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Friday, 20 November 2015

1968 - Self-Titled - 3 Track EP - Black Bow Records - To be released 15th January 2016

1968
Self-Titled
3 Track E.P
Black Bow Records
To be released 15th January 2016



Written for Ramzine

1968 – Cheshire

Links:

Genre: Loud

Biography:
Although approximately 17,000 moons have passed since 1968 drew to a close, in 2013, the year 1968 was resurrected in the form of a band—a band who craftily fed from select recordings made in that year, as well as pulling influence from the heavier sounds produced later into the 70’s. The result is a retro outpouring of furious drums, throat-shaking bass-lines, bone-rattling riffs, and above all else, vocals that dance all over the top like fire spitting tornados.
The band were ignited two years ago when guitarist ‘Sam Orr’ and vocalist ‘J.R.’ met online and began talking about ideas regarding a more contemporary sound that still encapsulated aspects of what they admired from the heavy, psychedelic rock born back in the late 1960’s. The pair enlisted Tommy Drury to provide the engine for the band’s rhythm and the trio began to kick out the jams, but soon realised they needed a fully-fledged bassist to achieve the sound they truly desired. Up stepped ‘The Bear’, a mountain of a man armed with four beefy 15” speakers. Drawing from his influences, stemming from Red Fang to Grand Funk Railroad, The Bear stamped his place within the camp immediately.
As a unit, 1968 thunder their way through material written with riffs, groove and cascading oceans of space noises coupled with copious amounts of fuzz. Powered by EL34 valves, Irish whiskey, Diesel, leathers and boots, 1968 are here to stay and they show no signs of stopping. With a brand new self-titled EP set to be unleashed in January, this record will devour you whole. 1968 just hate standing still, so look out for tour dates through the winter and beyond!”
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Although there are only 3 tracks to be had on this E.P the band make up for it with blistering and pulsating swipes of metal that thunder with highly tempting groove and intense riffage.  Resonating with imposing strides of abrasive ingenuity, it captures the psychedelic essences that burst forth from its 47 year jail.

There is no mistaking its powerful acid tongue and stoner rhythms that slide noticeably past the ears and saunters charismatically taunting its prey, which is exactly what the track ‘Marauder’ does in abundance.

Moving on to the next track ‘Green Sails’ which hosts a plentiful rhythm and huge riffs that strike unmercifully with bruising passion and a large hob nailed boot to the groin! Wince in pain, as the guitars spin a web of intrigue and the bass shatters the innards to what were your ears!

‘HMS Conan’ is the third and final track on this deeply fuzzy E.P holding more than a mere handful of temptation it literally drags the body out from its hiding place and ravishes its senses. The stoner haze emanates from thick textures of expanding groove but leave the listener wanting more as this is only a finger licking taste of what it really desires.

Summary:
Showing a clear strength in its embracing clutch that is framed with sultry spicing and thunderous pulses, guiding you on a journey of sheer fascination that is soaked in melodious rapture and highly charged intricacies, force feeding its listeners with intense emotion and delightful heavy riffage, it is hard not to get caught up in the irresistible potency of each of the 3 tracks as they cascade over the ears and leave you enjoying a rich and pleasurable encounter of a bygone era that is suddenly back in the 21st century and being relived once again.

9/10

Track List:
Marauder
Green Sails
HMS Conan

Members:
J.R. - Vocals,
Sam Orr – Guitar
The Bear – Bass
Tom Drury - Drums

Seconds Alive - Bitter Moments - 6 Track E.P - Released 30th October 2015

Seconds Alive
Bitter Moments
6 Track EP
Released 30th October 2015



Written for Ramzine

Seconds Alive – Devonshire, Exeter

Links:
https://www.facebook.com/SecondsAliveOfficial

Listen here:
https://secondsaliveofficial.bandcamp.com

Genre: Metalcore/Technical Anger



Biography:
“Encouraged by a glut of luminaries stemming from Rise Against, Rage Against the Machine and Architects, through to the likes of Cancer Bats, While She Sleeps, August Burns Red and Rise to Remain, Seconds Alive can soundly be placed within the bracket of Metal core. However, upon listening to the rising quartet, it’s evident that they have so much more in their locker. Reared in 2014, the Devonshire based metaller’s unleash frantic, pummelling breakdowns against fleet-footed verses, and in doing so, mix together metal, hard core, punk and a touch of ethereality all into a blender set to top speed. With a deft ability to cleverly manoeuvre groove and mood, and with a potent delivery of technical aggression, Seconds Alive are certainly ahead of the pack.
During the past eighteen months, the South West crew have steadily made waves throughout the UK scene. Along the way, they have shared stages with Idiom, I Divide, and Heck (formerly Baby Godzilla), as well as gracing many stages from Penzance all the way to Glasgow!”

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Red Blood – Let the pulses of sheer toxic venom take effect as the malignant vibe comes crashing around your ears in this thunderously weighty track that impounds the senses and doesn’t let go for a minute! It really is a feast for the listening devices and here we have Rach Adamson on drums, no doubt, slowly women are infiltrating the metal core scene and proving they can be just as musically brutal as the guys.

Where are you – the gospel according to Seconds Alive is a fuelled malevolent surprise which is raw and to the bone in equal measures. Feistily executed with the long arm of fascination, not to mention dextrous fingers on frets and a well- oiled vocal regime.

Drawing the Line – Possessing some heavy rhythms that gouge in gnawing time to a vehement drum beat provides a well-rounded track that gives more than it receives! Although the vocals here sound strained and forced in places, the music knows how to back them up and remains steadfast and driven to its maximum.

Upon yourself – seems to run on from the previous track with no obvious beginning, whether that is intentional or not remains to be seen, however, the track bristles with an acidic torment that is intensified by steely frets and on slowing briefly, once again, kick starts its magnificent tirade and launches its savage attack with ease.

Speechless – is a real jaw-dropper mainly for its slow and deliberate beginning. With so much going on, on this E.P it is easy to get carried away with the raucousness of it, however it is a superb track with lots of powerful endeavour and very sultry with its distinctive pattern of sophistication.

Jenna – In the blink of an eye Seconds Alive are back within their comfy armchair and kicking out some familiar grooves that fall sensationally back into their genre. Drawing in breath, it bites as the rhythms boil, adding a certain melodic catchiness.

Summary:
From the off there is a certain je’nais se quoi about this E.P although at times the vocals seem to struggle on some tracks the vehemence is prevalent and warrants attention.

It can be quite diverse while still being in the zone, which is quite refreshing and allows the listener a slight respite before going back into rampant mode and conveying a bitter sweet moment which the band have exploited to the full.

This is good!

Tracks:
Red Blood
Where are you
Drawing the Line
Upon yourself
Speechless
Jenna

Members:
Rach Adamson - Drums
Robbie Doran - Vocals
Rich Earle - Bass
James Hosgood - Guitars

Obscene Entity - Lamentia - 9 Track Album - Tridroid Records - To be released 27th November 2015

Obscene Entity
Lamentia
9 Track Album
Tridroid Records
To be released 27th November 2015



Written for Ramzine

Obscene Entity – Bury St Edmunds, UK

Links:

Genre: Obscene Metal



Biography:
“An Entity with its heart in the old school and its mind in the modern, its eyes firmly set on the horizon with the aim to bring its sonic assault to all with the fortitude to bear it. Uncompromising to all others. A hellish blend of extreme styles filtered through jaded beings.
Through unnatural birth, an Obscene Entity is born!”

~~~~~~~~~~

Planetary Devastation
Sounding urgent and bristling with a haze of rhythms it sweeps feverishly into the forefront and splinters with deep passion. Heavily soaked in the extreme it paws its way through intensely abrasive and skilful bludgeoning.

Hymns of the Faithless
Held in the groove of its familiar pattern is a track that opens up its tempestuous drama and provides a primitive scarring of high and low vocals possessing a fiercely intense adventure?

Black Blood
As with the title the band have dabbled in some black magic. The ferocity is that of a demonic battle of scathing vocals and fast tempo drumming

Euphoric Vanity
The dimensions of this track explore a sonic ravaging and holds a dramatic tension that ignites into a potent and turbulent surging. It holds a cheeky melodic coaxing and heaps of lethal aggression.

Disassembly of the Ego
The voraciousness is put aside on this track as it casually ambles through its stark paces. Gathering anticipation and drenched in seductive ambiance. It can also be argued that this is one sinister track that holds eerie surprises.

Lamentia
The title of the band’s album – this track comes out kicking and screaming blue murder. The tsunami of sound literally batters the senses leaving a rapacious appetite for more on the pallet.

Insanity Binds
This track quickly creeps and throttles the jugular with a robust endeavour. The guttural poisoned growls simply ooze through the animosity of a demonic storm.

Shadow of Nergal
Rabidly seductive and holding potential to cast its dark magic the track rampages through a plume of choking presence that quickly torments and excites as the track unfolds.

Stripped of all and everything
The invigorating lures fuse with compelling expulsion. It impacts and explodes, reaping the reward it warrants. Emotions run high with the duel screeches that latch on to the audials and gives the listener something exhilarating to experience.

Summary:
This album cradles its extremities and the only negative flaw in this genre is that it can get a bit too familiar and not show enough diversity, but Obscene Entity have through-out the album shown persistent and riveting energy.

Its riling riffage and bludgeoning beats constantly explore with effortless efficiency and offer up delicious smouldering flames that ignite and soak the listener into a dark and evil scenery that venomously attacks the senses.

It’s a carnivorous maelstrom of sound relinquishing its responsibility and leaves the listener dazed!

Tracks
Planetary Devastation
Hymns of the Faithless
Black Blood
Euphoric Vanity
Disassembly of the Ego
Lamentia
Insanity Binds
Shadow of Nergal
Stripped of all and everything

Members:
Matt Adnett - Guitar/Vox
Luke Braddick - Drums
Taz Denton - Guitar

Massacres - Brutus - 4 Track E.P - To be released 5th February 2015

Massacres
Brutus
4 Track E.P
To be released 5th February 2015



Written for Ramzine

Massacres – London, UK

Links:

Genre: Hardcore, Rock N' Roll, Punk Rock & Riffz!

Biography:
Freshly formed new guns Massacres have arrived with a hearty appetite for cut-throat riffs, savage vocals and unhinged live performances. Debut EP 'BRUTUS' was recorded with producer Jason Wilson (Reuben, The Ghost of a Thousand, You Me At Six, Fight-star) and releases February 5th 2016.

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One of the Boys – starts with a shouting vocal that is punk orientated but at the same time can boast a metal leaning. The rhythms protrude with impressing efficiency and cut-throat. The vibrant grooves are forthright and antagonistic not to mention very catchy indeed! The predatory rhythms are rounded and really in your face and played to utter perfection.

Death Knell – The urgency and energy that emanates from such a track are gripping and inescapable. It is a track that you can engage in and relish on its finer points being the brutal tirade that languishes in the audial canal and is a pleasing requisite. The bass hooks simply bruise with an antagonistic vibe saturating the ears with a pleasing coaxing.



Everything I want to do is illegal – Great title and apt as it is very true. The guys have done the track proud with a raunchy beat and savage rhythm that hits out with keen attention to detail. The rabid hues are entertaining and enthralling as they play out. Woven into it are some potent lyrics and highly seducing moments no doubt put there for you to savour!

To the Victor, The spoils – Justice is served on this track as they hand the platter round and deliver some more amazingly raw rhythmic seduction. It captures a certain appetite that bites whether it’s hungry or not, in all-out mesmerizing fashion. The vocals are coherent and there are no low toned growls however, Dave has got the balance right and produced some scathing lures that will simply make you catch your breath – he must have vocal chords of steel!

Summary:
This is one of those E.P’s that suck you into their dynamic lair and keep you engaged with brilliant rhythmic sway. It lavishes the ears with addictiveness keeping you focused on the task in hand, as the sounds mould in a particular way and then executed to high levels of riveting voracity.

The thumps are tempered and consistent without being sluggish, while the riffs pulverize with their own fury and magnify the sound to high octane levels. You can feel the hair stand up on the back of your neck as the tracks venomously attack and consume the ears with ravenous intent.

The E.P blossoms into a widening intimidation while simultaneously bearing fruit from some ingenious riffs and savage drum beats, not to mention the spice from some cast iron bass!

Tracks:
One of the Boys
Death Knell
Everything I want to do is illegal
To the Victor, the spoils

Members:
Kris Mayzee – Guitar
Martin Walker – Bass
Andy Sartori – Drums
Dave Rogers - Vocals



Idols of Apathy - Life Lessons - 5 Track E.P - To be released 4th December 2015

Idols of Apathy
Life Lessons
5 Track E.P
To be released 4th December 2015



Written for Ramzine

Idols of Apathy – Essex, UK

Links:
https://www.facebook.com/IdolsOfApathy

Genre: Metal

Biography:
Idols of Apathy are a highly dedicated six piece that create a sound, with colossal riffs and pounding beats, that is both dominant and ear shattering. The band ink truly forceful cuts, delivering their tech metal beatings with the real vigour and rampant passion that demands and commands attention!”

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Bipolar - sounds like it is being played in a garage at the beginning, however forget that as the track furthers it is pretty clear that these monsters know just where to kick and how hard, as it musters up a ferocious storm of deviance with jagged rhythms and scathing vocal dexterity. This is metal with hob nailed boots on and will kick your ass with great relish! The brutality holds plenty of energetic punch and vibrancy until it lulls for a brief moment only to gain more momentum and leaves devastating consequences in its wake!



Addiction – Again likes to use brute force mentality and knocks several bells out of the listening devices. It reaches its potential in an instant and forges ahead burning its identity into the psyche and feeds on a powerful and intense emotion. Strong vocal lures mould together with rigid and dynamic hooks that will absolutely blow you away.

Once a Cheater – holds strange ambient leanings and incidental sounds that pulsate leaving goose bumps on flesh as it navigates through its paces. It eats into a lingering imagination and gnaws feverishly on the ears gathering momentum with its striding confrontation and literally rips your head off!

Backstabber – Tends to lead you into a false sense of security with its sharp strings it then explodes into a familiar tone of bulbous rhythms that scale the heights as well as the depths. The fascinating tempests bellow with eager breath as it simply smashes its fist into your face and whipping up a hungry appetite to feast on the flesh of the un-weary.

Lessons Learned – again leans towards an unusual beginning and then simply cohorts like an army entwining their prowess and emotive forces together, in a very indulgent track that makes way for intimidation and rich in persuasion, although it doesn’t take much as this is a brutal track that kidnaps the ears in an all-out attempt to capture the imagination and engage to far reaching levels.

The sizzling rabidity shines through on each track as it blisters with a momentous scream and kills with an electric slabs of rhythms – no need to tazer here – the grooves bite deep and are unrelenting.

As the E.P develops it clearly casts a dark shadow over the proceedings and brings with it entwining melodies and richly fuelled excitement that just keeps on giving. 

Highly intense, brutal and immensely raw!! Buy it!

Tracks
Bipolar
Addiction
Once a Cheater
Backstabber
Lessons Learned

Members:
Jack Dervish - Vocals
Dean Chignell – Guitar/Vocals
Tom Johnston - Guitar
Joe Gregory - Guitar
Elliott Black - Bass
Stuart Roche - Drums


Huron - The Dead stay Dead - 11 Track Album - Self-Released - To be released 12th February 2016

Huron
The Dead Stay Dead
11 Track Album
Self-Released
To be released 12th February 2016



Written for Ramzine

Huron – Plymouth, UK

Links:

Mixed and Mastered by Justin Hill of SikTh

Genre: Metal / Progressive / Thrash

Biography:
“With a cluster of influences pulling from metal titans such as Slayer and Lamb of God, through to Black Dahlia Murder, Huron merge the fundamental aspects of thrash, progressive and melodic metal to devastating effect. Born back in 2007 and hailing from Plymouth, the riff beasts have undergone a handful of line-ups changes before solidifying with Rohan James (Vocals and Bass), David Parsons (Drums), Rimmy Sinclair (Guitar and Vocals), and Chris Smith (Guitar, Vocals). As 2016 beckons, Huron are set to transcend from underground heroes to major players on the UK metal scene.
With a keen work ethic and an enthralling sound, Huron soon set about touring the UK in 2009 to support their debut album ‘Cheyne Stoking’. The record racked up rave reviews and support from Kerrang! And Rock Sound Magazine, as well as airplay on Bruce Dickinson’s BBC Radio show. Their upward climb continued with the band’s next album ‘Mary Celeste’ which secured further acclaim from Metal Hammer Magazine. By the time Huron dropped 2012’s ‘War Party EP’, the metal crew had a firm following and a huge swell of support. Throughout 2012 the band played a series of prestigious festivals, from Download and Bulldog Bash, to Bloodstock. They also found time to hit the road with Skindred for their full UK tour. After taking time out to work on new material, the southern slayers returned in 2014 to open the main stage at Hammerfest. This year alone, the band have supported Steve Smyth’s One Machine, played the Thrashersaurus Festival and again wooed audiences with a blistering set at the Download Festival. Huron have also just finished work with esteemed producer Justin Hill for their killer new album. Huron’s third album, ‘The Dead Stay Dead’, is undoubtedly their finest work to date. Hurling out eleven cuts of full frontal metal, the record is laden with ferocious riffs and considered phrasing, all aided by genuine creativity and intense intent. The album’s namesake, ‘The Dead Stay Dead’, is a prime example of what gems the album has to offer, with its infusion of shrewd guile and pounding riffage. Its closer ‘Fresh & Thorns’ is a 100% guttural attack of the senses with its stabbing rhythms and ferocious beatings. From start to finish, it’s safe to say that Huron are back bigger than ever!”

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Huron only procrastinate about the things that matter and that is their finely tuned craft of producing such virulent masterpieces, otherwise they just take the bull by the horns and launch into a tirade of madness, effortlessly and painlessly striking with all guns blazing, no questions asked!

Each track creates a tendency to be psychotic and vengeful, showing little remorse and empathy, but unlike the signs of a psychopath, Huron release their emotions so deeply they remain embedded in the skull forever! However Huron do not have to apologize or sympathize for anything on this album – brutality is the name of the game and they know just how hard to hit before going all out and bludgeoning the ears to their death, make no mistake!

The fearless dominance shown by this band is prevalent and inspired by utter compulsion to grasp its own throat and throttle itself, but not without throttling the listener half to death first!

It makes its mark with a blood stained grip that executes in keeping with the trend to annihilate in abundance!

Not one of the tracks slip back into the shadows, but forges ahead in a dominant stance, all kicking and fighting for their lives, leaving a trail of destruction in the dirt as it passes, that is one way describe the band’s new album!

In bone splintering explosion the poisonous riffs inject themselves into a waiting vein and ravish the nervous system, which could have the band arrested if they were to show those psychotic tendencies in person and not just with their music!

From the off this album goes out to regain power and control over its contemporaries, and this is a British band we are talking about here, which is surprising, as there are not many UK bands,  apart from a handful, who can say they own this level of brutality!

10/10

Track List:
The Ark of Deucalion
The Dead Stay Dead
Santa Muerte
Pyschosis
Murder Hole
Despina
Bastard King
The Spirit of Hate & Vengeance
Bokanovsky’s Process
Solace
Fresh & Thorns.

Members:
Rohan James – Vocals/Bass
David Parsons - Drums
Rimmy Sinclair – Guitar/Vocals
Chris Smith – Guitar/Vocals.

Devil you Know - They Bleed Red - 11 Track Album - Nuclear Blast - Released 6th November 2015

Devil you know
They Bleed Red
11 Track Album
Nuclear Blast
Released 6th November 2015



Devil you know – Los Angeles, USA

Links:
https://www.facebook.com/Devilyouknowofficial

Genre: Modern Metal

Consume the Dammed - feisty and raucous the vocal edge leaves its heavy stamp on your mind and slices fiercely at the ears, while the music captures a vibrant intensity. - The Way we die has worryingly ravenous rhythms that plough intensely with a dual vocal of clean and low toned heavy, but holds a progressive feel. Your last Breath – has an ambient flavour attached to its muscular bones and feeding wildly on raw power. Stay of Execution – trespasses along a toxic path of devious intervention. The recumbent rhythms don’t stay that way for long and rise to soaring proportions. Break the Ties – is a hungry little track that breeds heavy swipes of utter surging and bruising intensity, that possesses irrepressible rhythm. Shattered Silence – I can see why the band have named this track so as it languishes in a fireball of nagging grooves and stalks its prey with strong emotive force. Let the pain take hold – I am sure this is going to lead me to eat my words, but is a very soft and melodic track that sounds quite out of place on the album, but a nice contrast to the other heavier tracks, Yes it does explore a heavier feel further on but is a very sophisticated track that outlines their diversity. Master of None – swiftly moves back into its raucous and melodramatic comfort zone, not that I am complaining at all. It leaves nothing to the imagination it surges with a malevolence that is spiced with devilish rhythms. Searching for the Sun – marks its territory with a hard and heavy stride of raw emotion. Vocally urgent and powerful. How the end shall be – is a jagged rhythmic encounter that stalks with alluring consequence and bursts with outstanding essences. Broken by the Cold – ventures into the unknown with some wispy riffs but prowls like a predator. This one holds a slightly doom element that shows its presence amid an epic strenuous vocal.
This band are not just a modern metal band! Injecting progressive, doom and metal core into its veins. It is a gripping adventure that dips in and out of a deeply enriched climate so it can be unpredictable, showing good diversity, not one trip Pony!

Engaging on all levels from clean to the more raucous element, the music draws a skirmish of rhythms to blisteringly fierce and both leave their distinct mark on the senses.

Tracks
Consume the Dammed
The Way we die
Your last Breath
Stay of Execution
Break the Ties
Shattered Silence
Let the pain take hold
Master of None
Searching for the Sun
How the end shall be
Broken by the Cold

Members
Howard Jones - Vocals (Ex-Killswitch Engage, Blood Has Been Shed). Francesco Artusato - Guitar (All Shall Perish, The Francesco Artusato Project).
John Sankey - Drums (Devolved, Fear Factory, Divine Heresy).
Ryan Wombacher - Bass (Bleeding Through).