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Saturday, 31 January 2015

Lewis Armitage - Steer me Right - 4 Track Demo - To be released 21st February 2015

Lewis Armitage
Steer Me Right
4 Track Demo
To be released 21st February 2015


Lewis Armitage – Wakefield, W. Yorkshire

Links:
https://www.facebook.com/lewis.armitage.

Listen Here:

Genre: Acoustic

Biography:
“Solo artist playing controversial acoustic ranging from Nirvana, Motorhead, Misfits, Johnny Cash and Everything in between!”

This is Lewis’s new demo entitled “Steer me Right!” The same name as the opening song. It is a four track demo and not what I would normally allow into my listening space, but one should give everything a chance, and look for the musicianship behind the music.


In Lewis’s case, he is clearly a gifted solo artist.  His music gives off polished, warm vibes for a bit of light entertainment.

My only grouse with the acoustic genre is that it does not have the same bite as a full on electric guitar so anything acoustic for me personally seems to have that ‘fall-flat’ moment, it is just a matter of taste.

But I cannot and will not dismiss Lewis’s tracks, simply, because... I can’t play guitar! The sounds he has produced are tuneful and poignant as well as seductive in their own right.

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“Lewis has captured this perfectly on his demo and flirts with a lone guitar that inspires with melodious rhythms giving out an air of innocence!”
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The vocals are gentle and haunting and in keeping with the freshness of the tracks and indeed on the whole demo itself.

Yes, it is very mellow, it relaxes and coaxes the senses, the total opposite of metal in every sense of the word and with 333 likes, that's half the opposite of what is deemed the metal number 666!

It must be so fulfilling to be able to sit in a room and produce songs from scratch as well as imitate covers of your favorite and influential bands and then get a demo together showcasing your talents to the outside world.

Lewis has captured this perfectly on his demo and flirts with a lone guitar that inspires with melodious rhythms giving out an air of innocence.

Summary:
The wistful tunes contained on the demo are characterized by contemplative thoughts and emotions that are well-grounded.

Although, for this kind of genre it is difficult for me personally to fully immerse the senses and leave feeling satisfied, but looking at the whole picture, it is one man with a guitar and a voice like velvet that is striving for recognition like the next person.

Music is a powerful drug no matter and whatever your favorite genre, there are always things that can be taken away and learned from listening and sometimes it is nice to change tack and listen to something out of your comfort zone to fully appreciate every spectrum of music across the landscape.

7½/10

Track List:
Steer me Right,
The Kid,
Lucid Dreaming
Fiend Club (Misfits Cover)

Wednesday, 28 January 2015

Deadpass - AS1 - 5 Track Debut EPK - Released 27th January 2015

Deadpass
AS1
5 Track Debut EPK
Released 27th January 2015

Dead Good!

Written for Demented Magazine

Deadpass – Casper, Wyoming USA

Links:

E.P officially available worldwide on all digital download platforms..... iTunes, Spotify, Google Play, Amazon.com, CD Baby and Xbox Music.

All Artwork Designed by: Colton Krohn
Produced and recorded by Dave Otero at Flatline Audio in Denver, Colorado.

Genre: Heavy Metal/Thrash Metal



L-R Gene McCrimmon, Lane Dennison, Brian Gray, Tommy Strange and Colton Spudley Krohn.

Biography:
“Deadpass are an American heavy metal band formed in January 2013. The combination of blistering riffs, gut wrenching bass tones, and powerhouse drum lines creates a unique experience that you will only find among the high plains of Wyoming. The forceful and clever vocals of Brian Gray combined with the guitar talents of Eugene McCrimmon and Colton Krohn deliver unto your brain a frenzy of emotion and pure energy. Fuelled by the monstrous beats of Tommy Strange and thick dense rhythm of Lane Dennison's bass the apocalyptic vehicle that Deadpass will have you believing you are standing in the path of an oncoming freight train. If you like tones that cut like a katana and lyrics that deliver a statement like a brick though a church window then they thoroughly encourage you to join them, and embark on this journey they call heavy-fuckin-metal.

Having airplay on Gods Forsaken Radio internet radio, ‘In the Pit’ internet radio, review from Demented Magazine. DeadPass have begun their quest of domination in the Metal Scene around the world!”

Having been influenced by the likes of Slayer, Pantera, Lamb of God, Battlecross, Machine Head, Chimaira, Acid Bath and Exodus, one can hardly imagine that they are in for a smooth ride! And who would want one? So let’s get down and dirty and head straight on over for some pure brutality in the shape of Deadpass.

Triple666
This track constantly grips and shows an imposing strength, with deep scourging vocals and edgy, invigorating twists of vital energy that smothers you in an extreme storm that blitzes the senses while still remaining melodious!

Subliminal Straitjacket
The previous track fades and almost immediately the track ‘Subliminal Straitjacket’ (great title) surfaces viciously and without mercy! The rhythmic flanks of metal don’t just graze but obliterates as it leaves a trail of utter destruction in its wake!

Blood of the Damned
Now slowing this track leaves you with a feeling of in trepidation as it snakes and winds and then bursts into a hard core massacre of mind bending riffs, although slower in pace it still delivers the goods with great harmonic content and brutal vocal onslaught.

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Deadpass are indeed ‘abusers’ of the temporal lobe and will no doubt give your senses something tasty to feast on!
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War Torn
Is highly unusual as its beginnings offer an echoey distant battering of drums that turn into a menacing blood curdling scream. The exhilaration is felt from its steely endeavours as the riffs come pouring from dextrous fingers, and a rhythm that will have more than your feet tapping and head shaking!

6 Bullets: 1 Reason
Another great title – and even more impressive intimidating and ferocious medley of tempered sounds are in abundance. It is difficult to control your head at times like this, when your body must obey what the audial implements are offering and in Deadpass’s case that is extremely raw and unadulterated metal.

Summary:
This is one striking piece of metal. It keeps you gripped all the way through its tirade. The lashings of rhythm are prevalent and foreboding with heaps of aggression, just how you would expect.

The thunderous riffs penetrate to the bone as does the harsh and solid Bass that simply holds it all together, with impacting drum beats and of course a vocal that is thrilling as it is explosive! Who could ask for more? well, 5 tracks are just a taster of what is to come with Deadpass I am pretty sure of that!

The EPK (Early Production Kit) is fuelled with emotion and potent energy that is unleashed at the start and never leaves until its end.

Deadpass are indeed ‘abusers’ of the temporal lobe and will no doubt give your senses something tasty to feast on!

Deadgood!

9/10

Track List:
Triple666
Subliminal Straitjacket
Blood of the Damned
War Torn
6 Bullets: 1 Reason

Members:
Brian (B-Grazy) Gray - Vocals
Gene (Geno) McCrimmon - Guitar
Colton (Spud) Krohn - Guitar
Lane (Badger) Dennison - Bass Guitar
Tommy (The Strange) Strange - Drums

Skálmöld, Með_Vættum, 8 Track Album, Napalm Records, Released 14th November 2014

Skálmöld
Með_Vættum
8 Track Album
Napalm Records
Released 14th November 2014

Viking Goodness!

Written for Ramzine

Skálmöld – Reykjavik Iceland

Links:

Genre: Viking Metal



Biography:
“From the Realms of the Far North, an Army of six Icelanders rushes towards Battle!

Skálmöld was founded in August 2009 and has since then become the biggest metal act in Iceland. The band's Debut album, "Baldur" was released late 2010 and was immediately a huge success, both with the metal scene and the more mainstream crowd. Skálmöld then released the album via Napalm Records in 2011 and has made quite an impact on the international metal scene since then. After more than a year of touring and promoting, Skálmöld headed back to the studio to record their second album entitled "Börn Loka" (Loki's Children). It was released in late 2012 and followed by extensive touring throughout 2013. The year came to a grand closure when Skálmöld joined forces with Iceland Symphony Orchestra for three sold out shows in Iceland’s largest concert hall, Harpa. The concert was released as CD/DVD and became an instant best seller.

Skálmöld plays music that could be described as Battle Metal, a potion of Epic Viking Metal, old school Death and Thrash Metal, entwined with the Icelandic heritage. The lyrics are all written under the strict rules of the ancient Icelandic poetry and influenced by the heathen roots of the Nordic nation. The outcome is a powerful mixture of Heavy Metal and Heroic Sagas, erupting from the boiling core of the frozen Island.

The band puts on a killer show, rocks tight and energetic, so be sure you don't miss out on Skálmöld. And in the end, who would be better suited for telling stories of the Vikings but the Vikings themselves?”

Ad Vori - spring
Embracing a vivid combination of strong and powerful rhythmic swagger in true Viking form this melodic encounter is swift and memorable. Beware its infection is spreading, through a raw and striking intervention.

Med Fuglum – With the world
The sultry riffs caress with inviting prowess. It turns into a quickening haze of utter madness. A throaty vocal seethes with fluency and the torrent of beats quicken under a lightning bolt and the rhythms are a tasty and rewarding treat with added voracious appeal.

Ad Sumri - summer
The fiery temperament of the track exudes a rhythmic vocal edge and paints a picture of frozen landscapes occupied by rugged beats and tempestuous waves of emotion.

Med Drekum – With the Dragon
Creative track that holds an edge of thunderous beating rhythms that protrude with a contagious bite. Poetic and surly it engages on all levels with strong unruly riffs.

Ad Hausti - autumn
I can just imagine the tankards being swung to this one, even Johann Hegg, would approve! It’s a pleasing anthemic track that will be a hit among the Viking followers among us everywhere!

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“Holding real potential to pillage and plunder, with their swinging of tankards full of ale! Skálmöld dice with Mother Nature and both come off triumphant!”
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Med Jötnum – With Giants
It has connotations at the beginning that sound like Dr Who’s theme tune although it takes a swift path in the opposite direction as expected! The punchy gnawing rhythms are expelled along with a hearty growl.
Ad Vetri – In winter
Another rip-roaring track of Viking prowess! The no nonsense swagger of chunky rhythms are indeed reminiscent of another Viking adventure into the wilderness! Intensity soaked, it soars and roams with immense strings that enjoy gathering pace!

Med Gridungum – With the Bull
This has a more sombre approach than its predecessors, however a very diverse track that looms in an almost sinister manner. Crawling over its sultry landscape are heavy stirring and invigorating passages.

Summary
Their name Skálmöld translates to Lawlessness and indeed the band live up to their name music-wise as they are a law unto themselves however, in true heathen style they have opted to take a look at nature, singing about the seasons and has a somewhat mythical approach, especially on the track Med Drekum.

The title of the album is Með_Vættum – By Witnesses, it’s a clever move as it immediately strikes fear into the hearts of Anglo Saxon’s everywhere who were usually, if not always on the end of a Viking axe!

The presence of this album borders on the swift force of compelling hooks and steely riffs! The vocals are heavy and tumultuous in their endeavour to conquer in a no nonsense true Viking assault, but with added metal that binds itself to their loins!

The essences are not all rampageous but have a good strong core running through them.

You don’t even notice that the entire album is sung (or screamed) in Icelandic as the music is really impressive and burns a gripping and glorious mark into your heart.

Igniting into a raw and abrasive conclusion of feisty intrigue that allows the mind to focus on days when Vikings ruled supreme which is outlined in the fantastic track Ad Hausti. The track bristles with absolute Viking potency!

They say the pen is mightier than the sword, but I wouldn’t fancy my chances against these guys when in battle!

Holding real potential to pillage and plunder, with their swinging of tankards full of ale! Skálmöld dice with Mother Nature and both come off triumphant!

9½/10

Track List:
Ad Vori
Med Fuglum
Ad Sumri
Med Drekum
Ad Hausti
Med Jotnum
Ad Vetri
Med Gridung

Members:
Baldur Ragnarsson - Guitar/Vocals
Björgvin Sigurðsson - Vocals/Guitar
Gunnar Ben - Keyboards/Vocals/Oboe
Jón Geir Jóhannsson - Drums/Vocals
Snæbjörn Ragnarsson - Bass/Vocals
Þráinn Árni Baldvinsson - Guitar/Vocals


Clear the Auditorium, The Final Broadcast, 7 Track Album, Released 17th November 2014

Clear the Auditorium
The Final Broadcast
7 Track Album
Released 17th November 2014

 Superb!

Written for Ramzine

Clear the Auditorium – Pontypridd, South Wales

Links:

Genre: Electronicore



Biography:
“Young, energetic band from South Wales, UK. CTA play a blend of post-hard core and punk fused with elements of electronic genres like Drum n Bass, Trance and Dubstep.
Having secured supports with heavyweights such as The Blackout, Yashin and Blitz Kids, Clear the Auditorium’s reputation for a fierce live show catapults them to the forefront of the South Wales scene, leaving a tantalising taste for more on the tongues of those who have bared witness to their hectic and unpredictable live performance!”

Prologue
Warning a nuclear attack is imminent! Or so the sampled voice says to a sprinkling of drum and bass. Vocally strenuous and urgent sounding. The backdrop of immensity is powerful and holds a superb rhythm with brooding synth!

If We Burn
A chunky rip-roaring riff explodes into a phenomenal bait with bite.  It holds an urgent appeal and engrosses on listening. With the energy never far away it is a magnitude of pulsating harmonies that flourish with utter abandon. – Stunning track!

Vacant Street
Here the synth ebbs and flows with a fresh tenacity and goes all out to enthral. The strong drum beats merge with a haunting electronic vibe and the vocals blend perfectly into what is a flamboyant and tantalising structure. Addictive track that holds plenty of urgency!

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“So, an exciting album to experience. The threat of a nuclear war looms to its final end, it does hold a harrowing but rewarding adventure, although sad that the end has come for the bands seven tracks, barely whet the appetite, so looking forward to hearing more from ‘Clear the Auditorium’ – It’s been an absolute blast!”
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Intermission
Turning to a radio spewing out some golden oldies and a bit off the cuff! I fail to see why the band have included this when their music is so good!

We are the Danger
A bit of Morse code rings out to thumping rapturous rhythms.  Vocally harsh and gripping, with the body and mind being totally driven with its psychotic grooves. It is a very dangerous and absorbing track that simply explodes with venomosity!

Ozmandias
A feisty haunting synth plays to a tempered vocal entourage. Its urgency builds and flourishes with engrossing predatory menace. It expresses itself with an uplifting but stark synth and harsh vocal merged with a clean vocal that suits the bands captivating presence very nicely.

Epilogue
A very haunting and quite sinister track expands and outlines the bands very unusual diversity.  A slower bait but none the less harrowing in its own way.

Summary
It has to be said, but this is a beautifully crafted album that homes in on its outlandish and indeed unusual diversity. The distinctive patterns it paints are well worth checking out.

Ravenous in places although holding an equally tempered guise. With vocal squalls and with harsh mesmeric force it holds plenty for the listener to attach themselves to.

So, an exciting album to experience. The threat of a nuclear war looms to its final end, it does hold a harrowing but rewarding adventure, although sad that the end has come for the bands seven tracks, barely whet the appetite, so looking forward to hearing more from ‘Clear the Auditorium’ – It’s been an absolute blast!

9/10

Track List:
Prologue
If We Burn
Vacant Street
Intermission
We are the Danger
Ozmandias
Epilogue

Members:
Dafydd 'Taf' Richards - Electronics/Vocals
Matthew Bennett-Jones - Guitar/Vocals
Conor Evans - Bass
Caleb Priday-Jeremiah - Drums


Aroganz, Tod & Teufel, 10 Track Album, FDA Rekotz, Released 11th November 2014

Aroganz
Tod & Teufel
10 Track Album
FDA Rekotz
Released 11th November 2014


 Out now!

Written for Ramzine

Aroganz – Cottbus, Germany

Links:

Discography:
Burning Souls – Demo 2010
Dark and Deathless - Album 2011
Kaos Kult Kreation – Album 2013
Tod & Teufel – Album 2014

Genre: Death Metal



Biography:
“In 2008 -K- (vocals/bass) and -M- (vocals/guitars) decided to set their burning souls free and founded AROGANZ. In the dirty depths of Cottbus, Germany, they undertook -L- for drumming and started up to exhale their infernal visions. After rehearsing their first couple of songs, they started to play some underground-gigs and small festivals.

In 2009 AROGANZ began to record their first audio ritual entitled "Burning Souls" (3-track E.P) with the new drummer -T-. This piece of Heavy Blackened Death Metal was released in April 2010 via Blacksmith Records and got excellent reviews throughout.

After a successful European tour and a bunch of festival gigs and club shows AROGANZ started writing new material in late 2011 for the next album. The year 2012 began with a small three-days-tour in January, which was followed by Gahlen Moscht-Warm up-Tour and several club shows.
Intense rehearsals and sessions ended up in the horror of „Kaos Kult Kreation“. In late July AROGANZ entered Blacksmith-Studios again, to record this Death Metal blasphemy. First new songs were played live.

Furthermore the band shot a video for „Blood Ceremony“(released 13/01/2013). „Kaos Kult Kreation will be revealed at 13/03/2013 and will open your eyes for the beauty of death and damnation!”

I.D.T.N
A strong and intimidating track that protrudes with heavy rhythmic patterns that draws attention to itself with a sonic enterprise. A fresh adventure into the unknown. 

One Death
Pulverising as it is pleasing, the hard swagger of temperance holds a doom inflamed growl. Most definitely a hook laden track that can boast serious and strenuous rhythms.

Arisen from failure perished as King
With an uplifting bait it literally steels the attention and rampages throughout the width and breadth of its fascinating tumultuous adventure. Primed and ready for attitude!

Tod & Teufel – Death and Devil
The steely gravelly vocal surrounds you swift and with nonsense! Sounding like the devil is up to no good again. The flavours are reinforced with a primal causticity and hit the spot perfectly.

Demons Heart
The essences bristle with a strong presence of evil. Holding an almost seductive power that is well fed and increases with insatiable melodic traits.

Intoxicate
Making a slow impression to begin with but then a gripping drama unfolds in stealthy form as it builds steadily. The doomed rhythms are passionate and unyielding.

All Light is a Lie
This track loves to tease and taunt. Boasting a repetitive but compelling hook and meandering riffs that stick to the ears like a leech sucking just as much blood and with just as much potency!

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“Definitely a sultry and seductive album with plenty of bite!”
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Black Aura
Devilishly delicious. Carved with an antagonistic nature the track explores an emotional disturbance that gnaws at the imagination. It then turns violently into a whirling dervish of malevolent beats.

Guilty
Engrossing with flanks and large slabs of demonic metal riffs it suddenly turns into a demon and possesses passion by the bucket load. Its impact leaves the mark of Satan as it binds to the enthralling force of the track.

Alles
Creates a harmonic beauty of solid riffery and bass hooks although it is slow to get to the boil having to master its own rugged terrain, but gradually increases with a throaty vocal brawl of madness.

Summary:
The album, I would say leans more towards doom than death but loving doom that isn’t a big problem at all. There is no getting away from the hearty and enthralling expedition it sends you on through its rugged and harsh landscapes.

There is plenty of stirring and impacting moments to fully engage in and to feel rewarded by. Punctuated by its demonic force of evil it drowns the listener in a thick dense smoke that many will feel very ‘comfortable’ in.

Although there are very few rampaging tracks this album carefully guides you through it with an antagonistic pull of the shirt tails and drenches with its smouldering temptation and impressive imagination.

Definitely a sultry and seductive album with plenty of bite!

9/10

Track List:
I.D.T.N
One Death
Arisen from failure perished as King
Tod & Teufel
Demons Heart
Intoxicate
All Light is a Lie
Black Aura
Guilty
Alles

Members:
K - Vocals, Bass, Guitars
P - Guitars
T - Drums
M - Blood&Vomit