June 2012


Hounds
The Wicked
4-Track EP
June 2012

Hounds - The Wicked

Hounds - Essex

Links:

Download EP here:

Genre: Punk Electronica

This band brings a new meaning to TOWIE originating from the Essex area is foursome Hounds!

Their unusual brand of Punk electronica with more than a hint of Prodigy are now gaining some well-deserved recognition be it in the southern part of the UK.  Even The Prodigy are welcoming the guys with open arms and can’t say I blame them either from what I have heard after their rapturous performance at “Drownload” Festival earlier on in June this year.

Every fan of the Prodigy is going to love this epic 4 track EP – it has some great catchy melodious riffs and a plethora of haunting rhythms.

Fan the Flames of the Fire
Great chanting vocals engage as the thunderous riffs take hold.  A very enchanting little track that has a Prodigyesque feel to it.  Anthemic, catchy and full of exciting beats that are unsurprisingly dance orientated. This is delightfully elaborate and worth being in your music collection.

Shark in the Water
Amazing pulsing synth starts off this track with yet again some superb rhythmic vocal content that is surrounded by some tremendous contagious beats.  The pulverizing guitar just adds flavour to the melting pot and this track will have you singing along to it with head spinning consequences.

The Wicked Witch
Great anthemic lyrics are somewhat tongue in cheek and inject a certain humourous feel exploring the other side to metal with astounding results. Hypnotising bass and a solid nifty synth sound just grows with the vocal content announcing “The witch s dead!” A reference to the Wizard of Oz – yeah I remember it! A superb ambient track that delivers to a very chemical generation and begs to be noticed!

Check out this fantastic vid including snippets of Hounds live!

Posh Boy
Beat crazy and rhythmic this will have you moving. The electronic groove is apparent and will have you hooked as it has me. I am finding this four-track thoroughly enjoyable. A very refreshing aspect to this track with the seductive vocal content being very melodic and primed with a good stable and solid beat it instantly warms whilst the electronica, bass and guitar just entice you to listen.

Hounds may be classed as the poor man’s Prodigy and perhaps not as bizarre but there is no getting away from the quality of these four tracks. This is an EP that will no doubt have you press repeat sooner rather than later – that is if you love dance grooves and electronica which I do!

Punk/Electronica is such an unusual mixed genre and more importantly one that works! The heavy melodic squelch of the keys with its complexities are likely to infect the blood with incredible results whilst the vocal punk element will fire you up to go totally insane.

Hard to pick out a favourite track as each one holds its own and gives the listener something to think about. Uncompromisingly, a superb production can be witnessed on this EP. The harmonies are absolutely amazing down to the last note. It may or may not appeal to a lot of Metal heads but I know quite a few love the Prodigy – so it is worth giving it a listen or three!

Let Hounds play with your senses, Chill out! Turn the lights off, turn the volume up, let the rhythm take hold and prepare for a nice mind fuck experience.

I so recommend this aptly titled EP - it is top notch listening and remarkably special. Oh yeah did I say it is WICKED??

You may want to check this band out on the links above and be daring enough to download the EP – now on iTunes - it has lots of bite!

5/5

Track Listing:
Fan the Flames of the Fire
Shark in the Water
The Wicked Witch
Posh Boy

The awesome - Hounds

Members:
Olly Burden – Vocals/Guitar
Chas Langston - Drums and BV's,
Adam Hammond - Bass,
Chris Wallace - Keyboards

Sunday, 26 August 2012

Until We Die – Set upon Invasion – Coronach – Bury the Conscious – Scare Tactics - Oceanis and Ramraid - Fringe Festival - The Zanzibar - 24.08.12


Until We Die – Set upon Invasion – Coronach – Bury the Conscious – Scare Tactics - Oceanis and Ramraid

Fringe Festival
The Zanzibar
24.08.12


For people who don’t know what The Fringe Festival is about it is a popular music/arts event held over the August Bank Holiday and most of the venues take part offering free gigs so local bands can showcase their work.

The Zanzibar certainly excelled with this mighty line-up! There was something for everyone! From Metal Core to Technical Metal, Thrash to Melodic Metal, and what an amazing night! Seven awesome bands one of which I hadn’t seen before and six others I have witnessed previously but enjoyed seeing live!

The atmosphere was buzzing as the evening got underway. The Zanzi filled up quickly and the bands that played were far more special than any signed band - So what if I am biased!

The work these bands put into making this event was something special and mind blowing to say the least not to mention the work Tony, Pat and Paul put into making this event what it was and simply excelled in doing what they do best making it a night to remember.

Until We Die – Liverpool              (on stage 7.15pm)

Links:

Genre: Metal Core

A great start to the evening as Until We Die took to the stage. A band I had not seen live before and always good to see new talent.  These guys really got off to a brilliant start. 

As with a lot of bands who face line-up changes Until we Die were not without their fair share of changes and their rhythm guitarist decided three weeks ago to leave the band sending out massive shock waves. They worked hard to find a replacement and he too backed out last second, but it was Ryan Birch who came to the band’s rescue and kindly filled in on rhythm guitar for the guys at Fridays gig. 


Although four out of their six song repertoire were covers their last two songs shone. I think this was a clever little ploy by the band as their set got underway and some mediocre songs ushered forth but on hearing the bands own material realised just what lay beneath the surface and they gave us a small insight into what they were all about.
  
The band ploughed their way through the set and I was thinking they were more rock orientated until they played a track of their own entitled Desolation and then the atmosphere changed.  The crowd became a bit more interested as I did myself and it got more interesting as the rhythms and beats suddenly became a lot heavier and vocally more intense.

I was informed it was the band's first gig and yet I detected no nerves at all – amazing how bands do that and Until we Die were no exception despite the stress the band must have felt having members drop out so close to the gig. So kudos to them all.

Declan played extremely well as did the rest of the band and Shaun’s vocals were superb even more so when he sang the bands original material.

It will be quite interesting to see the band live again and make comparisons as to where they are gaining strength and what their next line of assault is and also to see if Ryan stays with the band on a permanent basis or will they find someone else? Personally I think he should stay with the band.

Now currently working on their new EP which hopefully will contain the bands last two tracks – I am sure it will and no doubt make people sit up and listen.

 Until we Die


3½/5

Members:
Declan Power - Drums
Kevin Nash - Bass
Michael Winter - Lead Guitar
Shaun Seels - Vocals
Ryan Birch - Rhythm Guitar

Set list:
Plot to Bomb
The Pandhandle
The Darkest Nights
I'm not a vampire
Desolation
Determined to the End

**********

Set upon Invasion – Liverpool       (on stage 8.00pm)



Links:

Genre: Melodic Metal

Always good to see Set upon Invasion they nailed the set at The Lomax last Tuesday 21st August but sadly vocally Joe was a bit flat in places again which makes me wonder if the band shouldn’t draft in another vocalist to do the singing whilst Joe does what he does best and do the growling.

Musically the band was tight and uncompromisingly good.  Nick the band’s guitarist extraordinaire again proved he is a wild axe man and shone on stage whilst Sean’s drumming not only set the pace but had a few members of the crowd talking and a few people asked Nick if he would like to jam with them at some point which goes to show Nick is clearly a talented guitarist.

SUI really teased me as they always keep my favourite track “The Disease” until the end of the set – and this was no exception.  I simply adore that track as it has really beefy rhythm and is a very anthemic track with no holds barred.  Joe came to life and vocally nailed it, but then again he always does on this particular track.

I remember when Joe put it up on Facebook and I didn’t listen to anything else for a week – it was constantly being played.

I think if Set upon Invasion were to write more anthemic tracks like the Disease and cut out the Avenge Sevenfold cover it would be in their favour – for me there is nothing that can beat a band’s own material – hearing something new for the first time and then hearing it again and getting to know that specific track for me is always interesting.

But no matter I still enjoy seeing Set upon Invasion live with Nick doing his wild antics on stage it’s always exciting to watch.

 Sean
Dan

Nick, Sean and Joe

4/5

Members 
Joe Speak - Vocals
Sean Carson - Drums
Dan Smith - Bass
Nick Harris – Guitar

Set List:
Groove Zero
Oceans of Sleep
Give Up the Ghost
Unholy Confessions (Avenged Sevenfold cover)
The Diseased!

**********

Coronach – Wirral – Liverpool       (on stage 8.45pm)



Links:
http://www.facebook.com/CoronachUK

Genre: Technical Death Metal

Although last night’s performance was tight and unrelenting the band’s failure to get on with the set let them down a bit. Too much time in between the songs left the audience restless which was a shame as when they get together on stage they really do blow you away.

Benn’s fancy finger work on the frets awesomely brought the tracks together and gave them a specific depth, whilst Chris’s vocals insanely ravaged the brain cells but despite the bands delay in getting on with the set they did however put on a tremendous show – there aren’t many Death Metal bands around Liverpool and Coronach certainly know how to deliver.

Coronach tend to write tracks quickly and no doubt could play a full hour set which is quite some feat considering they are new as a band to the scene but there is always a slight hint of tongue in cheek with this group of death metal heads.

Coronach seem to be trendsetters and wear a lot of eye catching apparel usually fluorescent flowery shorts but this time round they had toned down the shorts for jeans  (and handed the rights over to Andy of Scare Tactics and Mike from Bury the Conscious  who all supported the flowery apparel) So it seems you never really know what to expect with these guys and maybe that is how they like it.

They played my favourite track Hobo with a Shotgun later on in the set - a particularly grisly track that was delivered and received well by band and audience alike.


They were the only band to get a small mosh pit going headed by James Yeardsley (Or Yeardo to his mates) and whose antics at Basement 20 are still being talked about today.

I am looking forward at least to hearing an E.P. if not a full length album from the band soon.

 Benn and Chris
Benn

4/5

Members 
Vocals – Chris Furlong
Guitar – Benn Freeman
Drums – Liam Edwards
Bass - John Sandifer

Set List:
Plague
Built for War
Disfigured
Genocide
Vengeful God
Forever Abused
Hobo with a Shotgun
Army of the Dead

**********

Bury the Conscious – Wirral       (on stage 9.30pm)



Links:

Genre: Metal

Four guys and a chaos pad - Bury the Conscious never disappoint. They brought the Zanzibar alive with their extreme tempos and elegant rhythms which delighted the crowd me included – but they always do.

Sadly though the Chaos Pad lost its voice on some of the tracks which was a first but these guys were not phased in the slightest although a little disappointed but nothing really could take away from the immense performance Bury the Conscious give each time they perform live. 

Mike with Chaos Pad

I will always go and see them – watching the band last year and seeing how far they have grown in confidence and strength alone since losing Dan on guitar and becoming an act to be reckoned with - nobody could get tired of watching Bury the Conscious they take their unusual blend of metal to another dimension and clearly grabbed the audience’s attention as soon as they hit the stage.

You cannot miss Mike’s flaming red locks and under the glowing red lights of the Zanzibar he seemed to just melt into the surroundings.  The bands faces were full of concentration and Luke is one who is always great to see on stage – he thoroughly gets into every riff and beat that is played and now I personally watch for his prowess each time he picks up his bass guitar.

Luke the bassist with prowess!

Matt’s drumming was intensely executed whilst Matt O the guitarist poured out some amazing riffs closing his eyes and holding his head up to the throbbing lights of the Zanzi stage – these guys know just how to hit the spot and make you feel there is nobody else in the room – just them.

Luke, Mike, Matt C and Matt O


4½/5

Members:
Mike Roberts: Lead Vocals
Matt Clynch: Drums
Matt O'Donnell: Guitar/Vocals
Luke Crowther: Bass/Vocals

Set List:
Reclaim
Epicentre
Unknown
Ready the Machine
Crossing

**********


Scare Tactics – Liverpool          (on stage 10.15pm)



Links:

Genre: Groove Metal

If you like grooves, be sure to catch Scare Tactics (Or Scary Tictacs as they have affectionately become labelled) Winners of M2M’s and appeared on the New Blood Stage at Bloodstock recently and rightly so.

Their performance last night was nothing less than epic! Speaking to Danny the bands lively bassist told me that they enjoyed playing the set as they could just relax and be themselves - as the last time I saw them at the Lomax for Sal’s M2M’s final they did appear more tense and nervous but were concentrating on the set as they were being judged and it paid off!

Andy and Danny

For me it was clear that the band enjoyed their set last night as the banter was rife, the playing however was tighter than a ducks backside and just as fiery.

Their groove ridden metal was easy to lose yourself in and they made you a big part of their set which I particularly loved. Drowning in the intensity of each beat and each riff leaves one awestruck.

I have loved the band since seeing them about two years ago again at the Zanzibar.  Their unusual blend of grooves just filled the stage and then gave me the impression that these guys were not going to fade into oblivion any time soon – and I was right.

It was superb witnessing them at the Fringe Fest the other night clearly enjoying themselves on stage and doing what comes so naturally to them.  They use the stage to their advantage and make the audience part of their repertoire and it was apparent to each and every one who saw them perform at Fringe that these guys are simply growing in stature and now one of Liverpool’s top bands.

 Stu
Andy and Danny

Paul


5/5

After Scare Tactics brilliant performance Andy gave out a Birthday mention to Pat O’Shaughnessy the man behind the sound desk at the Zanzi. Sadly Pat didn’t get up on stage, but a large birthday cake was presented to him behind the desk and a card which I had done my best to get signed by all the bands was given to him by none other than Geoff Barker – Scare Tactics mentor and driver. I don’t think Pat will forget this birthday in a hurry.

 Pat and Geoff
Pat

Members 
Danny Williams – Bass
Stu Barker – Drums
Andy Barker – Vocals/Guitar
Paul Charnock - Guitar

Set List:
Right Hand Man
False Power
Someone Else
Wrong but Righteous
We Live
Drunk Fuck

**********

Oceanis – Liverpool                  (on stage 11.00pm)



Links:
https://www.facebook.com/oceanisuk?sk=wall

Genre: Tech Metal/Post Hardcore

I knew what was coming but did anyone else? For the ones that had yet to witness Oceanis Live I knew they were going to be left open mouthed as the vicious onslaught began.

Joe was already psyching himself up in a dark corner and morphing into Satan and as the first chord struck and low and behold Satan was amongst us. Joe must be at least 6 foot 5 and he uses this to his advantage.

The barbaric growls and the fiendish look in Joe’s eyes said it all to me.  The crowd gathered in a semi-circle around the stage – not venturing too close for what was about to be thrust upon them perhaps a lot more people had witnessed the ferociousness of Oceanis beforehand?

I felt sorry for the rest of the band as they were fiendishly slogging their guts out on stage and bringing forth the musical element of Oceanis and yet all eyes were fixed on Joe the band’s frontman but with good reason.

Although a big shout out for drummer Dave Waite as he played the entire set with a broken rib - and that is NOT easy! But nobody noticed as he slammed his way through the set – the power of Satan compelled him!

Joe launched himself into the semi-circle and the most thunderous of vocals burst from the speakers, his face morphing into an evil glare and I wondered who would be his first victim.

It wasn’t long before he grabbed and pushed a member of the audience but not like at The Lomax where the onlookers just stood open mouthed this time the audience hit back much to Joe’s surprise!

Ganikah Brown happened to be in the audience and she is not to be messed with despite her small 4 feet something frame she ran up to Joe and smacked his backside prompting him to do his worst! Joe towered over her screaming vengeance into the Microphone as Gani stared him full on in the face it was an amazing battle of wills. Several more times this happened and at one point Gani threw half her ale at him prompting a crackle from the Microphone as the liquid hit it.

The Possession!

Joe mingled within the receptive crowd and removed a girl’s glasses and ran back on stage to wear them but always giving back what he had taken – it is like the music possesses him and he becomes this evil figure of wickedness and as soon as the music stops the spell is broken and he becomes himself again.

Joe said to me afterwards and I quote “I hope I didn’t upset too many people in the audience tonight!” The evil glare had all but disappeared and a smile appeared on his face once more.

Oceanis are just incredible to watch and so it is worth noting that if they are playing near you to go and see for yourself that Satan lives amongst us in the shape of Joe Maryanji it brings a new meaning to the term “Horns high”

 The evil one!
Oceanis casting their magic
The finger of death!

5/5

Members:
Joe Maryanji - Vocals
Stu Donachie - Guitars & backing vocals
Dave Waite - Drums
Craig Miles - Bass
Phil Dyer – Guitars

Set List:
Prevalence
Rise from Ruin
Destroyer
Of Flesh
Ethereal
Brotherhood
Collision

**********

Ramraid – Liverpool                   (on stage 11.45pm)



Links:

Genre: Old School Thrash Metal

Relatively new to the scene as Ramraid these thrashers gave a stunning performance.  Seen before at Basement 20 (now called Format in Liverpool) at one of Dr. Aids gigs their old school thrash really is immense.

Sadly Joe couldn’t remember the words to Bred for Death – he tried at the beginning but then it turned into a fast instrumental but I don’t think anyone minded too much as the music was superb.

I particularly like the bands logo design for originality and colour it has to be one of the best I have seen around.

The Zanzi was still quite packed despite Ramraid going on at 11.45pm and Joe thanked the audience appreciatively as did he say and I quote “It’s hard going on after Oceanis and Scare Tactics as they are such good bands, and we are shit!” I don’t see it that way at all.  In fact all of the bands that had played before were different genres so how Joe came to that conclusion I have no idea plus Ramraid are still very new to the scene as a band and I particularly like the old school thrash sound despite not being a fan of it when it was first introduced in the 80’s.

I think Ramraid are following in the likes of Bludvera and Entropy two fantastic thrash bands that deliver quality music and of which Scott from Bludvera and Rob from Entropy attended to support the bands which I thought was fantastic.

The time just disintegrated and I couldn’t believe it was 12.30am I could have stayed a bit longer despite my sore feet as I had such an amazing night. The camaraderie was rife and the support for these bands held no boundaries – it was so good to witness that.

For me the local scene is the scene to be seen in – there’s so much talent around and so many genres to choose from although I have never witnessed a “bad” gig at the Zanzibar and I know I never will.

 Ben, Dom and Joe
Dom 

4/5

Members:
Joe Bromiley - Rhythm guitar, lead vocals
Ben Gannon - Lead guitar
Paul Hutton - Bass
Dominic Williams – Drums

Set List:
Into Annihilation
RamRaid
Bred for Death
Murder in the Embassy
Deathlands

*      Special mentions to Ian Laver, Danny, Jake and Rich, Izzy Johnson, Cat Jones, Mandy Hamill, Gani Brown, Mike Hardy, David Dixon, Dave Purcell, Rob Boyd, Scott Clayton, Matty Hughes, James Collins, Lee Soady and James Yeardsley – good seeing you all at the event!