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Saturday, 13 September 2014

Cannbal Corpse - A Skeletal Domain - 12 Track Album - Metal Blade Records - To be released 16th September 2014

Cannibal Corpse
A Skeletal Domain
12 Track Album
Metal Blade Records
To be released 16th September 2014

 Out soon!

Written for RamZine

Cannibal Corpse – Buffalo, NY

Links:
https://www.facebook.com/cannibalcorpse

Produced by Mark Lewis
Audiohammer Studios in Sanford, Florida

Genre: Death Metal

Biography:
Cannibal Corpse formed in Buffalo back in 1988, and so it comes as no surprise that these gallant death metallers caused much controversy with the title of their first album “Eaten back to Life” alone and are still going strong to this day, revelling in the most extreme and brutal metal along with gruesome covers that really perked up interest with metal heads across the globe.



Of course we know anything that is ‘forbidden’ will be of interest for human curiosity and for music it was a turning point that has given the band “notoriety and fame” over the years.”

High Velocity Impact Splatter
This track opens with a droning and hyper buzzing, reminding me of someone kicking a hornets nest. It quickly seizes its chance to strike fear into the willing victim like a scorpion in full attack mode.



Sadistic Embodiment
With eager fingers on frets it rampages gathering quick momentum and forceful hunger that ruggedly strengthens its powerful fuelled filled hatred as it aggressively manipulates the senses.

https://www.youtube.com/watch?v=iuRWK17T4_M

Kill or Become
This is a more drum packed frenzy as they shine through this malignant rampage of impurity. The glorious mesh of guitar and drums are each imposing and adding further spice is a harsh gravelled vocal that is vehemently smeared angrily all over it.

A Skeletal Domain
The title track of the album houses a dark format of slight doom ridden angst that is neatly embedded into it until it gains further momentum and then runs riot across the aural.

Headlong into Carnage
Inciting smothering riffs and bludgeoning beats that sweep feverishly into a maelstrom of delights it leaves a bitter sweet taste of death in the ears that lingers with a fierce bite that keeps on biting.

The Murderer’s Pact
Fired up with yet more extreme aggression and steely grooves equipped with a hearty scathing vocal edge.  It embraces with muscular tendencies to indeed choke and smother and is a stunning track to encounter!

Funeral Cremation
Well they wouldn’t be a death metal band if they didn’t sing about death would they? This returns to the Hornet’s nest be it briefly until a fiendish kick beat sparks into life and indulges the listener into its ever increasing madness.

Ice Pick Lobotomy
Such a cool name for a track! The bleakness is wrapped up tightly in vehement rhythmic qualities that drench the aural in a thickly textured structure of extreme malevolence.

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“It never lapses or loosens its grip for a second, and gives the listener a chance to explore further their already weakening emotions as it is a battle of wills in which the listener may not fully survive!”
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Vector of Cruelty
This holds a deep ravenous groove that rips into a burning chasm of darkness as it swipes angrily through its enticement. Showing the bands (slightly) slower and sultry endeavours.

Blood Stained Cement
Another creatively entitled track that is infused with passion and tenacity for another thrilling encounter. Its rapaciousness is fuelled with deadly alluring appeal that spikes into pure lust as it continues on its way, triggering a psychotic episode on guitar.

Asphyxiate to Resuscitate
Literally grips the ears and throttles them with contempt. Swamped with heavy structures that twist and turn in a force field of irresistible persuasion and addiction.

Hollowed Bodies
Leaves nothing to the ever bright imagination. It kicks into life with a resounding thump of brutality that prospers with increasing temptation. Smouldering with fierce rhythms and enthralling kick beats that ride on a tempestuous wave of malice.

Summary
Cannibal Corpse really do know how to entertain you. The album vivaciously mesmerises and keeps you on your toes scared of what you might miss out on. Exploring a high octane charge that is equal to a few hundred live volcanoes mixed in with deadly dynamite.

It never lapses or loosens its grip for a second, and gives the listener a chance to explore further their already weakening emotions as it is a battle of wills in which the listener may not fully survive.

Lathering up nicely, there is a lot contained within its dark structures, however the only thing I can say against it is that it is drenched in predictability but where it fails on diversity it certainly makes up for with sheer energy and voracious appetite.

9/10

Track List:
High Velocity Impact Splatter
Sadistic Embodiment
Kill or Become
A Skeletal Domain
Headlong into Carnage
The Murderer’s Pact
Funeral Cremation
Ice Pick Lobotomy
Vector of Cruelty
Blood Stained Cement
Asphyxiate to Resuscitate
Hollowed Bodies

Members:
Alex Webster - Bass
Paul Mazurkiewicz - Drums
Pat O'Brien - Guitar
George "Corpsegrinder" Fisher - Vocals
Rob Barrett - Guitar

Wednesday, 10 September 2014

Subservience - Upheaval - 4 Track E.P - Future PR - To be unleashed 17th October 2014

Subservience
Upheaval
4 Track E.P
Future PR
To be released 17th October 2014

World War III begins 17th October!

Subservience – Crawley, West Sussex

Links:
https://www.facebook.com/subservience

Preview Inhuman Savagery here:
http://subservience.bandcamp.com/track/inhuman-savagery

Discography
Ripped In Half - February 2013 (self-released) (E.P)
Dystopia - August 2012 (self-released) (E.P)
Sa-Da-Ko vs. Subservience - March 2011 (Rock on Promotions) (Split E.P)
Blueprint to Chaos - May 2010 (self-released) (demo)

Genre: Groove/Death Metal

Biography:
“Founded in 2010 and hailing from south of the UK this quintet are a captivating live band that certainly know just where and when to strike to savagely engage with an audience. With new vocalist Dan Lofthouse taking over the helm in early 2014, the band have now written and recorded their brand new E.P “Upheaval” which they claim is their heaviest effort to date!”

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The brutal - Subservience

Having witnessed first-hand Subservience live at Death Wave I can safely say without any shadow of a doubt that they are a superb experience. The production on the E.P is second to none and the music is first rate, but fans of the band will already know this, so without further ado – here is my spin on their latest E.P Upheaval.

Upheaval
This is no nonsense in your face metal that blisters in a frenzied metal fury. The vocals are evenly tempered and menacing and lures the sense with an antagonistic slurry of riveting creativity. There are no limits to this barbed encounter and as a result it emotionally invigorates.

Inhuman Savagery
This feels like an acidic finger is being dragged along your spinal column! The deep cataclysmic grooves penetrate with infection and lavish with a weave of contagion. It is a tempestuous track that hits danger point and puts it on red alert for a spiked provocation.

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“I recommend this E.P wholeheartedly to every death metal fan that reaches the far flung corners of the globe. Brawling with overflowing madness it constantly feeds the emotions with equal persuasion that ignites vehemently with passion and energy!”
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Slither
With a slower bait it warms the senses with an extreme and forcible stride into malevolence and offers a predatory encounter. Evenly drenched in an irresistible coating of brutal energy and unyielding melodies, it broods in an attempt to throw the listener off guard.

Divine Malevolence
Smouldering in a molten lava of extreme heat which then burns into a torrid mountain of rhythms inflaming the sense to unbelievable heights. Weighing in on heavier tendencies to brutally crush its own reinforced structures. Its triumph is where it infuses its molten core with even more extreme intensity.

Summary:
There is nothing negative to say about this E.P whatsoever. The artwork is just as compelling as the heavy grooves contained within it. The production is finely polished to give the listener 100% quality and the tracks themselves offer resounding brutal death metal played at its utmost best!

Captivating and engaging on all levels it brings rewards of erupting intensity which please on all accounts. Bold and dramatic it breeds with a dark heart that pounds in an inescapable and imposing adventure and thoroughly enjoyable!

Death metal does not get any better than this with the boundaries being superseded and pushed to their extreme limits, expanding with excessive malice and pure ingenuity.

Although the vocals are low to growling they can clearly be interpreted whilst the music is drenched in a brooding angry fuelled filled massacre and yet the melodic grooves bite with super engaging qualities.

I recommend this E.P wholeheartedly to every death metal fan that reaches the far flung corners of the globe. Brawling with overflowing madness it constantly feeds the emotions with equal persuasion that ignites vehemently with passion and energy.

Let the virulence blow the skull right out of your head until your eyes pop! And make no mistake it will!! Subservience are nothing like their name suggests and this E.P proves that tenfold!!

"Utterly mesmerizing!"

10/10

Track List:
Upheaval
Inhuman Savagery
Slither
Divine Malevolence

Members:
Dan Lofthouse - Vocals
Ryan Jardine - Guitar
Martin Shouler - Guitar
Scott Bishop - Bass
Tom Newland - Drums




Hellion Rising - Eight of Swords - 6 Track E.P - Polymath - To be released 3rd November 2014

Hellion Rising
Eight of Swords
6 Track E.P
Polymath
To be released 3rd November 2014

Out November 2014!

Hellion Rising – Newcastle upon Tyne

Links:

Listen here:
http://www.reverbnation.com/hellionrising

Genre: Metal/Rock

Biography:
“Formed in early 2012, Hellion Rising set out to carve their name into the indelible psyche of the British metal scene and have spent the last two years doing just that. Having already made an impression in the North East, the band have their sights set high and far throughout 2015. And what better place to start than their new E.P, the flatteringly good “Eight of Swords”.


From L-R: Kieran Cant, Giovanni Camillo, Adam Telford, Matt Adamson & David Reay  
Photograph courtesy of Rhiannon Banks.


Having already been touted by Kerrang! Magazine as one to watch, with a reputation for balls out, ear piercing live shows, and a heartfelt passion for bands like Kylesa, Clutch & Pentagram; you’d have to be declared clinically dead to not get absorbed by their brilliant racket!”

______

Well if the title tracks are anything to go by we should all be in for a metal treat!

With bricks of bone and blood as mortar
The anticipation brims over as the track begins with its dark edged ambiance pushing you towards cranking the volume to 11, although it seems that this is just a taster that serves to whet the appetite before the main course arrives.

The Beast
The tempting rhythms loom large on the second track and a clean but heavy vocal ensues. This is a good slab of rock that boasts some strange angular sounds that are highly engaging. It is a very raw track that swaggers with good old fashioned rock tendencies.

Wretch Nailed Tongue
Giving the drummer a chance to show off his expertise this buckles under the weight of a hefty chug and therefore has instant appeal. The guitar riffs splinter the ears as they ravage with malice – this is one fired up track holding a venomous bite that in turn will give the listener something good to get their teeth into and no doubt will go down well in a live context.

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“It juggles heavy riffs with irresistible grooves that bring you up close and personal with the band!”
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Bereavement of the Chimes
This track expels a sonic and abrasive gait that weaves with swagger and holds a certain boldness, where the bass hooks are prevalent and savagely moulded within an intense drum beat. Definitely another edgy, raw composition.

Goat Charmer
This has a funky feel to it as it parades itself around. Has quite alluring appeal as the rhythms entice and roll with rough fascination. Tempered with the familiar swagger of its genre it reinforces its power with heavy riffs and also boasts a slight doom laden feel. However as it grows you will find your head moving in time to the ferociousness contained within its mighty structure.

Just for Tonight
Has a slight change of direction and some crisp strings appear, although the direction changes once again and it becomes a heavy chug, although I feel this is the weaker of all 6 tracks as the vocals seem to lose some power along the way.

Summary:
This isn’t anything new to the aural, however it does what it says on the label and engages the listener into a rock laden world of heavy riffage and demanding drum beats.  At times it is an assaulting challenge and holds its own with the eruption of thrilling chugs that swipe with lingering and unrelenting bullying.

It juggles heavy riffs with irresistible grooves that bring you up close and personal with the band.

The downside is the vocal which clearly lets it down on the final track which is a shame as it more than delivers on the other five. There is a certain spite that flows through its veins that is impossible to ignore from the heavy guitar exploits which sizzle in a frenzy of riffs.

It does however hold plenty of deep groove and is uncompromising where the rhythms are concerned so not altogether disappointing. The titles lead one to believe however that the tracks contained within them will be a lot heavier than they actually are, but saying that, tracks three and four are simply stunning and have more than enough ‘meat’ to go round! And not strangely enough I find myself listening to those two tracks over and over for the sheer addictive quality they possess.

8/10

Track List:
With bricks of bone and blood as mortar
The Beast
Wretch Nailed Tongue
Bereavement of the Chimes
Goat Charmer
Just for Tonight

Members:
Matt Adamson - Vocals
Davey Reay - Guitars
Giovanni Camillo - Guitars
Kieran Cant - Bass
Adam Telford - Drums

Monday, 8 September 2014

Virus Cycle - Tetralogy of Horror: Act 1 - 4 Track E.P - Bluntface Records Released 27th August 2014

Virus Cycle
Tetralogy of Horror: Act 1
4 Track E.P
Bluntface Records
Released 27th August 2013

Out now!

Written for Crimson MoonZine

Virus Cycle – Boston

Links:

Genre: Industrial/Goth/Horror

Biography:

“Virus Cycle is an Industrial project from Boston, MA that combines haunting lyrics, pulsating beats, and guitars with abrasive static frequency that induces the audience to explore the topics of horror, the occult, and the supernatural that lurk within the shadows of our world. Johnny Virum, the mastermind behind the project, is a veteran of the Boston music scene. Before working on Virus Cycle, he released a number of albums and toured, while having the pleasure of opening for The Misfits on their 30th Anniversary Tour, Gothminister (Danse Macabre Records), Carfax Abbey and Thou Shalt Not.

In 2011, Virus Cycle self-released their debut full-length album Alice in Zombieland in February along with their remix album Return to Zombieland in November. Virus Cycle toured in 2011 and 2012 in support of both albums. In April 2012, Virus Cycle was signed to Bluntface Records, owned and operated by Otto Kinzel.

In late summer/early fall 2012, Virus Cycle released Zombichrist through Bluntface Records. The first single "Why Don't You Love Me?" was released with accompanying remixes from artists around the world. The single also had a music video produced for it by Rockwater Pictures. Virus Cycle closed out 2012 playing shows in support of the album.

In 2013, Virus Cycle began writing new music, which was released as Tetralogy of Horror: Acts I - IV and has been released as four separate E.P.'s between 2013 and 2014 through Bluntface Records. Virus Cycle will play shows in support of Tetralogy of Horror beginning later this summer.

Virus Cycle has played different venues and events in support of their albums such as QXT's in New Jersey, Incantation in NYC, The Webster Theatre in Connecticut, Darq in Salem MA, McGanns in Boston and The Level Room in Philadelphia. While touring, they had the great privilege to open for KMFDM (Metropolis Records) The Ludovico Technique (Metropolis Records), Nolongerhuman (COP International), Morningwood (VH1 Records), Angels on Acid, Ego Likeness (Metropolis Records), and Mindless Self Indulgence (The End Records)”

13
The eeriness can be experienced first-hand in the opening track with samples explaining about black masses to an edgy and unsettling musical accompaniment.

Dreams in the Witch house
From an eruption of fuzzy and muted notes comes a monotone vocal that is harsh and unfeeling, taking the route along a more punk vein but within its core runs some hostile guitar and sketchy drum beats. It does leave one feeling slightly consumed and disturbed.

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“This is quite sparse of the full rhythmic hit for me, but it is unusual as it can be described as “Johnny Rotten does Goth!” My favourite track is definitely the final one ‘Gods Monsters’ as there is a lot more contained within its veins to feast upon!”
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At Night
This track however opens with sampled voice talking of vampires and how to deal with them. A superb synth melody bristles stealthily throughout its meandering.

Gods Monsters
Opens with a repetitive melody and more sampled voices although short lived. This holds a hostile feeling despite its bouncy rhythms. The vocal is gnarly and again devoid of feeling, however the bounce keeps it afloat and is a lingering track that boasts a hellish maelstrom of provocation. Great track!

Summary:
This is quite sparse of the full rhythmic hit for me, but it is unusual as it can be described as “Johnny Rotten does Goth!” My favourite track is definitely the final one ‘Gods Monsters’ as there is a lot more contained within its veins to feast upon.

It isn’t all out shocking and it isn’t dull either – it sort of balances in-between although there could and should be a lot more intimidation than is already contained within the tracks.

It seems to be a taster in parts and the tracks suddenly stop without warning, whether they should be so, I am unsure.

The final track ‘Gods Monsters’ can boast a lot more than the previous three and therefore a lot more interesting to witness. The incidental noises are well in keeping with its angular stance. But for me I would prefer a whole lot more of an industrial angle than the horror/punk route, but the final track does have a lot of potential when it really let’s its hair down!!

7/10

Track List:
13
Dreams in the Witch house
At Night
*Gods Monsters

Members:
Studio Members:
Johnny Virum - Vocals, Guitar, Drums, Synth, Programming
Veronika – Artwork, Social Media
Otto Kinzel - Studio Producer, Programming, Bassist

Live Members:
Johnny Virum – Vocals, Guitar
Veronika - Live Programming
Otto Kinzel - Bass

Sunday, 7 September 2014

Neurotech - The Decipher Volumes I, II & III - 20 Tracks - Released 23rd June 2013

Neurotech
The Decipher Volumes I, II & III
20 Tracks
Released 23rd June 2013

Superb albums from Neurotech


Neurotech – Ljubljana, Slovenia

Links:

Listen here:
http://neurotech.bandcamp.com/album/the-decipher-volumes

Artur Felicijan - Artwork & Design - www.felicijan-sedmak.com/en/

Mastered by Matic Mlakar @ The Kraken Productions - www.facebook.com/thekrakenproductions

Discography:
Transhuman E.P - 2008
Antagonist - 2011
Blue Screen Planet E.P - 2011
Decipher Vol. 1 E.P - 2012
Decipher Vol. 2 E.P - 2012

Genre: Metal with influences from electronic, industrial, new age and symphonic music

Biography:
“Neurotech started as a one-man-project by Wulf in 2007, accompanied by session musicians for the live shows.  It fuses elements from metal, electronica, symphonic music, future-pop and new age music.
All releases can be freely downloaded on http://neurotech.bandcamp.com/

I first came into contact with Neurotech back in 2011 and was immediately flung into a parallel universe.

The music composed by Wulf mesmerises and melts away the world as we know it. You can feel yourself drifting into this new age whilst the music embeds deeply into the mind. It is a bit like The Matrix – nothing outside that world matters - it is what is on the inside that counts.  It utterly grabs the attention so much so that I have sat for days on end just replaying the whole albums over and over again for a good 8 hours and each time more comes into focus.


Wulf - Incredible creativity!

This is really powerful material – it literally plays with the mind on a different level. Each track offers its own unique adventure and you can re-live it over and over again at the press of a button.

What’s more is that everything is free to download on Bandcamp which although is good, is rather sad too, as Wulf is such an amazing composer, writer, and musician I feel he deserves to get paid for his compositions.

Wulf is accompanied on the album by the beautiful Tanja Ravljen whose voice really adds superb depth to a number of the tracks.

This really is art in the purest form – and ‘The Decipher Volumes’ are indeed my favourite of all the releases, for its sheer beauty and raw but powerful compositions. It has its metal moments make no mistake, however they are sometimes subtle, other times they will swipe the rug out from under you and enough to make me whip out my keyboards and have a bash at playing along to these amazing tracks.

The great news is that Wulf is working on new material and it should be released soon all being well.  Wulf is an extreme perfectionist so you can be sure what you are about to hear plus everything that comes your way in the future will be 100% of the best quality, straight from the mind of the master.

VOL.1 - PRELUDE
The Cyber Waltz
This track is a total rampage of melody that quickly captures the imagination as soon as it starts to play.  It is heavy as and vocally pulverises. The catchiness of it alone is breath-taking! Let those deep ravenous rhythms take hold!

Damage is done
Another rampaging master piece that sizzles and burns as it charges from the speakers and drenches you in a rabid frenzy of rhythmic enterprise. The passions really challenge the mind to their outer limits.

Home
This is quite a poignant track that gnaws feverishly with stealthy tenacity. It is very striking and bold and offers virulent excitement and yet its beauty reaches far beyond its boundaries.

Below these Scars
This is another track that has me return to my keyboards in order to reproduce or at least add to this amazing sound. The mesmeric beauty of the music is absolutely captivating and truly wondrous to behold.

VOL.2 - PRELUDE
Let the healing begin
Sees the addition of the enchanting vocal from Tanja Ravljen. Her vocals are essential to this track as they add brilliant dimensions of colour and are creatively used to their maximum.

The race to recovery
This is another fiery track that Tanja lends her vocals to. It is a heavy duty track that Wulf guides and Tanja follows. The grooves are deliciously bone crunching and intense.

A Clouded Mind
I simply adore this composition as it glides wholeheartedly into a melodic encounter with stunning haunting and brutal vocals. Utterly seducing, powerful and potent in its delivery.

Is the sunrise coming?
Ambient and yet voracious! Igniting with controlled temptation and sonic endeavour.  It is startling in the fact it inter twines melody with spine chilling infectiousness.

Unconditional
Another brawl into ambiance with powerful consequences. The sequences play out to a sensational sound-scape of emotion.  Dominating the track are robotic like vocals and enchanting vocal by Tanja – just superb!

This is the New Age
This sweeps you into a dark and ravishing maelstrom of sound that licks around the ears. It weaves an ambiance of influential mind-play that devours within its unwinding qualities that unravel and thrust you into a new age.

A Separate Way
Embracing and warm opening with deep cataclysmic rhythms that engulf the senses perfectly. The track grows in spiritual harmony and persistently grazes the aural – a breath of fresh air can be felt through-out its entirety and hosts superb dream-like qualities.

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“It flows with energy and a sultry endeavour that stays with you on your journey and keeps adding highlights through-out. It washes over the senses perfectly and is compelling, captivating and engaging on all twenty tracks!”
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VOL.3 - PRELUDE
Closure
Another very poignant serious track that captivates and coaxes although it doesn’t have to try too hard. It glides sensually toward the aural and cloaks it in musical superiority making it so pleasing to the ears. It delves deep into the psyche and leaves the listener refreshed.

No Turning Back
The whispers are suddenly engulfed in a rich melodic hammering of synth notes that bristle vibrantly and simply engages the senses in a brawl of toxic excitement.

_____________________________________________________________
“Nobody could ever take anything away from Neurotech except of course a wondrous experience of knowing they have witnessed the most amazing sounds ever!”
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Triumph
A track I have found myself listening to over and over again as its catchiness is so addictive and like a drug I feel the need to experience its effects on a daily basis. Highly agreeable to the ears as it reinforces on an emotional level. Always leaving me hungry for more!

The Difference
This track expands the mind to places it has never reached before. It can only be described as predatory and declares war on the senses. Its towering notes seduce as they fluctuate and bewitch the listener to such a degree they won’t want to return to their normalcy but remain suspended in musical animation.

A New Tomorrow
This is a mesh of sonically charge potent rhythms that toxically invade the mind and leave their marks! The journey is a tempestuous one that samples various stages through-out its structure but always raw and yet purity comes into the equation using its virility to seduce and conquer.

Decipher
As the final track starts to play it always fills me with a certain sadness and yet makes me happy that I can listen to everything once again. This track is sheer romance – true love in every sense of the word. It embraces, it protects and wraps you in a warm cloak of seduction.

Summary:
Hardly surprising these albums get ten. This music harvests the mind in such a way it produces the most flamboyant thoughts and imagery. No matter how many times you listen this never even borders for a minute on boring – the tracks grow with the listener so you can experience a certain track or all of them over and over without ever feeling unfulfilled which means that Wulf (and Tanja) have done an incredible job between them.

It flows with energy and a sultry endeavour that stays with you on your journey and keeps adding highlights through-out. It washes over the senses perfectly and is compelling, captivating and engaging on all twenty tracks.

Each track does indeed tell its own story and allows the listener to be a part of it and take their own thoughts, making them part of the stage show. 

Nobody could ever take anything away from Neurotech except of course a wondrous experience of knowing they have witnessed the most amazing sounds ever!

Words alone just don't do it justice - you really have to listen!!

10/10

Track List:
VOL.1 - PRELUDE
THE CYBER WALTZ
DAMAGE IS DONE
HOME
BELOW THESE SCARS

VOL.2 - PRELUDE
LET THE HEALING BEGIN
THE RACE TO RECOVERY
A CLOUDED MIND
IS THE SUNRISE COMING
UNCONDITIONAL
THIS IS THE NEW AGE
A SEPARATE WAY

VOL.3 - PRELUDE
CLOSURE
NO TURNING BACK
TRIUMPH
THE DIFFERENCE
A NEW TOMORROW
DECIPHER

Members:
Wulf - All Music produced, Lyrics, Vocals & Instruments
Tanja Ravljen - Guest Female Vocals - www.tanjaravljen.com