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Saturday, 8 September 2012

Logical Terror - Almost Human - 8 Track - Released 3rd May 2011


Logical Terror
Almost Human
8 Tracks
3rd May 2011



Logical Terror - Italy

Links:

Genre: Metal/Thrash/Electronic

Hailing from Italy this once six-piece - (now five-piece) was formed in 2010 and has carved out a very meaningful niche in the industrial music world.

I have been listening to the band for some time and thrilled to finally have Almost Human in my hot sweaty palms and I want to savour the excitement held within the tiny silver disc as I watch it disappear into the player.

In the band’s own words they describe themselves as and I quote “A perfect mix of modern metal and synthetic orchestral melodies”

The melodic sound does offer one of total detachment whilst making you aware of a more complex side that offers Nu-metal, Industrial fragments and more besides.

The band entered the studio in 2010 to create this fantastic CD entitled Almost Human and one I can relate to extremely well. It was finally mastered at Forward Studios in Rome, and edited by dysFUNCTION PRODUCTIONS.

In May 2011 "Almost Human" was published in the U.S.A. and around the world on major online stores such as iTunes, Amazon, Napster and many others. The band begins a long series of promotional concerts, sharing the stage with international artists such as Sepultura, Mnemic, Raunchy, Neosis, Empyrios & more.

The cover is just as appetising as the songs contained within it and offer the lyrics inside the booklet and with a very cyber industrial feel using strong metallic blues to give that eye catching appeal.

Since recording “Almost Human” Logical Terror has made a couple of line-up changes and now substituted D.D.L. for Thor on drums and Lizard has not been replaced on guitar.

Nameless
Dark ambient melodic sounds usher forth with brutal force and captivate with its industrial feel. Great duel vocals scathe and brutalise whilst the accompanying sounds swathe you in quality musical textures.

Gender 3000
Gives off a sensation of bubbling and squelching melodies that quickly explode around you whilst the vocals are scourging, the effects of echoes and distortion superbly executed offering a catchy content of rich and consistent synthetic fieriness,

Monad 61
More special effects set the pace with a strong intro and then the fire and brimstone comes into play with caustic results. Solid drum beats and bass hooks mingle with the duel vocal and give the track melody and rhythm but not losing touch with the industrial element giving the track that ice cold detachment.

Unfilled
Pulverising to the last this blasts into being with more ambient effects. Superb vocals launch at the listener with a sense of gratification and amazing harmonies to boot. Strong bass you can feel in the gut as it melts the speakers it holds the attention with strong attention to detail as the track just comes alive.

Degenerate/Regenerate
And now for my favourite track its thunderous melody engulfs you with its scathing vocal content and head banging qualities. I love this chorus it just lingers in the brain and a good contender for the repeat button. With the speakers turned to 11 I want my ears to throb and be assassinated with these quality beats and feel the blood being persecuted as it courses through my veins – this track delivers in abundance with a melodic charm and I don’t want it to end.

Degenerate/Regenerate 

Self-Extinction
Gives the illusion you are in the middle of space with an electronic voice and squelchy wicked electronic bubbles and powerful riffs it indeed carries you off into another realm not of this planet maybe that is where the title Almost Human comes from? Sinister and brutal it makes me wonder how something of this quality can be so beautiful. Make no mistake you will feel under “attack” when listening.

Collapse
Thundering beats emanate forth and radiate more powerful melodies and oozes deep rhythm. Clean vocals mingle with the menacing vocals tormenting the senses and terrorizing the core of your existence like a curse it won’t leave you alone. The riffs are stupendous as the track builds but still offers a melodic beauty that will leave you breathless.

Facing Eternity
Perhaps the most weakest track on the album although the beautiful riffs and powerful breakdowns do redeem it somewhat but the scornful vocals have been replaced for a more clean effect however it is quite an epic track non the less

To sum up there are some blistering tracks contained within this album that will no doubt impress the hardest of souls. It captures an unparalleled quality bringing with it deeply satisfying melodic powerful riffs and biting beats not to mention the malicious vocal that makes this a memorable listen.

If you like it raw, compelling, and melodic you will love this album it scratches the itch in so many ways. It will leave a tense and unsettling mood in the brain for a while after the tracks end and at the same time will leave you wanting more of the same - time to hit repeat!

5/5

Track Listing:
Nameless
Gender 3000
Monad 61
Unfilled
Degenerate/Regenerate
Self-Extinction
Collapse
Facing Eternity

All songs written by Logical Terror and dysfunction PRODUCTIONS



New Line-up - Logical Terror - The Italian Stallions!

Members:
Sic – Vocals
Emi – Vocals
Ash – Guitars
Lizard – Guitars
D.D.L. – Drums
Sid - Bass
Additional Vocals on Monad 61 by M.V
Additional Vocals on Collapse by Miguelon




Wednesday, 5 September 2012

Silas - World of Colour - 6 Track Mini Album - Release date 28.9.12


Silas
World of Colour
6 Track Mini Album
Release date 28.9.12

Remember the name!

Silas – Bromley, Sidcup - Kent

Links:


Live Shows: 
08.9.12 – Red Roar Festival – Red Lion, Gravesend
28.9.12 – Mini Album Launch Show, - Fox and Firkin, Lewisham

Genre: Rock/Metal/Fusion/Jazz/Funk/Groove

Formed 2008 and what a ride it has been for this foursome with Silas gaining more and more recognition with each live show they play. Silas played on the New Blood Stage at Bloodstock in 2010 and received airplay on Bruce Dickinson’s Friday Night Rock Show and now they have brought together this 6 track mini album to our attention.

I have never been a lover of Jazz it is one genre I tend to steer clear of but somehow Silas have sneaked it into their eclectic mix and made it sound ear worthy along with their blend of funk, blues, rock and metal and more importantly – it works!

Never having heard Silas in a live setting before, I can only assume what people experience must be compelling exhilarating and a ripe for picking mix of energetic sounds as that is what is experienced when I listen to their unique and unusual blend of music.

Cause and Effect
Starting off with a grinding pulsating rhythm I can see the hair flying high now! Gravelly vocal content that gives it a great hard edge with harmonies flowing like liquid gold it brings the track alive. Stomping bass hooks and rhythmic guitars in abundance here – no getting away from it – not that you would want to. The melodies are rife, and take this track to a higher plane that will leave you open mouthed. 

Tom Ross in Guitar frenzy mode!
Set to Fail                 
More hard and heavy edged guitar come pounding through the speakers bringing a softer vocal content the fusions are apparent more so in this track but not too much that it takes away from the heavier content. The vocals however do get a little more fiendish as the track continues and the blast beats come from nowhere. Set to Fail is something Silas know nothing about and in my opinion are bound for success.

What we see              
With dream like quality this track unfolds and brings with it some amazing scathing vocal prowess and twinned with clean vocal to back it up – you also get some great harmonies thrown in for good measure too! It holds a driving energetic rhythm which will just carry you into head-banging mode.

Journey to the End             
A slow paced plodding rhythm starts bringing forth a clean almost dream like quality vocal and then it explodes into some evil screams (from Dave Runham)– it is like a musical maze taking you down roads which lead to never ending openings you have no idea where you will end up. Backed by a thunderous beat a great bass hook (from Matt Drumm) with some fiery riffs – it holds everything to richly satisfy the soul.

Art of the Cure          
Pounding furious beats burst forth – clean vocals start then the riffs come in abundance and add fuel to the hungry soul. Meaningful lyrics sung in a chant and then a wonderful melodic little burst of strings follow – this will eat you alive whilst breaking the sound barrier! It is overwhelmingly unique in musical context – just love it!

Negative One             
Finishing off with a changing mood still fiery as the previous track but with choppy little riffs, thunderous beats and more caustic vocals to follow, that break into a more melodic tone later on in the track. It builds to an amazing crescendo of scalding riffs that blister. The harmonies are superbly melodic - the twists and turns on this track are just mesmerizing.

To sum up it is a great combination of all sorts that really give Silas that edge and taking their early groove style and mixing it with a more up to date heavier conglomerate is really a clever ploy by the band. What you get here is just under 25 minutes of sheer perfection and an utter sense of fulfilment with each quality track. Silas are like six bands in one beavering away to convey a new meaning with each listen and they do it in style.

I have seen a couple of bands previously swap guitars for bass but never drums for guitar and twin brothers - (Yes you heard right!) Tom and Mike do this showing just what amazing musicianship it's all about and is another unique feature of Silas.


Silas are that spark in the dark and in their world it is indeed one of colour whilst being rich in melodic content intertwined with smooth harmonies, a fusion element and throwing in heavier beats is just unique in itself and for that reason alone I have no intention of letting the repeat button go into redundancy any time soon.

Keep an eye out for Silas as I think there is a lot more to come from these guys – only 22 days before this mini album is unleashed – start counting down! You can be certain you won’t be short changed!

5/5

Track Listing:
Cause and Effect             4’01
Set to Fail                       3’38
What we see                    4’09
Journey to the End          4’13
Art of the Cure               4’49
Negative One                  4’28

Silas live in action!

Members:
Dave Runham - lead vocals
Tom Ross - guitar/drums backing vox
Matt Drumm - bass guitar
Mike Ross - guitar/drums/backing vox

Monday, 3 September 2012

The Brimstone Days - On a Monday too early to tell - 14 track album - 12.9.12


The Brimstone Days
On a Monday too early to tell
14 track album
12th September 2012

 
TBD - On a Monday too early to tell

The Brimstone Days – Malmö, Sweden

Links:

Genre: Rock/Blues/Soul

Formed in 2009 these Swedish rockers will transport you back to the 70’s with their blues rock/garage sounds, for all lovers of Free, Zeppelin and Hendrix.

Shortened to TBD they now have a full length album entitled “On a Monday too early to tell” which is soon to be released.  It offers amazing grooves proving without shadow of a doubt they own the stage and will tease the audial senses with their energy and verve and where metal started its long and complex journey.

The band have gigged all over Europe, including Sweden, Denmark, Poland, Germany, Netherlands, Scotland and Spain, which is highly impressive to say the very least.

The tasteful cover shows the band in illustrated form with very interesting array of colours not untypical of the psychedelic 60’s/70’s era.

I need soul
I defy anyone not to enjoy this it is catchy and energy driven rock. It does indeed transport you back to an era that was soulful and psychedelic, and wouldn’t be out of place in a party atmosphere.

What do you want?
In the same vein this track has more groove than a vinyl record! It’s great party music with nice heavy riffs and punchy bass with superb harmonies.  I can’t believe these guys are Swedish they sound very Americanised.

Confession
I have a confession – I am enjoying this. I was weaned on this type of groove and it does hold something dear. That driving rock rhythm is just superb. The muted sound of garage and blues is a definite winner.

Close the door
Spectacular track with heaps of energy and you can almost hear Hendrix pushing out those riffs. I feel like a child in time.

Same old story
Let the demon show himself and he does on this track! – A great vocal edge incorporates crisp melodic guitar with special effects, will have you hooked.

Bury the Hatchet
TBD has a trademark it isn’t unusual or unique but the only sound that can drop you back to the early 70’s and smother you in groovy soulful blues. This is how I remember my rock day’s melodic riffs and simple drumming.

One-two-one
A classic sound I can almost imagine Free singing this – it’s rhythmic and can only be described as rock with its certain bluesy element. I can almost see the headbands and peace signs.

Helping Hand
This track has a definite blues feel and is slow paced and back to a Hendrix approach. I never was a Hendrix fan but I can appreciate the sounds he produced and this track is laden with melodramatic Hendrixesque riffs – heavy and solid.

Give me a reason
Catchy and melodic with rock blues elements and good vocal content that smacks of vitality combining a good solid no nonsense beat.

On a Monday too early to tell
The title track of the album brings dynamism in the shape of more foot tapping and head banging rhythms. It has a nice bass hook and bluesy riffs in abundance.

Captain Tom
Pumping, but slow in rhythm and probably the least liked on the album for that reason alone, although the musicianship and production is excellent.

Upon your Shoulders
Interesting start with heavy laden riffs aplenty, offers a good solid melody and brilliant bass. The riffing is edgy and dynamic with great sounding vocals.

Tucson Arizona
Great beat starts this track – It’s catchy and fiery although I don’t drive, could not imagine it out of place on route 66 tearing up the highway whilst the wind is blowing through your hair.

Throw that Stone
The message here is that there is no compromise with TBD what you hear is what you get – and this is rock at its best. Catchy and groove ridden it highlights that classic rock rhythm with excellent harmony and vigour. I simply love this track.

To sum up TBD are vibrant and rewind time reminding us that rock is not dead – it simply sleeps until a band like TBD revives it and lifts it up and plonks it slap bang into the 21st century with their chant along lyrics and groove laden riffs.

When rock was at its best there were no other specific genres around and classed as a world phenomenon but since the sub genres have appeared and the CD culture took over a lot of old vinyl are now clogging up charity shops across the country – although I will never give up my vinyl 100% after hearing TBD and enjoying the sounds on CD I can now revisit the past whilst being sophisticated – although instantly accessible unlike vinyl, I must say I miss the old stylus configuration – there was nothing like the excitement of buying a new LP and hearing the hiss of the needle as it touched the grooves along with the crackles - Right I am off to don my hippy attire and throw out peace signs.

4½/5

Track Listing:
I need soul
What do you want?
Confession
Close the door
Same old story
Bury the Hatchet
One-two-one
Helping Hand
Give me a reason
On a Monday too early to tell
Captain Tom
Upon your Shoulders
Tucson Arizona
Throw that Stone

The Brimstone Days

Members:
Johannes - Drums
HÃ¥kan – Guitar/Vocals
Hampe – Bass/Backing Vocals

Sunday, 2 September 2012

Deathwave - Arkaidence, Pandemik, Kuru and Entropy - The Lomax - 1.9.12


Arkaidence, Pandemik, Kuru and Entropy  
Deathwave Entertainment Launch Night
Lomax- Liverpool
1.9.12


It was a tense beginning to Deathwave’s launch night as Andy had thought that Justin was going to do the sound engineering when in fact Justin was just the DJ for the evening, but Frank, owner of the Lomax called in a favour and so a tragedy was quickly averted.

Justin Astrocreep - DJ Extraordinaire

Although tension hung in the air I just knew it would be a great night and I was proved right as after the initial panic had died down everything just seemed to fall into place and the tension lifted although I was a little miffed at the time for the bands starting being pushed back from 7.30pm to 8.30pm.

I got my first surprise of the night when who should walk around the corner but none other than Mike Doyle – I literally thought my knees were going to give way. Mike has been doing sound engineering for a number of years now, with some top named bands that have taken him far and wide across the globe, but I know him more as the vocalist/keyboard player with Absaloot in the late 80’s – sadly now since defunct but Mike is indeed a legend and it was amazing bumping into him again after so many years.

The legendary Mike Doyle

Arkaindence – Liverpool

Links:

Genre: Prog Rock

Arkaidence were first up and not been that long since I saw them perform previously at the Lomax - Snub Fest 11.8.12 although their performance then was nothing to what it was for Deathwave.

Notes were hit and the overall sound was really immense. I have never seen them so tight and playing to this calibre before. They really did nail this performance and were clearly enjoying themselves on the stage and it showed, despite being the opening act once more.

Al’s vocals were literally breath taking, he hit the top notes without sounding flat and musically the band just seemed to thrive and make each song thrilling to watch as well as listen to.

Arkaidence - Crossing the Threshold!

Shock number two of the night was when Al mentioned it was the bands final gig :O If this is the case then I will be truly sorry after this amazing performance.

As I mentioned previously prog rock can be hard to navigate and is an acquired taste but nobody could take away from Arkaidence’s stunning performance the other night it was compelling and dream-like and played the way it was supposed to be.

I was really impressed with the way in which the band pulled all this together and produced their best set to date. 

5/5

Set List:
Crossing the Threshold
Descent
The Unworthy Divine
The Forgotten One

Members:
Alex "Danger Al" Nolan - Lead Vocals
Michael "Mickey Tiddles" Threlfall - Vocals/Guitar
Richard "Ricardo Cojones" Jones - Bass
Peter "Turbulent Gropist" Roper – Drums

**********

Pandemik – Liverpool

Links:


Genre: Thrash/Groove/Death Metal

I don’t think anyone could not have liked this performance as the band clearly let their “Hair” down – well Marc did anyway, being the only member to support hair down his back!

Marc is an amazing front man and really enjoys getting on that stage and doing what he loves doing and that is apparent when you see him and the band play live and a cheeky grin appears on his face – he just comes alive on stage but is also a very caring person off stage – no airs and graces with him and what you see is what you get, but what he brings to the table is awe inspiring to watch.

The Mighty Marc Mullin - Satan helps him kill!

Song after song was blasted out to an over excited audience who loved the set along with the stage banter and showed their appreciation by moving their heads to the ferocious metal that filled the Lomax stage.

Sickened and Satan helps me kill were particular favourites of mine – sung with extreme power that held an intensity all their own as do all their songs but we all have favourites.

Marc loved the crowd participation just as much as the crowd loved being part of it and everyone was “fired” up during the set and so it was a bit of a downer when the band played their last song.

Pandemik however sneaked in an extra track – a Sepultra cover – yes you have guessed it Roots Bloody Roots and asked the crowd did they want to come on stage to sing with them.  Nobody took the offer up until Ian McCormack bassist from Entropy decided he could not contain himself any longer took to the stage and really kicked ass along with Marc to an enthusiastic head banging crowd.

Ian McCormack - Helping stir the intensity!

But here’s to the next time on seeing Pandemik destroy and conquer once again.

5/5

Set List:
Enslaved by Hate
OCD
Necrofeet
Porn for the Dead
Sickened
Satan helps me kill
Iron Devils
Roots Bloody Roots - Cover

Members:
Marc 'Moses' M - Vocals
Chris 'Slag' H -Lead Guitar/Vox
Lee 'L-Train' J - Rhythm Guitar
Mike 'Dr. Beat' H - Drums
Alan 'Anal' N - Bass/Vox

**********

KuRu – Wirral, Liverpool

Links:

Genre: Death Metal/Hardcore

KuRu is seriously in your face metal – the look of concentration etched into each of the band members faces was something to witness.

KuRu have been working on an EP which is now available to download here: 

Plus they have supported bands such as Decapitated and Aborted too, appeared in the final of M2Ms and Out of the Ashes Festival in early June this year – not bad for a relatively new band to the scene.

Kuru - with Bloodgrudge!

Only seen them once before at M2M’s again held at the Lomax venue but not as many tracks were played – now we could witness them in all their true glory at how heavy KuRu were as track after track exploded and each one just as explosive as the next.

I am not sure why a lot of the crowd had disappeared during the bands set – maybe they thought nothing could beat the dynamic performance of Pandemik I don’t know? However, they missed a superb set and one I personally would like to witness again some-time soon.

Jon - it's all in the eyes!

KuRu is gaining a lot of respect in the music scene and no doubt will further their careers judging by the calibre of metal they have produced in a very short space of time and here’s to them!

5/5

Set List:
Hate Epidemic
Defunkt
Deathcrop
Means Nothing
Selfish Existence
Bloodgrudge
Tribal Genocide
Hell Confinement
World of Sin
Uncle’s Pervy Party

Members:
Jon “Tama” - Drums
Pete Pulford - Guitar
Craig Williams - Vocals
Thomas Ruddock – Bass

**********

Entropy - Liverpool

Links:
                           
Genre: Melodic Thrash Metal

Finally Entropy came on stage and apologized for the late hour due to the late start of the gig, although the people there clearly were not clock watching.

15 times I have seen the band now and never seen a duff performance. Three members from Scare Tactics Paul Charnock, Stu Barker and Danny Williams were there to support them and it is clear that the band is good friends with them as the banter flew from stage to audience.

Each track was delivered with the usual Entropy fierceness under the blistering heat of the Lomax stage lights complete with dry ice and provoked the audience into making their hair fly.

Entropy in attack mode!

Overload is clearly a crowd favourite and one of mine too – due to its orgasmic screech as the track begins and the ferocity thereafter.

Daz the bands fast fingered rhythm guitarist and vocalist made some tongue in cheek remark about being robbed of the title of winning M2Ms saying with a big smile and I quote “Well even if we had won we wouldn’t have been able to go cos I have 3 kids to support!” More toing and froing commenced and it really turned the night into one of smiles and good feeling all round.

Daz - showing his more fierce side

Daz asked the crowd “Do you want a fast or slow track?” and knowing the answer to that before the crowd started shouting “fast!” he quickly replied “Well do you want to come up here and do it then?” More laughter ensued – These guys were just superb and it all helped towards turning the event into a successful evening and one which I am so glad I was there to partake in.

Here’s to the 16th time!

5/5

Set List:
Gulf of misery
Attrition
Reclamation
Weapons for war
Overload

Members:
Darran Cooper
Robert Boyd
Ian McCormack
John Hunter

Next Deathwave event is on the 13th October at The Lomax, so if you were unfortunate to have missed this event get down to the next one.

Speaking to Danny Williams of Scare Tactics before Entropy’s set he mentioned that he enjoyed reading my reviews and looked for how many points a band got and named them “Pagans “this made me laugh somewhat but for the outstanding performances given by each and every band the other night - the Pagans awarded must be five for each band as they all gave 110% at Deathwave and nothing could take away from that – which went into making it a really enjoyable and special night.

The fun side to Scary Tictacs!

Hippy Steve and Frank Hedges - having a good time behind the bar!

Daniel Lysek - Now ex Bassist and Vocalist for Polish band Sclavinia

Special thanks to Andy Deathwave for putting on and carrying off this amazing event. Hazel and Jackie for doing a superb job on the door, Frank Hedges and Hippy Steve for running the bar so well, Justin Astrocreep for playing some great classic rock in between the bands, Liz for working her magic keeping us safe and entertained outside, Mike Doyle for just being a legend – even though he had to leave after Arkaindence had played but Geoff stepped up and filled in. Mandy Hamill, Daniel Lysek (ex Sclavinia) seeing three quarters of Scare Tactics too plus Lizzie “not too drunk this time” Lumen, Benn from Coronach and Matt Ford (Black Magician) who all helped make the event one to remember and showed their true worth by supporting the local metal scene.