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Saturday, 19 July 2014

Osmium Guillotine - Debut - 11 Track Album - MGR Music - Released 6th June 2014

Osmium Guillotine
Debut Album
11 Track Album
MGR Music
Released 6th June 2014

Killer Debut

Osmium Guillotine – Essex

Links:
https://www.facebook.com/osmiumguillotine

Listen Here:
www.osmiumguillotine.com

Discography:
Into the Battle E.P – Aug 2011
Subhuman E.P – July 2012
Osmium Guillotine – Debut Album - June 2014

Genre: Heavy Metal

Biography:
“Osmium Guillotine are an Essex-based metal band formed in June 2009 by James and Elijah. Some notable gigs played include supporting Sham 69, John Otway, Splodgenessabounds, and former Iron Maiden members, Blaze Bayley and Dennis Stratton.

In early 2013 the band were joined by new bass player, Dan Thurgood! Pete is now primary lead vocalist and the band have resumed gigging with a brand new set list... In July 2013 the band signed with MGR Music and announced plans to record and released their debut full length studio album on June 6th 2014!”

Not resting on their laurels Osmium Guillotine have now produced their self- titled debut album and offer some powerful slabs of metal along with just about anything else OG have decided to pack into its fit to bursting seems!

Osmium Guillotine have found their allies in NWOBHM band Kaine both being from the same area of Essex and their brand of heavy metal is not dissimilar to Kaine’s either in style but with a slightly more tongue in cheek agenda.

OG are keeping the old school flavour alive and right at the forefront in their mighty grasp as well as adding doom to their elements and some 70's punk, so there is a lot of diversity, not forgetting ‘Hobgoblin’ which is a wild card but none the less enjoyable!

Osmium Guillotine
Beginning with rather an urgent and sinister gait from OG. However it holds some breath taking moments that linger – then you realise at the end that the guillotine has just dropped!

Martyrdom
Snake like riffs bend and turn with striking abandon. Ploughing through a tirade of thickly textured rhythms and with strong drum beats, it chugs ferociously, so ferociously in fact that you can feel it in your gut! An erratic track that in places sounds like the music overtakes the vocal.

D-Day
This sounds like an early Maiden track, yeah when they were good! But OG have it nailed with this anthem. It is constantly impressive as well as very expressive with the guitars screaming for their lives! Superb Track!

Phobophobia
Possesses a certain intensity and provocation, driven by an old school feel. The guitars prey on the senses with stunning attack. They sound to me like early Maiden, not only music wise but reinforced with a powerful vocal.

Blight upon Mankind
A slower and more deliberate meander through its doom embrace and sounds distinctively Sabbathy. However can’t complain love Sabbath and love the doom genre – so winner all round!

City of Chaos
Fast paced, raucous and bold are just three words to sum this track up. Escalating to an even greater height seducing you into its old school style with a tenacious swipe.

Hobgoblin
The sultry strings are sharp and clean, but this is where the tongue in cheek comes into play with a cheeky lyrical theme and music to match in a kind of pirate way! I can just imagine the band swigging rum and singing about Hobgoblins somehow! Nobody can say these guys are not diverse! But a great track all the same!

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“Constantly changing OG do not let the grass grow under their feet. It is very apparent from listening to their debut that they have poured every last drop of blood, sweat and tongue in cheek into it, but not too much of the latter, just enough for a small respite until the onslaught hits!”
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Goomba
Another doom laden track that caustically throws out some thick textured rhythms bringing this composition to life. Turning from doom to downright heavy, it holds a superb melodic swagger that washes over the senses in a volatile, dramatic flurry of riffs! Did I say this is heavy! Yes it’s very heavy!

Into the Battle
I don’t think anyone would try and stop these guys going ‘into the battle’ with this track – it goes on a mad rampage and attacks the aural senses with vigour and sheer velocity offering bludgeoning beats and insatiable riffs. Gobsmacked! World War III just started!

Breathe it in Son
Definitely you can breathe this one in as its dramatic sweep washes over you and produces a climax of yet more heaviness. Packed with emotion and solid force – the aural will never be the same again. Another blistering track by OG!

Subhuman
Bring on the bass! And now the guitars! A truly all out raucously scathing and brutal track that smacks with a constant chug! Potent to the last breath – no denying OG’s capability of putting together an amazing debut album.

Summary
Constantly changing OG do not let the grass grow under their feet. It is very apparent from listening to their debut that they have poured every last drop of blood, sweat and tongue in cheek into it, but not too much of the latter, just enough for a small respite until the onslaught hits!

Its old school flavour is highly exciting despite being cooked in the 80s, whilst the doom element brings in a feeling of slow seduction.  Of course there is a lot of good chugs contained in this that would and no doubt will incite a lot of head-bangers to perform their talent whilst listening to it.

It’s ingeniously wild and emotive giving the listener no place to hide. An all- out swipe at the jugular sums this up nicely as that is what you get through-out it’s mad and creative rampage.

Any metal head NOT liking this album – there is only one sentence to say to you: Beware heads will roll! Oggy! Oggy! Oggy! Oi! Oi! Oi! As they say!

9/10

Track List:
Osmium Guillotine
Martyrdom
D-Day
Phobophobia
Blight upon Mankind
City of Chaos
Hobgoblin
Goomba
Into the Battle
Breathe it in Son
Subhuman

Members:
Peter Keliris - Vocals & Lead Guitar
Lance Steele - Lead Guitar
James Balcombe - Drums & Backing Vocals
Daniel Thurgood - Bass & Backing Vocals

Dreams Divide - Trashed - 5 Track E.P Juggernaut Records - Released 1st May 2014

Dreams Divide
Trashed
5 Track E.P
Juggernaut Records
Released 1st May 2014



Written for Grave Concerns eZine

Dreams Divide – Salisbury / Southampton / London

Links:

Listen/Buy here:

Genre: Alternative Dance Music

Biography:
“David Crout and Gem Davison are otherwise known as UK based electronic act Dreams Divide. From appearing on the electronic scene in 2011 with “Puppet Love”, their début album, and visions of hope for the future, they quickly saw these visions turn into reality!

Within two months from the self-release of the album, Dreams Divide's potential was quickly seen and they were snapped up by Russian based label Glory & Honour, for the physical and continued digital release of “Puppet Love”.

With all these things laid as the foundations, plus more secured live bookings, a second album is now well into production. Their ever growing fan base and sheer momentum is showing that the future looks more than promising for Dreams Divide...”

Trashed
This grows on you the further you listen, although it is quite mainstream it does pose some catchy rhythms and great synth moments. David and Gem share the vocal accompaniment which works really well for this kind of music.

Trashed (Benjamin’s Plague Remix)
Sparse synth notes dominate the track which is also heavily laden with a great dance beat. It also holds a staggered voice and is hypnotic holding a more urgent feel.

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“From niggling grooves to ambient exploits and dark textures of creativity lying on a bed of intensity, it is hard not to like this!”
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Trashed (X Amount Remix)
A haunting beginning, with an abundance of ambience claims a darker feel – slower paced gnawing rhythms consistently add to its great depths of agitation.

Trashed (Vainerz Remix)
The deep rhythmic swathe of synth and hungry beats that flow gently but with a slightly faster vocal – steeped in a melodic hue of underlying pleasantness making it a very creative remix that gently caresses the ears.

Trashed (IIOIOIOII Remix)
A rather dream-like remix that again holds a rhythmic sweeping embrace, with the vocal blending tirelessly into a persistent groove.

Summary
Although this isn’t the normal listening for me, I cannot help but be pleasantly surprised by its sweet nature, of now, what I have dubbed the band’s theme tune ‘Trashed’ is firmly planted in my mind – it is catchy, indeed very catchy and the remixed versions certainly give you something to think about.

From niggling grooves to ambient exploits and dark textures of creativity lying on a bed of intensity, it is hard not to like this.

There are swipes of seductive patterns within each track, no matter whether they are slow or slightly faster paced, which is a good sign, as each track holds varying degrees of diversity!

For me the word ‘alternative’ is the thing that seems to be keeping the band restrained, and functioning in a mainstream environment, but I suppose 1,386 people can’t be wrong, but it would be nice to see the band break free from its restraints and do something a little more harsh rather than plumb for sweet little dance themes, although the harsher extremes are just my preference, but what Dreams Divide are doing seems to be working very nicely for them.

7½/10

Track List:
Trashed
Trashed (Benjamin’s Plague Remix)
Trashed (X Amount Remix)
Trashed (Vainerz Remix)
Trashed (IIOIOIOII Remix)

Members:
David Crout: Vocals / Synths / Programming
Gem Davison: Vocals / Synths


Venal Flesh - Emulgent Disfigurement - 2 Track Single - Juggernaut Records - Released 2014

Venal Flesh
Emulgent Disfigurement
2 Track Single
Juggernaut Records
Released 2014

Deadly!

Written for Grave Concerns Ezine

Venal Flesh – An operating room somewhere in Washington DC

Links:

Discography:
[2014] - Full Length TBA!
[2014] - Emulgent Disfigurement (single)
[2013] - Remotum Ex Carnis Sancta [digital]

Written and Mastered by Dan Barratt

Genre: Atmospheric Melodic Dark Electro

Biography:
“Venal Flesh is a dark electro project from Washington, DC, USA focusing on dark, unsettling atmospheres; heavy, crunchy beats; and complex, multi-layered melodies. It was formed in 2010 by Dan Barrett (aka rhythmic noise act Worms of the Earth) and DJ/model VanityKills; later adding Joseph Myers (aka DJ Biodread) on synths and live keys. This project is based around the concepts and imagery of VanityKills: the juxtaposition and parallels of extreme religious devotion and obsession with physical beauty. Venal Flesh hopes to evolve the dark, heavy sound that was started by the first wave of dark electro/terror EBM acts and create music fitting of the genre’s name.”

Adding plastic surgery, medical waste, beauty, and suffering to their influences I think we are all getting the concept of this single – the old fashioned hypodermics on the front cover also give the feeling that mutilation of flesh is inevitable, so prepare to take out your scalpel and then wait for the bleeding to stop!

Emulgent Disfigurement
A swiping of ambient sounds mingle with a haunting chant of intermittent voices that eerily merge through a shrill but strong vibrant rhythm. Vocally brutal and unwavering, it cuts to the chase and carves a deep chasm and from it flows an angry red substance. The melodic chimes blend and infuse with a heated texture of toxic corruption that will feed greedily on the senses. Absolutely a brilliant track!

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“Vocally damning, there is nothing subtle about them as they slice the blackened air they contaminate with equal menace!”
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Mizbehi – (Blood of Angels on my Alter)
The ominous sound of church bells and deathly whispers along with a taunting choral choir of voices springs into action, with ambiance in abundance literally pouring from its wounded gaping soul. Not as strong as the previous track but there is no getting away from the dark demonic feasting of flesh as it chews on the aural in the most sinister way.

Summary:
The very essence of this single is pure, dark, demonic and twisted, that is more than apparent even with just the titles of the tracks themselves, let alone the bands chosen name. Both tracks home in on the sinister, eerie confines of their own making.

Threatening and attention grabbing it wreaks of hostility and yet for those of a twisted nature gives them something to embed themselves into and wallow in its grand and dramatic flavours.

Vocally damning, there is nothing subtle about them as they slice the blackened air they contaminate with equal menace.

For me personally, I just love ‘Emulgent Disfigurement’ it reminds me of a terrifying experiment that has inevitably gone awry. The music whips up a malevolent vibe of anguish and from within its tendrils of devilish unrelenting power comes the realisation there is no escape.

It kind of leaves a bad taste in the mouth in a good way – but listening to it in a darkened room with headphones on is likely to end up with the listener needing hospital treatment after performing their own mad experiment on themselves! Now where’s the scalpel?

9/10

Track List:
Emulgent Disfigurement
Mizbehi – (Blood of Angels on my Alter)

Members:
Dan Barrett - Music / Vocals
Vanity Kills - Concepts/Imagery / Live Synths
Joseph Myers - Samples / Live Synths


Friday, 18 July 2014

IIOIOIOII - Sun - 15 Track Album - Juggernaut Records - Released 13th December 2013

IIOIOIOII
Sun
15 Track Album
Juggernaut Records
Released 13th December 2013

Engaging!


IIOIOIOII – Charlotte NC

Links:

Genre: Industrial Synth Pop

Biography:
“Started in 2012 IIOIOIOII (Pronounced I.O.) was formed by Christopher Gurney on a corner desk in his bedroom. Chris spent years slowing shaping the current sounds to match the tones and melodies in his head. Going from rough and distorted tones with growling and raspy vocals to smooth sounds by going both backwards and moving forward at the same time in style.

In late 2013 IIOIOIOII released Sun which gained accolades from the European Industrial music scene and was named the third best release of 2013 by Brutal Resonance”

Rising Sky
A very impressive entrance for this magnetic track that lures you into its fold and tantalises with its ambiance. The clean vocal is very well suited to the music. It’s slow and deliberate stance is expressive and triggers its character giving a focus for its darker edge.

Weapon
Ambles and meanders through an influx of choppiness on the synth notes. Whilst the vocals portray a magnetic enterprise that sound crisp, clean and somewhat dream-like.

Stardust
Is an amazing track bristling with beauty and innovative splendour? Its outstretched arm on which sits a dark rhythm that penetrates through the mind and delves deep into a void of swirling passion.

Do You Know
Mild mannered rhythms coax you along with crisp synth connotations and a smooth but edgy vocal, holding a lot of melodic flair in its creative structure.

Falling
Is a lot heavier posing a threatening beat and urgent synth notes that hold a dark flirtation.  The twiddling squeaks adding in depth to its malevolence. This is a track you can again just lose yourself in and let its dramatic swathe of melodies wash over you allowing the listener to be immersed in a tidal wave of ample magnitude. Great track!

Spotlight
Tends to talk within a dark shadow of monotonous synth rhythms at the beginning of its creation, however it does perk up further on but somehow doesn’t ignite and fades out with a whimper rather than a bang.

We’re Still Alive
Impressive synth notes niggle feverishly on the senses, whilst a dramatic vocal builds a potent plateau on which to show the world ‘It is still alive’ Quite an involved track with loads to feast on making it another favourite one.

New Sedation's
With a blast of unusual beats and tempestuous rhythms this track harbours an unrestrained infectiousness within its soaring heights. Holding massive enthralling expression that simply fascinates.

Echo
Dabbles in a fiery uplifting and solid sweep of unpredictability. A provocative structure of predatory rhythms that are flanked within a deep realm of seductiveness.

Goodbye
Immediately ear-catching for its tones of elegant keys that wind an interesting path of infused opportunities that are grabbed with both hands as it scales the heights with its charm.

Stardust (Screaming Teens Remix)
Producing such a sweet beat and catchy rhythm laced with a woven distorted sound that protrudes proudly through the track, is simply overwhelming with a torrent of melodic hits.

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“Tempered with engaging synth sounds as well as unusually structured beats and rhythms, is an all-round, well-proportioned listen with plenty going on to ignite and invigorate a happy, healthy industrial synth mind!”
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Spotlight (Revenant Cult Remix)
Wasn’t so fussed on the first version of this however this remix is enchanting and houses a good strong unruly beat that devours. The statement this track makes is powerful.

Rising Sky (Art Deko Remix)
Spiked synth notes jaggedly cut into a sound scape of colourful imagery. It holds a wonderful beat further on in the track that the body needs to move to, so obey and enjoy!

Spotlight (Garten Der Asche Remix)
This hits the spot with its lengthy rhythms that are fuelled with intrigue. The high synth notes are appealing and simply euphoric.

Stardust (Machinista Remix)
Well this is unusual with its cavalcade of distorted vocal and chirpy uplifting synth – what a great way to finish on.

Summary:
Well the name makes me want to start singing ‘ee ay addio’ with all of its O’s and I’s, that is until the album starts and then it is a serious dramatic listen that uplifts and contrasted with resourceful and emotive tracks that warrant further listening.

This album has some mouth-watering moments more often than not and brings together a lot of pleasing, teasing and caressing sounds to the aural.

With only one track that doesn’t float my boat, I am not going to say too much about it, as on the whole this more than just promises to be a good album – it is A GOOD ALBUM!

Tempered with engaging synth sounds as well as unusually structured beats and rhythms, is an all-round, well-proportioned listen with plenty going on to ignite and invigorate a happy, healthy industrial synth mind.

9½/10

Track List:
Rising Sky
Weapon
Stardust
Do You Know
Falling
Spotlight
We’re Still Alive
New Sedations
Echo
Goodbye
Stardust (Screaming Teens Remix)
Rising Sky (Art Deko Remix)
Spotlight (Garten Der Asche Remix)
Stardust (Machinista Remix)

Member:
Christopher Gurney


Tactical Module - Into Exile - 10 Track Album - Juggernaut Records - Released 4th October 2013

Tactical Module
Into Exile
10 Track Album
Juggernaut Records
Released 4th October 2013

Superb!

Written for Grave Concerns e-zine

Tactical Module – Poole, Dorset

Links:

Listen/buy here:
http://music.juggernautservices.com/album/into-exile

Genre: Industrial Metal/Digital Hard-core/EBM

Biography:
Tactical Module is the industrial music moniker/band name of Bournemouth and Poole college student Michael Davis as an outlet for the creation of industrial music Founded in summer 2010.This project was created as an outlet for more creative freedom as college bands can sometimes have a constraint of different ideals and also a pathway to a much darker and aggressive side of electronic music.”

Digital music has indeed come a long way since the 80’s but still remains relatively hidden, trapping it in a niche that very often is missed. For myself, personally the EBM/Digital mind set is quite easy to engage in and it does not have to be pop orientated, so metallers are missing out, for fear they think that the music is ‘just pressing a button’ and so does not qualify for being worthy of a listen.

However it is knowing what to do once a button is pressed and more importantly bringing the sounds together to form complex and delicate structures that bring its own rewards.

And this slab of digital hard core ‘Awaken’ hits the spot! There is also a dash of dub-step in there and some clean but aggressive vocals. It is a very distinctive track that has a rhythmic enticement that is all too pleasing to the ears.

The jagged rhythm of the title track ‘Into Exile’ holds a deep compelling embrace and leaves the listener waiting in eager anticipation at what is about to unfold. The background is laced with a sinister ambiance and finally a hypnotic groove starts – loving this.

‘Outer City Limits’ is another rambunctious flurry of energy that scoops you up and lets you fly with it. It holds no boundaries and I am sure has flown passed the sun right now. Teasing and taunting it flourishes with an overpowering melody. Definitely another fave.

‘Breathless’ plays with the mind – commanded by distortive notes and angry vocal bait, but none the less bounces with a potent hypnotic rhythm that has a superb dance beat attached to it. The lyrics “You left me so lifeless, you left me so breathless’ may ring true after a few moves to these rhythms!

‘Cypher 2.0’ has a rather spacey feel to it – and it beckons you towards its rebellious rhythm. Luring you into its persistent grooves and massages the senses with its unusual expressive and creative wash.

‘Downpour’ the deep thumping and rapacious grooves are antagonistic in every sense of the word. It ignites the emotions although not as melodic as some of the previous tracks.

‘Hellfire’ the initial beats seem to carry on a little too long at the beginning, however, the track makes up for this with a brutal moodiness – the vocal sounds a bit on the punk side and has a chant like sound that adds well to a terrain of madness.

‘Unbreakable’ is glazed with a highly energetic but monotone vocal and persistent synth notes that are mischievously satisfying whilst the demonic whisperings are scourging.

‘Awaken (Ruinizer Remix)’ a tidal wave of ambiance has hit – smiting the listener and plunging them into a void of tempestuous voracity. A highly enjoyable track with much harsher vocals.

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“Hosting some uncompromising addictiveness it violates the senses and traps them into a submissive frenzy. The slower more mellow trappings stroke and caress with so much creative beauty!”
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‘Downpour (Destructed by D Destruction)’ the music really is apt with its title and sounds like raindrops, whilst the tirade of pulsing beats sound like a full on explosive thunder storm of delights.

‘Into Exile (Back to Hell) Mix by DEP’ the magnitude of sound that forces its way through the speakers here are breath-taking!  Holding a compelling magical embrace whilst still hanging on to its brutal edge and is a very engaging encounter.

‘Breathless (Harlot Mix by Roded Master)’ A lot darker sounding with thick twisting rhythms that plough through the aural like a hot knife through butter! Hypnotic and compelling it definitely lures with intent.

Summary:
One highly engaging album that houses some innovative beats and rhythms that turn like a rolling tide. With striking boldness and insatiable appetite it is a good work-out for the aural as well as the imagination.

Hosting some uncompromising addictiveness it violates the senses and traps them into a submissive frenzy. The slower more mellow trappings stroke and caress with so much creative beauty.

It most definitely is a thoroughly pleasing album that has an intimacy that the listener can harvest and wrap themselves in – a bit like – nothing really matters outside of Tactical Module – just live for the emotive moment as you press play. Superb!

10/10

Track List:
Awaken
Into Exile
Outer City Limits
Breathless
Cypher 2.0
Downpour
Hellfire
Unbreakable
Awaken (Ruinizer Remix)
Downpour (Destructed by D Destruction)
Into Exile (Back to Hell) Mix by DEP
Breathless (Harlot Mix by Roded Master)

Member:
Michael Davis-Vocals, Guitar, Keyboards, Drum Programming