Total Pageviews

Saturday, 9 February 2013

Miguel Rojo - Metal goes Mental - Khaldera - Rozetta Stone - Coronach - Kuru - Oceanis - Killaflaw - Zanzibar - 8.2.13


Miguel Rojo
Metal goes Mental
Khaldera - Rozetta Stone – Coronach – Kuru – Oceanis – Killaflaw
Zanzibar
8.2.13



Another superb night at the Zanzibar not that I expected any different but this time it seemed to be the icing on the cake! Despite my camera refusing to do its job and failing miserably, so no pics to be had here which is a shame but nothing I could do about it. Big thanks to Ian Laver and Paul Bigley for trying to revive it – to no avail.

Khaldera were the first band who started but played covers and the vocals seemed strained and not in keeping with the music however the musicians were good and there were some good guitar solos and the drumming was excellent from a guy called Aaron (I think)

Nothing is known about this band, so there are no links, no set list, not even a Facebook page. They played the likes of Anthrax and Pantera if that is any use. The band did not stop around after their set and just faded into the background – so none the wiser as to what is happening with regards to them.


Rozetta Stone                             (8.45)



Links:

Genre: Rock with Psychedelic tendencies

Well not a bandana in sight - since last seeing Rozetta Stone play and also Chris Dixon has now left the band – so down to four members and with a big change in direction they have finally become a more solid unit.

I liked Chris’s guitar but between him and Dil they were more like a two man show with the other members not so heavily featured. Sometimes a bit tongue in cheek but now they seem more serious about their goals and with new songs have surged ahead adding to the more psychedelic feel. The only thing that remained of the old Rozetta Stone I could see was Dil’s socks!!

Their new brand of rock/psychedelia certainly works! It is trippy yet heavy and the vocals although still had the Louis Jackson Payne stamp on them also produced something new and exciting to listen to.

Jay has excelled as a bass player and looked a lot more confident on stage than he did previously and Ash looked a lot more pleased with his efforts behind the kit and as a whole looked like they really enjoyed their set as much as the crowd goers did watching and observing.

Be interesting to see what happens further down the road with Rozetta Stone as I think this change in direction will be the making of them.

9½/10

Set List:
Untitled
Stag
Believe
So Blind
Mantra

Members:
Ashley Janes – Drums
Dil Lewington – Guitar
Jay Lashbrooke – Bass
Louis Jackson Payne - Vocals

Coronach – Wirral                                (9.30)



Links:
http://www.facebook.com/CoronachUK

Genre: Technical Death Metal

Well despite not getting a set list due to a pisser of a week for the band they still delivered a great set and played my favorite track “Hobo with a shotgun!”

Chris’s vocals although extreme and pushing the boundaries was not up to par – sound wise, until the second to last track when he finally asked Pat to turn it up a notch or two, then you could hear him properly, but with spider fingered Benn doing the frets and Liam really smashing it last night the set was a success.

Chris always introduces the tracks in death metal style which usually means you can’t hear what he is saying and this time was no different, but it is all in keeping with the bands tremendous stage repertoire although I do wish (and this goes for most bands) that when the vocalist is talking that they stop playing their drums/guitars/basses for just one minute so we can hear what is being said or introduced – Please take note bands this is so annoying!

I could not even move my fingers on my air guitar as fast as Benn was throwing out those riffs and now with Mike on guitar and Ryan on bass replacing John they too seem to have upped their game and become a more solid band than previous with a lot fuller sound.

Benn was not as vocal as he normally is probably due to the bad week they had had, but everyone seemed to enjoy the set and they certainly did deliver with the usual resounding ferocity that we all know and love when we see Coronach play.

9½/10

Set List:
To be added in the next few days

Members:
Benn Freeman – Guitar
Chris Furlong – Vocals
Liam Edwards – Drums
Ryan O’Quigley – Bass
Mike Cliffe - Guitar


Kuru  - Wirral                             (10.15)



Links:
http://www.facebook.com/kuruband.kuru

Genre: Heavy Metal

Kuru is a force to be reckoned with – last seen at Metal to the Masses at the Lomax last year.

Their intro brought smiles to the faces of the heaving crowd as the band waved their arms in the air to a little ditty until the ferocity began then all hell broke loose.

All their songs although slow with a lot of crashing cymbals really carved out another notch on the metal bedpost so to speak and their rendition of “Gangrape Style” was just superb and had the audience trying to do gangnam style dances around the place which added humor to the set as well.

Jon as ever smashed that kit so much that I thought he was going to break it as the heavy vibes resonated around the Zanzi. The band just oozed professionalism on each and every track they played – absolutely superb!

Tom and Pete were brilliant both working well together on stage and half way through the set swapped instruments but this did not deter from the intensity or passionate set the guys did last night – but it was done as different members write some of the tracks so it is quite fitting that they should take on the instrument for their said track they have helped to create.

I was enjoying the set so much last night it seemed to fly past and the seven tracks played seemed to just be like three or four. Kuru has indeed made their mark on the metal scene and worth checking out if you get the chance.

10/10

Set List:
Intro
Red Sea
Defunkt
Hell Confinement
Gangrape Style
Selfish Existence
World of Sin
Bloodgrudge

Members:
Pete - Guitars,
Jon - Drums,
Craig - Vocals,
Tommy – Bass

Oceanis – Liverpool                      (11.15)



Links:
http://www.facebook.com/oceanisuk

Genre: Technical Metal/Post Hardcore

With things hotting up Oceanis took to the new improved Zanzi stage which has now been widened and so allowing band members to get nearer to the seated audience and a real benefit to both band and punters.

As usual Joe started to do his morphing act – his face distorting into evil glares. His tongue leaped out of his mouth in such a demonic way it half scared the people there that had no idea what Oceanis were all about.  I knew, but I was still scared shitless as there is always that “oh shit what are they going to do next!” feel about their gigs.

Joe did not disappoint and after jumping off the stage started pushing people quite harshly provoking them to form a pit and savagely mosh each other half to death. Joe removed hats and screamed at people face to face, and then after jumping back on stage used the widened part of the stage to make his way to me sitting on the seat at the front.  Without warning and little be known to me at what was about to happen, he grabbed a handful of my hair and with such force pulled my head down to the side.  I could not move – totally powerless to stop him – not that I wanted to as the music was just so violent and savage – I waited for his grip to loosen and felt the pain thereafter burning in my skull.  It felt like acid had been poured over me.

Joe moved round the crowd to pick on his next victim and moved to two girls sitting not far from myself, he also grabbed the hair of one and she clearly enjoyed it judging by the look on her face and the girl sitting next to her - and grabbed her blouse and pulled at which point Andy from Killaflaw was looking a bit anxious and told Joe to back off.  I thought there was going to be a boxing match after that but luckily things returned to “Oceanis” normal and Joe went on his rampage further into the building, knocking people out of the way like toy soldiers and then he appeared on the steps where Andy was and pushed him around a bit but Andy gave just as good back.

Dangling from the old Zanzi beams Joe’s foot slipped and a monitor turned over as bodies continued to be thrown around the floor like bits of discarded paper, but a friendly hand was always there to pick them up again – one good thing about a mosh pit!

The funny thing is Joe is Mr Nice guy off stage and I am sure he goes to cookery classes and helps the elderly in his spare time!  His face is happy smiling and his eyes ooze that “Love thy neighbor!” look – but on stage – he simply gets carried by the force of the Oceanis rhythms and I really don’t think he knows what he is doing as he is led by the evil but yet compelling ferocity that surrounds him.

The band played extremely well with Stu doing backing vocals it sounded crisp and clear and in between the rampaging the band offered a bit of banter to Joe’s questions like “Who has not been to a metal gig before?” At least two of Oceanis answered “Me!” which was funny in itself.

The band have gained this evil reputation but a venue will always be packed out when they play as people love to see this kind of brutality – it is something that brings out the beast and the best literally in all of us and we want to see more!

10/10

Set List:
Collision
Of Flesh
Ghost of Man
Ethereal
Prevalence
Brotherhood
Ergo Proxy

Members:
Joe Maryanji - Vocals
Stu Donachie - Guitars & backing vocals
Dave Waite - Drums
Craig Miles - Bass
Phil Dyer - Guitars

Killaflaw – Liverpool                     (12.00)



Links:

Genre: Electronica/Rock/Blues

Well the finale had now arrived and after a 45 minute delay of the proceedings to the gig (for some reason only Tony seemed to know about) - Killaflaw took to the stage at 12.00.

The handful of people that remained gathered at the front of the stage and as soon as those resonating pulses began immediately started dancing on the beer stained floor of the Zanzi myself included.

Nobody could be still as they listened to these sounds as Ben and Andy got to work and produced a mind blowing set.

Seen last year and totally blown away with their performance as mentioned by Pat who quipped to me “You will love these guys!” and love them I did so much so I went out and got a T Shirt made and something I think the band appreciated and I am certainly proud to wear that shirt as well.  These guys just controlled the crowd with their amazing tracks.

Broken Idol is so catchy you can’t help but sing along and your body just took on some unruly and merciless steps that warranted the body to move in time to the beats and rhythms being played.

There is a lot of soul in the way Ben sings each track and like all the bands that played tonight it was clear on his face that he lived and breathed each track.

The floor was filled with mainly women although a few guys were down there getting into the vibes and “strutted” their stuff with smiles on everyone’s faces – and certainly a fitting end to a tremendous evening’s entertainment.

For me Broken Idol and Set me on Fire are two tracks I could never tire of – they simply carry the listener/watcher to another realm and I can’t wait to experience this all over again when they play next and hopefully it won’t be too far away!

10/10

Set List:
Broken Idol
Revolution
Already Dead
Milk & Whisky
Happy Daze
Glass of Water
Holy Funk
Human Life
Set me on Fire

Members:
Ben Helm – Vocals/Guitar
Andy Paton – Keyboards


**Special thanks to Mike Hardy as ever the guy behind the night. Tony, Pat for the sound and Paul for looking after us all, plus Tottie for being charming! - Ian Laver, and Ganikah Brown, for being my good companions during the event. Dave Dixon and Dave Purcell (Grind Horizon) for being there and supporting the other bands, Dil Lewington and Hannah Lloyd for helping to mend broken bridges – good seeing you both again – Paul Giggs – lucky sod having a camera that worked! Paul Bigley for his camera tips, Danny theLash – from Solitary Confinement and Rich Lashbrooke for their input and not forgetting all the bands, Khaldera, Rozetta Stone, Coronach, Kuru, Oceanis and Killaflaw for a great night’s entertainment – you really blew me away!

The only thing left are the memories of a superb night and a faded blue Jack Daniels stamp on my wrist!

Sunday, 3 February 2013

United and Identified - At the Border of the Line - 4 Track E.P - Released 17th November 2012


United and Identified
At the Border of the Line
4 Track E.P.
Released 17th November 2012


United and Identified – Belgium

Links:
www.facebook.com/unitedandidentified
http://unitedandidentified.bandcamp.com

In Association with https://www.facebook.com/JuggernautServices

Genre: Trance/Electro/Futurepop/EBM



In the band’s own words:
United and Identified is formed by ex-1D-Fens member Steve Caster.
The music aims as a crossover between several electronic style like Trance/Electro/Future-Pop/EBM and expresses an impression of the world, society and human reactions.

Lyrics are an important bit of the whole concept. The music is a journey into the inner self and the outer world. It defines a place and time which exists between reality and fantasy, events and dreams.

The world evolves day after day. The abbreviation of United and Identified (U&I) in case you are wondering is aimed at and pointed out that we all are part of the world. Whatever race/skin colour/ideology people tend to divide themselves and others in”

I like what I am reading – music is indeed a journey into the inner self and can mould the way you think and feel.   I personally feel that the more genres you listen to the more it completes that inner self. We all have favourite genres and industrial is top of the list as it really strikes a chord in the heart of my very being. Of course other genres do too! But industrial/EBM is powerful in its own right!

X-Truth-E
Female chanting amid jerky little rhythms and heavy beats sound very futuristic – a trait of this genre and as the track progresses a clean male vocal starts up. A very haunting little track although this is more synth pop whereas I prefer a more harsh or bizarre vocal these days but the shrill synth sound is very addictive.

Mirror of Denial
Quite harsh rhythms and a female sampled voice begin and say’s “You know, I was 12 years old when your step father first started having sex with me!” Clean male vocal kicks in after that and obviously the track is about denial of the fact. The track itself is very catchy and undeniably absorbing, but I feel should have a more powerful vocal attached to it.

At the Border of the Line
Melodic synth notes and a sampled voice starts up – great little rhythm to this! Harsh pumping and enthralling with little melodies running through it make it captivating in its own right. The clean but forceful vocal comes in quite a bit into the track.

Life
Beautiful haunting gentle melody opens this track offering stark dimensions and plenty of atmospheric vibes. Controlled in tempo it wanders off into a dream-like direction which shows diversity in the song writing and is indeed a pleasant track to listen to.

To sum up
I personally feel that United and Identified could do so much more with their music by incorporating a harsh vocal and really upping their game, however not losing the clean male vocal altogether as that is in keeping with their style of music but just adding a more caustic feel to the track Mirror of Denial especially would be beneficial to the nature of what the band are singing about and isn’t so much of a change in direction as it is a natural progression for the band to make but they are absent for the sake of something larger in scope and this could easy be rectified but it may mean the band need to change direction slightly and move away from their comfort zone.

None the less an enjoyable E.P. to listen to with great melodic rhythms and dark electro beats with good samples.

7/10

Track List:
X-Truth-E
Mirror of Denial
At the Border of the Line
Life

Members:
Steve Caster – Programming/Vocals
Joep “The Surviver” Moens - Drums
Sammy “IS Rafil” Glaied - Studio Aid

Plastic Noose - Zu Allen - 7 Track Album - Released 11th November 2011


Plastic Noose
Zu Allen
7 Track Album
Released 11th November 2011



Plastic Noose – Scotland


IN association with https://www.facebook.com/JuggernautServices

Genre: Misanthropic Industrial Metal

In Plastic Noose’s own words:
PLASTIC NOOSE was the originator of MISANTHROPIC INDUSTRIAL METAL (MIM) with massive beats, down-tuned distortion bass & the ominous voice of Snow King.

I'm a fiercely independently minded musician, a loving father and a lover of life!
I was classically trained as a timpanist/percussionist/drummer, but retain my roots in all high quality eclectic music styles from Classical to Dark Extreme Metal and everything in between! I've performed & recorded extensively with some of the best orchestras in Europe, most notably using period instruments and have toured worldwide... (I love the food and drink part of touring!)

Most people either get me instantly, or run like hell. This used to upset me until I realised that it works pretty well as an asshole filter!

I also play drums & percussion in bands/studio, record and produce music of many styles and am a published composer.  I'm very proud to be drummer & co-producer in The John Irvine Band.

I love to work with or be around people who live their lives in a similar fashion to me in other words, living their lives the way they want to, inspiring themselves and others with skills, passion, kindness and other positive human traits!  I am not a perfect person, but the older I get, the better I think I am doing at life... it must be the wine maturing me!

I'm everything I've described here and more & the total opposite at times.  PLASTIC NOOSE is my dark side... my wonderful side and what I need to express to survive”

There isn’t a lot more to add to the above I think this more or less sums up what Snow King is - does and says.  Now on to the music...



Road to Perdition
Nice constant rhythms and a really dark pulsating beat start along with a superb evil spoken whispered vocal. However it packs a punch for being dynamic with its naughty and very thought provoking little lyrics.

Snow King
With the wind howling and the ominous but rhythmic flow of keyboard it sets a scene of total foreboding. Intrigue builds to mammoth proportions in an array of oministic vocals again spoken not sung but none the less spat out in vengeance over harbouring monotone keys – quite an eye opener!

Zu Allen
Title track to the album – monastic chants start and then a nice vocal begins harsh and not unlike Till Lindemann from Rammstein – Nice touch! Constant rhythms through-out the track gives it that menacing vibe. My favourite track so far!

Before the Lord
Deep pulsating rhythm with a shrill bell adds to the flavour of this portentous track. Sparse keys bring a special brooding of what is about to unfold - but sadly this track doesn’t seem to go anywhere – it meanders aimlessly.

Slutcentric
A loud bell and some sparse drum beat starts up in rhythmic flow until a superb pulsating heavy vibe kicks in with a strong vocal – another favourite track it’s dark, powerful, and ambient with lots of eccentricity – a good compelling listen!

Lie Back
Distorted rhythms pound furiously to some harsh pummelling regimented beats will soon get the foot tapping and the body moving. A very unconventional track indeed with its thought provoking words about corruption and lies. Rhythms sound like a swarm of wasps that will in turn send shivers down your backbone.

This is not a Game
Echoing deep beats harsh and moving are compelling with the shrill keyboard adding to this myriad of bizarre and pleasurable listening. Subterranean vocals are superb on this track and give it a lot of depth – the build-up on this track is definitively compelling.

To sum up:
Only one track that I am not taken with but overall a good listen and lots to digest whilst listening – it is not a dance album as such but it does offer some thought provoking lyrics and eccentric rhythms which isn’t a bad thing – if you like your music profound you will love this album. Listen out for “Slutcentric” “Zu Allen” and “This is not a game” three really outstanding tracks in my opinion and three I shall be repeating again.

8/10

Track List:
Road to Perdition
Snow King
Zu Allen
Before the Lord
Slutcentric
Lie Back
This is not a Game



Members:
Alan E – Snow King