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Friday, 10 March 2017

Funeral Tears - Beyond the Horizon - 6 Track Album - Satanath Records (Rus) Cimmerian Shade Recordings (USA) Extreme Music PR - Release Date: 13th April 2017

Funeral Tears
Beyond the Horizon
6 Track Album
Label: Satanath Records (Rus) & Cimmerian Shade Recordings (USA)
Extreme Music PR
Release Date: 13th April 2017



Funeral Tears – Tomsk, Russia

Links:
https://www.facebook.com/FuneralTearsRus/

Genre: Funeral Doom

Nikolay Seredov

Biography:
“Initiated from Tomsk, Russia during December 2007, Funeral Tears is the solo Funeral Doom project of Nikolay Seredov (leader of bands like Стахановцы [Stakhanovite] and Taiga).  Dark melodic music and lyrics convey the inner state of Nikolay at different periods of life, the struggle for spiritual balance, at war with himself for the only purpose - to find his own eternal peace.  With two grief-stricken full lengths and a split with Poyezd Rodina, Funeral Tears has made their place in the realm of underground Funeral Doom Metal.

The third full-length of Funeral Tears, "Beyond The Horizon" is filled with the musician's thoughts about people - that we are who we are, with our doable or unrealizable dreams, with our own individual perception of the world and with our ideas about the future. The fact is we strive to be closer to the stars but lose the Earth. The album is having all of the components that a classic Funeral Doom album should be tempered with: deep, desolated growls, alluring acoustic guitar transitions, drown oriented synthesiser parts, mournfully slow yet heavy riffs and tasteful yet dreary melodic guitar components.  The album, clocking in at near an hour, creates the aura of getting buried in the grave of intense depression. Prepare to be crushed amongst the gloomy passages of six unadulterated Funeral Doom tracks!”

~~~~~~~~~~

I don’t know whether I am really ready for this E.P/Album.  I suppose it depends on what mindset you are in at the time and at the moment I am in a pleasant happy mood and don’t want this to be destroyed. The only thing urging me to review this is the fact I am curious, I want to know what is going on inside Nikolay Seredov’s mind, and work out why he should record such mournful tracks, when there is enough sadness and misery in the world, to begin with, but the only way of finding out is to press the play button. The fact I am a little apprehensive speaks volumes as I am in an upbeat mood so far today, anyway… well here goes!

As Close my Eyes begins the sense of solemn isolation begins to take over and a brood forecast emerges. However, just out of nowhere a thunderous rhythms comes surging through the listening devices and washes you into oblivion. It is a very powerful track with devilish rasping gargles of breath that somehow draw me to it like a magnet to metal. So not bad at all and not what I was expecting!

Breathe begins like a very soft caress and can hardly be heard but after the last track, I got caught out volume wise, so very wary of a repercussion. This has tempered strings that dominate until a little further into the track comes a shrill clash of cymbals and beats. The solitude is felt highly and makes for a gripping encounter. Vocally sustaining its harsh raspy growls it intrigues and captivates, despite its melancholy feel.

Dehiscing Emptiness begins the same way as the other tracks with soft noises and poignant jabs of music but created very subtly. As it opens further it reveals a very dark, sorrowful but melodic side. The vocals, however, have turned even more dispirited and mournful. Making them sound utterly evil.



I Suffocate begins as before with its despondency and pensiveness and then snaps (although gently) into a more lachrymose state. The vocals speak softly so much so you can almost feel the breath in your ears. The vocals are in English and can just about be heard over a doleful rhythm. How unusual would this sound in Russian, I wonder?

Beyond the Horizon again holds subtle encounters and an agitated nature. It is the dreariest of tracks so far on the EP but this is exactly what it says on the label. The textures don’t reach out they amble on their way and cast a darkened shadow over the already black misty atmosphere and smother you alive.

Eternal Tranquillity is what we all want but maybe in different quotas, although it would get highly monotonous if we all wanted the same thing. This track could be labelled as epic in every sense of the word as it breaks off from each angle and re-emerges with a shrill and slightly uplifting tempo. The grazing hellish vocal is gnarly and uproots your feelings and emotions as it splurges from its sleep and continues to blend the track into a masterpiece.

Not as doomy and gloomy as I first thought it would be, although yes it is doom-laden in places but it also holds a very fiery spirit that is attached to its icy tendrils. So, a good blend of everything, well mixed, well written and well executed!

Powerful and intriguing music! It doesn't take long to look Beyond the Horizon! One question needs to be asked and that is "Have you found yourself yet?"

9/10

Track - List:
Close My Eyes
Breathe
Dehiscing Emptiness
I Suffocate
Beyond The Horizon
Eternal Tranquillity

Line-up
Nikolay Seredov - Everything


Wednesday, 8 March 2017

Sigil - Kingdom of the Grave - 8 Track Debut Album - HPGD Productions - Release Date: 7th April 2017

Sigil
Kingdom of the Grave
8 Track Debut Album
HPGD Productions
Release Date: 7th April 2017



Sigil – Austin, Texas

Links:
https://www.facebook.com/Sigilmetal

Listen to Kingdom of the Grave here:
https://hpgd.bandcamp.com/album/kingdom-of-the-grave

Genre: Death Metal

Biography:
Sigil join the Horror Pain Gore Death Productions roster with the explosive debut full length "Kingdom Of The Grave"! Hailing from Austin Texas, Sigil successfully blends classic Swedish Death Metal with American crust resulting in catchy, crushing chaos. Keeping true to the old-school faith, "Kingdom Of The Grave" is unrelenting in its Death Metal attack which also incorporates raw D-beat aggression complimented by slashing solos and throat-ripping vocals featuring themes of suicide, police brutality and the occult. For fans of Black Breath, Carnage, Dismember, Entombed, Entrails, Fatalist, Fleshcrawl, Gatecreeper, Grave, His Hero Is Gone, Nihilist and Tragedy!”

~~~~~~~~~~

Let Death Unreal commence with its heavy blend of molten metal riffs and savage throaty rasping, it ricochet’s from the speakers and catapults an apocalyptic rhythm in the direction of the audial and dramatically pulverises with harsh potency. As Even the Gods will Burn comes into contact with the ears it rampages feistily and shows how impressive it is as the scathing beats cut a groove in your head! Moving on to Lick the Blade which creates a cataclysmic drama of its own making and reveals a gnawing energy that bristles with ease. Next on the album is the bands single Kingdom of the Grave its violin concerto is awful I have to say, wincing as I type at its shrill noise, however that was just the start of the track and the powerful beast emerges once again rearing its mighty head and pulling no punches. The track is predominantly thrash related and holds a maze of various twists and turns that are concealed in a labyrinth of emotional drama. I can see why the band have released this as their single, once I got over the start of the track! Summoning Hate is another bounding malignant swathe of madness that draws on a heavier imagination while it smashes your skull in. Strange Aeons boldly matches the previous tracks and doesn’t let the side down with its staggering niggling rhythms, cantankerous beats and oh so, delicious vocals. Bloodvisions comes across as a little calmer and more relaxed musically but still possesses a raucous beat and thunderous vocal throaty rasping that inspires. The eager hooks draw you into their seductive and raw rowdiness like no tomorrow. Death won’t kill me begins with a thick and heavily coated rhythm that sticks like glue to the brain in an attempt to smother, however, it will be well remembered and not only for that but its title also.

The band come across as a tight outfit who know which direction they are heading in and seem very confident in their musical capabilities, even pushing their boundaries ever so slightly.

9/10

Tracklist
Death Unreal
Even the Gods will Burn
Lick the Blade
Kingdom of the Grave
Summoning Hate
Strange Aeons
Bloodvisions
Death won’t kill me

Line-up:
Leda Ginestra - Bass
Jeremy Hassell - Drums
Andy Bonney - Lead Guitar
Alex Citrone - Rhythm Guitar/Vocals


GraViL - No More Forgiveness - 10 Track Album - Self-released - Release Date: 5th May 2017

GraViL
No More Forgiveness
10 Track Album
Self-released
Release Date: 5th May 2017


GraViL – London

Links:
https://www.facebook.com/gravil

Genre: Metal

Having just reviewed the band's new single Decommissioned I am now in the favourable position of being given a sneak preview of the band’s new album ‘No More Forgiveness’

Detonate is a powerful surge of electricity that will burn right through your carcas in seconds! Contagious and raw it licks the blood from your wounds with relish while devouring you to your very core! Are we alive? Prowls with a hungry appetite and seeks out its prey like a ravenous animal. It will certainly take a lot to put out this flame for sure! I am the Blood the life giver and the life taker, it infects with a rabid poison that smoulders in the face of the brutality it creates. Plagues, Thieves and Murderers broods with angst and ambience, slowly coming into view but yet still in the shadows so as not to reveal its identity too quickly and to catch the unsuspecting prey unawares. It holds a magnetic stance that is solid and rare. Choke in Silence – a great title! It blisters into action, which makes me immediately reach for the volume and turn it up just that bit more to bathe in its compelling embrace! The track is a loaded gun that is about to blow your heads off! Locate the Traitor pummels its way forward into oblivion, stomping on everything in its path and leaving utter devastation. Vocally engaging it screams and seethes with utter contempt for the audial. Fractured, Divided is a magnificent track that shows the band in a different light. It casts a golden glow over the previous tracks just for its regal and majestic strides and powerful boldness. The clean vocal gives it a different slant and is proof that GraViL is a mixed genre band with so much to give from all angles, from mellow to technical. Decommissioned is an animal Unleash it and it causes chaos within seconds. Complex and intense it weaves its raucous magic into a menacing medley of rhythms and just sends you on a boisterous journey of malevolence and feisty intrigue. Forever is a Prison holds a driving force that can be likened to an army tank as it will destroy everything beneath its tracks. It drives the temperature to a fever pitch and brutalises the cerebral cortex as it instinctively increases its vicious brooding pressure on the general public. One Eyed King lashes out as its rage quickens with gusto and explodes into a rampaging and rampant beast! This is seriously catchy foreboding and will trigger its imposing cruelty with each step it takes nearer its end.

“Devastatingly brutal it will show contempt as it bares its horrific fangs ready to devour and then parade what’s left to the masses” Killer Album! I bet you can't wait for the 5th May!

10/10

Tracklist:
Detonate
Are we alive?
I am the Blood
Plagues, Thieves and Murderers
Choke in Silence
Locate the Traitor
Fractured, Divided
Decommissioned
Forever is a Prison
One Eyed King

Line-up:
Grant Stacey - Vocals
Tony Dando - Lead & Rhythm Guitars
Charlie Webster - Rhythm Guitars
Sparx - Bass and Backing Vocals
Perrin - Drums

GraViL - Decommissioned - Taken from their sophomore Album - No More Forgiveness - Self-released - Release Date: 5th May 2017

GraViL
Decommissioned
Taken from their sophomore album
No More Forgiveness
Self-Release
Release Date: 5th May 2017


GraViL – London, UK

Links:

Genre: Melodic Death Metal



The masters GraViL have spoken, no, in fact, they have growled out their latest single entitled Decommissioned so it is only fair that you throw yourself on your knees and worship the metal masters of melodic death metal wholeheartedly.

Their new single is more than rewarding, holding plenty of riveting face melting riffs and banshee screams. It is just ripe and ready to create chaos and will brush aside anyone who doesn’t comply with their rules.

The track is imposing as it is involved and complex throwing a lot of brooding bass and riveting riffs into the fray. The harsh abrasive vocal edge completes the scene with a mesmerising array of beats that cement the fury together and so compelling the listener with an absolute passion!

It’s distinct character should have you on the edge of your seat chewing your fingernails down to the quick and probably half way up your arm as the menacing leaping medley of rhythms draw you in closer to their chainsaw of horror and taking you on a bold and boisterous journey that although will strike the fear of darkness into your very soul will also enlighten you through the sonic melody that is entrapped within the track.

The video holds your attention through an eerie malevolence that captures what the band are about and that is a raw pleasure straight from their dark hearts and they will never let you out of their sights – once you listen it is like you are put under their evil spell forever, however it is a spell that is welcomed and probably practised by many.

This is one blistering track that will feed your appetite on a daily basis – one cannot help but be impatient for the album to hit in May. This will leave burn marks on your forehead!

10/10

Line-up:
Grant Stacey - Vocals
Tony Dando - Lead & Rhythm Guitars
Charlie Webster - Rhythm Guitars
Sparx - Bass and Backing Vocals
Perrin - Drums


Syd 31 - The Last Punks on Earth - 10 Track Album - Analogue Trash - Release Date: 17th March 2017

Syd 31
The Last Punks on Earth
10 Track Album
Analogue Trash
Release Date: 17th March 2017



Syd 31 – Manchester, UK

Links:
https://www.facebook.com/Syd31

Genre: Electropunk/Digital Hard Core/Drum & Bass

Biography:

“Originally formed in 2012 by front man and producer Dr Magic, Syd.31 was born of the desire to create an exciting band that he, as a fan, would love to watch. Bored of paying big bucks to watch formulaic bands; he decided to merge his love of hardcore punk, industrial metal and sickly sweet pop music to create angry, powerful anthems design to connect with freaks, weirdos and outsiders. Shortly afterwards a live band was assembled by recruiting the band's original drummer Liam C and Dani Graves on samples and vocals; hit the road and has never looked back.

Delivering an uproar inspired by the decline of culture and the loss of safe spaces for freaks as the world becomes an increasingly dangerous place for us all; this is no science fiction dystopia. This is real - true tales of homelessness, violence, isolation and destroyed optimism. The last four years of performing live, talking to people, and seeing what makes them dance has helped Syd.31 craft this album into a deafening voice for the voiceless!”

~~~~~~~~~~

If you can imagine a few members from the cast of The Walking Dead singing this angry raging electropunk and also not a million miles away from electro punks Petrol Bastard and even a bit of Prodigy too - lucky people! It is quite an eye opener! Punk can be one of the most exciting genres if a bit of synth is added – it points the finger and when it does obey is the only thing left for you to do.

By adding the synth it takes away from the noise behind it, lifts the tempos to a fever pitch and gives your feet a reason to dance because they are simply compelled by the tidal wave of aggression and addictive rhythms. So far, from what I have heard of this album (up to ‘This is Industrial’) I am loving the tracks because of the drive and kick-back that exceeds expectations.

If this band were the Last Punks on Earth I am sure you would want to spend time locking horns with them as they sound pretty raucous and challenging to the listener on each and every listen.



There is even a little dubstep incorporated into one of the tracks but impossible to tell which one as they all merge into one which is a shame, however, I am loving every one of them!

It such a mutated construction that being into quirky things has just reached its most potent quota. With persistently energetic forces emanating from the speakers, it is hard not to become totally addicted to them.

It is really unruly, funky, and packed full of mesmerising groove! – so irresistible in my book. I suspect, however, that it will be too much for the average metal head, who probably likes their metal shaken not stirred, but for me listening to various genres broadens your horizons and outlook on the scene.

I was born and bred a metal head but these powerful waves are exciting and moreish and can be used as a good workout as your body just has to comply with the fascinating rhythms that are being forced upon it.

A little tongue in cheek is the track “I fucking broke my Guitar again!” which does sound like Petrol Bastard has had a hand in producing it, although, not so! Syd 31 really get into their unusual groove and prove they are worthy of so much well-deserved attention.

9.5/10

Tracklist:
Beware of the Gods
We are the Freaks
This is Industrial
A Safe Place
Last Punks on Earth
Blood Diva
Blind
Sarah’s Song
I fucking broke my Guitar again
March as Friends

Line-up:
Dr Magic - Vocals, Songs, Midi arrangements and Chief Bozo
Dani Graves - Button pusher, Backing Vocals and Synth Stabber.
Kara Wolf - Destroyer of the Drum Kit
Bad Charlotte - Axe Goddess and Queen of Rock Poses

Tuesday, 7 March 2017

Aktaion - Cancer - New Single - Independent - Future PR - Release Date: 17th February 2017

Aktaion
Cancer
New Single
Independent
Future PR
Release Date: 17th February 2017



Aktaion – Halmstad, Sweden.

Links:
https://www.facebook.com/Aktaion

Genre: Melodic Death Metal



Biography:
Aktaion sprung to life in 2015 with the release of their debut album Throne, the result of long-time collaborations between the members going back to 2010. The positive reception which came from reviewers and new fans led to the initiative to take Aktaion beyond its hold up in Halmstad, Sweden. Quite eager to release new material, Aktaion went into writing mode right away. Plans to record a shorter E.P in time grew into a full-length of eleven songs under the title The Parade of Nature!

After recording the second album Aktaion went out to tour the northern parts of Europe. In April, Aktaion travelled south and visited east Europe and the Balkans as part of the 'Blood Mantra Balkan Tour 2016' with Krysthla, Thy Disease, Hate and the legendary Decapitated. During the two-week tour, Aktaion visited and played a total of 13 cities in 9 countries, taking their own variation of Swedish melodic death metal with them. After the release of The Parade of Nature the band focused on writing new material and with the release of the new single 'Cancer', works are well underway for the next release, Aktaion is moving in a new and unexplored direction!”

~~~~~~~~~~

This track sounds far too perfect to be named after something so imperfect. The damming riffs are just colossal as the drum beats contagious. It rips into a throaty rasp from a clean vocal and literally sends goosebumps up my arms and down my spine. They are very poignant words “When the Cancer comes for you!” It is a very potent track that showcases the bands talents superbly!



It’s clever that the band are not actually singing about Cancer, as we know it, but war, at least that’s what I get from the video and we all know that war is another form cancer as it destroys lives just as the cancerous disease does.

The video is very revealing and cements the band’s sound, creating a drama that incorporates Cancer as being a fight, which it is and cleverly executed by pictures and words that make the listener think.

Tenacious through the spiralling melodic fusions it develops its own character and embraces the provocative and toxic outcome that is thrust into the limelight.

A really gut-wrenching video!

9/10

Line-up:
Jonas Snäckmark - Vocals
Francis Larsson - Guitars
Axel Croné - Bass
Jonatan Ney - Guitars & Vocals
Oskar Johnsen Rydh - Live drums

From Eden to Exile - Volatile - Taken from their debut album Modern Disdain - Attic Records/PHD - Stampede Press PR - Release Date: 2nd June 2017

From Eden to Exile
Volatile
Track is taken from their Debut Album Modern Disdain
Attic Records/PHD
Stampede Press
Release Date: 2nd June 2017



From Eden to Exile – Northampton, UK

Links:
https://www.facebook.com/fromedentoexile

Recorded and produced by Neil Hudson (Krysthla/Gutworm) at Initiate Audio and Media Studios in Wellingborough Northamptonshire

Genre: Thrash Metal



Biography:
“UK based heavy metal juggernauts From Eden to Exile are one of the UK's most exciting talents.  Having secured a slot at the 2015 Bloodstock Open Air Festival the band concrete their place in the future of UK metal.  Playing alongside acts such as Trivium, Black Label Society, Death, Cannibal Corpse and much more, From Eden to Exile hold their own and prove that they belong in the metal elite!”

~~~~~~~~~~

You know immediately that this is thrash metal with its gut-wrenching melee that spreads like wildfire through a forest! It kicks seven bells out of your ears as I am enjoying the volume at a reasonable level so as to devour the morsels left in its wake.



It’s a very savage track that brutalises using gigantic rhythms and soaring beats. The vocals are low toned and delicious as the harshness becomes apparent. The rambunctious flurry of riffs just excites and compels as the track moves forward towards its end goal, sucking all the energy from your body.

The virulence is emotive and yet seductive if that be the word, depending if you crave this kind of metal, but anything with meat on its bones has to be good in my book and this is tremendous.

If this single is anything to go by then the album ‘Modern Disdain’ will absolutely take the roof off!

10/10

Line-up:
Matt Dyne -Vocals
Tom Kelland - Guitars
Joey Jaycock - Bass
Mike Bell - Guitars
Liam Turland - Drums

Monday, 6 March 2017

Shores of Null - Black Drapes for Tomorrow - 11 Track Album - Candlelight Records/Spinefarm Records - Release Date: 14th April 2017

Shores of Null
Black Drapes for Tomorrow
11 Track Album
Candlelight Records/Spinefarm Records
Release Date: 14th April 2017



Shores of Null – Rome

Links:
https://www.facebook.com/shoresofnull

Artwork by Diletta F. (Eba Art)

Genre: Blackened Gothic Doom Metal

Biography:
“Following their highly acclaimed debut Quiescence, the gloom maestros are back with an album full of wistful-yet-powerful riffs, blackened aggression and epic melancholy-ridden vocals.  Produced by Marco Mastrobuono at Kick Recording Studio (Fleshgod Apocalypse, Hour Of Penance), Black Drapes For Tomorrow is a profoundly dark outing both musically and lyrically, forging a seamless and overflowing blend of genres into a boiling pot of multi-layered sounds.  The title leaves no room for misinterpretation; Shores of Null are back with a burden of gloom and darkness!”

~~~~~~~~~~

Not as doom-laden as I first thought, it does hold a lot of power behind the scenes as Tributary Waters shows in just 2 minutes and 27 seconds. Donau was quite exciting until that deep vocal entered although I do happen to like the growls that emanate further on in the track. Tide against us showcases the bands ‘other side’ as it bleeds a raw seduction through its pores but a bit too slow for me to fully engage in sadly. House of Cries holds the typical blackened dark rhythms that shatter the silence with superb triple edged vocals that rasp heartily, softly whisper and then put the fear of God himself into you as they turn deathly. Black Drapes for Tomorrow this is the track that has been extracted from the album for a single, as well as being the band’s album title, although there doesn’t seem anything dynamic hitting me on this one. The Enemy within changes direction and produces a sweet little number that is acoustically laden. There is something beautiful and yet dark about this passage that is worth exploring. Carry on, my tiny hope is quite a long track at 6 minutes 19 seconds so I am hoping for big things for this track to keep me engaged and not lose interest, and I am not disappointed as the sweeping rhythms connect like a magnet to metal with melodies soaring and highly excitable tones. I can’t help wonder why the band didn’t release this as a single as it really packs a punch! We ain’t ashes returns to a more subtle drowsiness until that death metal vocal executes a powerful roar along with tenuous rhythms and solid melody then it becomes a monster!  A Thousand Storms possesses an edgy ambience along with a fair bit of angst and then suddenly explodes into a tirade of energy and a magnitude of rhythms that fire on all cylinders. The Kolyma Roule strange title and a voice that is incoherent although spoken quietly the rumbustious rhythms and beats take over and drown out the voice and in its place the rampant fracas continues with a strenuous deathly vocal seething as well as clean vocal. Death of a River again holding a beautiful stringed melody this track opens up a serious backdrop of inspiration and leaves one feeling energised by the harmonious exploration this track uncovers.

8.5/10

Tracklist:
Tributary Waters
Donau
Tide against us
House of Cries
Black Drapes for Tomorrow
The Enemy within
Carry on, my tiny hope
We ain’t ashes
A Thousand Storms
The Kolyma Roule
Death of a River

Line-up:
Davide Straccione - Vocals
Gabriele Giaccari - Guitar (live backing vocals)
Raffaele Colace - Guitar (live backing growls)
Matteo Capozucca - Bass (live backing screams)
Emiliano Cantiano - Drums