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Saturday, 24 September 2016

Roadhog - Live @ The Swinging Arm, Birkenhead - 23rd September 2016

Roadhog
Live @ The Swinging Arm
Birkenhead
23rd September 2016


Members:
Graham Lee – Vocals
Kev McGinn – Guitars
Neil Humphrey – Bass
Pete Almond - Drums

Not having ever frequented The Swinging Arm previously, I was keen to see what kind of a place it was, and was pleasantly surprised as this building appeared before us right slap bang in the middle of a residential area, with a few seats dotted about outside. On entering I was surprised at the venue’s pocket handkerchief stage, but the atmosphere was friendly and warm with a great atmosphere and definitely a rock pub! Its walls adorned various posters advertising bands and my eye did catch a beautiful Harley Davidson logo that would have looked nice on our living room wall!

The staff were very accommodating and the punters in the building were friendly too! So overall a good place to be!

The view from the stage window was breath taking – seeing Liverpool lit up was beautiful across the river!

As the band set up, falling over themselves as well as their gear I found a seat right in front of the stage, funny how nobody usually likes being in that position, but front of stage is always good in my book, and the seating was comfortable, arranged well and very eco-friendly as the bar was made from wooden pallets!

Drinking wasn’t on my list of priorities, but last night I thought why not? And not normally I would go for Kopperberg Strawberry & Lime, however the Swinging Arm didn’t do Kopperberg so a Brother’s Strawberry & Kiwi was bought and I have now found my favourite alcoholic drink!

A punter who saw the band some years ago asked could he video the band and put it on YouTube – of course the band agreed and so his camera was set up to capture the band live.

With the pub being in a residential area there are strict times a band must start and finish those times being 9.00 pm start and 11.00 pm finish, so it wasn’t long after arriving that Roadhog hit the stage.

The tiny stage was awash with lights which made taking photos on my camera a no go, but Oggy had his new phone and as I am not and probably never will be good with them found taking photos on it very tricky indeed, although thankfully Jane already having one made light work of sussing out our new one, but for me they are definitely not easy to use! Come back camera all is forgiven!

The audience were very responsive to the band and lapped up the banter in between songs and even shouting their own responses to the Tourette-like Oggy who is never short of a few words. The atmosphere buzzed, despite Oggy saying he couldn’t hear himself on stage for the first set - but it sounded pretty good to me.

 Pete - Photo courtesy of Jane Craig
 Oggy & Neil - Photo courtesy of Jane Craig


The tracks got gleeful responses from the punters.  The old time classics came thick and fast and the band got into their stride.

It was really lovely to see Pat, Darren and Pat’s son Chris at the back of the room. Daz is Matthias in the Scopyons Tribute band and they had travelled from Bolton to see the band, which was much appreciated.

It wasn’t long before the first set finished and a short break was taken giving a chance for the band to catch their breath before resuming. Pockets of friends gathered to have a catch up and not long after that the band were back on stage to do their second set.

With time constraints the band cut out quite a few tracks in order to be finished bang on 11.00 pm but kicked off their second set with ‘We will rock you’ again the audience participated and shouted in favour of the tracks.

 Photo's by Pagan Hel
(Cursing technology!) *









One small and hilarious moment was when Jane noticed from the hole in the bass drum looked something that resembled a small rodent, which was actually a blanket that most drummers use to dampen any ringing the drum may have after it is hit, Instead of having a slower sound decay, the blankets make the decay much faster, anyway, as Pete hit the drum the blanket that resembled a chipmunk started to move and Jane and I were transfixed on this for some time with tears rolling down our faces.

The band played favourites ‘War Pigs, ‘Cold Sweat’ ‘Forever’ and ‘The Zoo’ prompting Daz and Pat to come to the front of stage and rock out to it, hard not to really as it is a favourite of many!






Oggy enjoyed the second set a lot better than the first as he could hear himself for the latter part of the gig although he always enjoys being centre stage and dishing out the banter!

All in all it was a great night in a great pub!

Catch the Mighty Roadhog playing Live at The Fox & Goose in Southport tonight, if you dare!

* Strange to think that I was accused of attacking someone's website at one point!! (But that's another story) 


Special thanks to the staff at the Swinging Arm for their help, Jane for her company and expert advice for the phone usage! Pat, Daz and Chris for travelling some distance to see the band, the punters who added to the fun! The guy filming the gig and of course to Roadhog for squeezing themselves onto the small stage to give another great performance! – We salute you!


Friday, 23 September 2016

Anata - The Infernal Depths of Hatred (Reissue) 9 Track Album - Kaoskvlt Records - Release Date 21st October 2016

Anata
The Infernal Depths of Hatred (Reissue)
9 Track Album
Kaoskvlt Records
Release Date: 21st October 2016



Anata – Mulhouse, Alsace, France

Links:
https://www.facebook.com/AnataDeathMetal



Discography:
2017 – TBA
2016 – "The Infernal Depths of Hatred" [reissue]
2006 – "The Conductor’s Departure"
2004 – "Under a Stone with no Inscription"
2001 – "Dreams of Death and Dismay"
1999 – “Split EP w/ Bethzaida”
1998 – "The Infernal Depths of Hatred"

Genre: Death Metal



Biography:
“ANATA's 1998 classic debut full-length on vinyl for the first time ever at last! Back in 1993, Death Metal had started taking a turn towards either more melody-driven stuff in Europe (At The Gates and most of the Gothenburg scene) or way more brutal stuff in the US (Suffocation and the likes...) but one band, formed that same year in Varberg (Sweden), stood out from all trends and that one band was the only able to fill the gap between the two different directions: ANATA. Released in 1998 through then recently launched French label Season of Mist, ANATA's debut, "The Infernal Depths of Hatred", took the unsuspecting Death Metal scene by storm combining a sped up version of the trademark melodic, catchy and up tempo Gothenburg "New Wave of Swedish Death Metal" sound (At The Gates, Soilwork, Dark Tranquillity...) with faster, relentless, heavy parts influenced by the rawer, darker and heavier typical US Death Metal of that time (Morbid Angel, Suffocation, Cannibal Corpse…). Specially remastered for analogue physical supports by gifted sound engineer Frédéric Motte at his own Conkrere studio (Loudblast remasters, Gorod, Otargos, Putrid Offal...) and coming with a bonus Morbid Angel cover version ("Day of Suffering") from ANATA's 1999 "War, vol. II" split with Bethzaida, the album's collector first press, limited to 300 hand-numbered copies, comes as a yellow and black marbled vinyl in high-quality 300g sleeve with matte lamination and 170g lyrics insert!”

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It has been said before that when you hear people mention France or the French they think of romantic walks down the Avenue des Champs-Élysées or a stroll up the Eiffel Tower, nobody would ever associate death metal from the Country at all. But so many death metal bands have emerged from France proving it isn’t all romance! Anata started in 1998 and have well and truly run the boards of extreme death metal and in my opinion deserves to be shouted from the rooftops!

‘Let the Heavens Hate’ comes with a snap, crackle and sizzle as it molests the audial in dangerous pursuit of a scathing vocal captivation and highly charged rhythmic magnitude! Its fast paced momentum is damming and brutal till the end.

‘Released when you are dead’ is a crazed and raging slab of indescribable rhythms that melt into a vehement frenzy!

‘Under Azure Skies’ holds a deliberate rhythm that chips up under a hammering of dark beats. It then starts its climb into a thickening momentum that gradually quickens and evil personified in the shape of a low toned growl takes over.

‘Vast Lands / Infernal Gates’ has a booming but cordial sound as it kicks in with tenacity and irresistible hooks. The steely tones cloak the aural and instantly the volume is extended to capture its essences in the raw.

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“How can one band create so much evil intent on one album? Anata are indeed the masters of their game and this album is living proof! The music bristles with pumped rhythms that are quick to captivate the ears and viciously erupt into a malevolent force!”
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‘Slain Upon His Altar’ gives the listener a respite from all the gnarliness and goes on a pleasant journey of strings that are vibrant and uplifting but then in true death metal fashion it all changes and thrusts the listener into a storm that batters and berates with brutal honesty, and then with a slight turn towards its softer side before brutalising the ears once more. Superb track!



‘Those Who Lick the Wounds of Christ’ is a really somber affair as the strong sounds emanate and once again snap with tethered anger into a run of rhythmic endeavour. The melodic core makes for a sweet and evocative landscape that stretches further giving out rhythmic pulses that cannot be ignored!

‘Dethrone the Hypocrites’ launching into a death defying screech it’s fast paced booming melee meets itself coming back! The bounce the guitars create are addictive and coaxing, seductive even, adding in further flames to the colossal sound.

‘Aim not at the Kingdom High’ gives the senses something to think about as the booming riffs captivate with sheer compelling and potent energy! Vocally pleasing as they rumble past the ears reaching soaring heights and depths beyond hell.

‘Day of Suffering [Morbid Angel cover]’ sounding far more vengeful than the original and much faster paced Anata have made this track their own. It is a lot sharper in delivery and has a great chug running through its veins.

Summary:
How can one band create so much evil intent on one album? Anata are indeed the masters of their game and this album is living proof! The music bristles with pumped rhythms that are quick to captivate the ears and viciously erupt into a malevolent force.

Inescapably infectious with tons of appealing qualities Anata certainly know what buttons to press when they demand attention! But then again they have eighteen years on the scene and in that time perfected the death metal genre!

Time to get acquainted with Anata if you haven’t already!

10/10

Track List:
Let the Heavens Hate
Under Azure Skies
Vast Lands / Infernal Gates
Slain Upon His Altar
Those Who Lick the Wounds of Christ
Dethrone the Hypocrites
Aim Not at the Kingdom High
Day of Suffering [Morbid Angel cover]

Members:
Fredrik Schälin – Guitars & Vocals
Andreas Allenmark – Guitars
Henrik Drake – Bass
Robert Petersson – Drums 


Mercyless - Pathetic Divinity - 9 Track Album - Kaotoxin Records - Release Date 29th August 2016

Mercyless
Pathetic Divinity
9 Track Album
Kaotoxin Records
Release Date: 29th August 2016



Mercyless – France

Links:

Discography:
2016 – "Pathetic Divinity"
2015 – "Blast from the Past" (split EP w/ Crusher)
2013 – "Unholy Black Splendour"
2000 – "Sure to Be Pure"
1996 – "C.O.L.D"
1993 – "Coloured Funeral"
1992 – "Abject Offerings"
1990 – "Vomiting Nausea" (EP)

Genre: Death Metal

Biography:
“Genuine old-school unholy Death Metal from France, established in 1987 and still feasting on the blood of the lambs ever since!”

~~~~~~~~~~

Beginning with an eerie voice in an ambient setting it gives out a certain amount of angst and fear that death metal bands portray so well. ‘Pathetic Divinity’ is a hard hitting slab of death metal extremity as it lavishes the ears with a brutal array of malice. The vocals are gnarly and unrelenting in their delivery through a fast and heavy onslaught. ‘A Representation of Darkness’ simply rampages and creates a trail of dust in its wake! Forthright and confident the track is compelling and offers deep magnetic riffs. ‘My Name Is Legion’ 



anyone into the Supernatural will know that these words are usually uttered by demons and the music to this track can quite easily be classed as demonic as it battles an addictive reign of terror. ‘Exhort the Heretic’ is another battle of wits as the torrent of metal is steeped in masterful rhythmic poetry and power fuelled with captivating momentum. ‘Left to Rot’ is just as gruesome as the title, although it leaves nothing to chance! Contrasting super charged riffs and plentiful kick beats it’s an emotional offering. ‘Eucharistic Adoration’ continues its powerful onslaught as the vocal scourge scrapes the ears and leaves them to bleed with the sheer velocity the music is pumping out through the speaker units.

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“It is a thunderous album that doesn’t mind stomping all over your brain in an attempt to make you sit up and obey the masters! This is one such time when obeying is the only thing you can do!”
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‘Christianist’ holds a darker riff that pulverises through a battering of malevolent beats there is a fierce element of scathing and raw that is sewn into its fabric and used to smother its victims! The tenacity of this track knows no bounds! ‘How Deep Is Your Hate?’ slows things down to a more even pace but lulls you into a false sense of security as it suddenly explodes into a rampant flow of malignancy that twists and turns like a knife in the back! ‘Liturgiæ’ The vocal goes to the depths of depravity as it spews out hatred towards its enemies. The meaty slices of rhythm portray a dark malevolence that is amplified through a deep cackling as it fades.

Summary:
Mercyless do exactly what it says on the label, there’s no escaping its broad death defying rhythms and heartfelt vocal entourage for sure! The band have had plenty of time in which to find their niche and nestle into it with ease. It can host a certain predaciousness as well as a sultry lair in which to capture its audience but the ones already into death metal are already there!

It is a thunderous album that doesn’t mind stomping all over your brain in an attempt to make you sit up and obey the masters! This is one such time when obeying is the only thing you can do!

9.5/10

Track List:
Blood of Lambs
Pathetic Divinity
A Representation of Darkness
My Name Is Legion
Exhort the Heretic
Left to Rot
Eucharistic Adoration
Christianist
How Deep Is Your Hate?
Liturgiæ
Bless Me Father [2015 version]
Probably Impure [2015 version]
Eucharistic Adoration [2015 version]

Members:
Max Otero – Guitars & Vocals
Gauthier Merklen – Guitars
Matthieu Merklen – Bass
Laurent Michalak – Drums

Bäkken - Death of a Hero - 8 Track Debut Album - Release Date: 2012

Bäkken
Death of a Hero
8 Track Debut Album
Release Date: 2012




Bäkken – Northern Ireland

Links:
https://www.facebook.com/bakkenband

Worldwide Genocide – March 2014
Death of a Hero - 2012

Genre: Classic Metal, Thrash, Power Metal, Hard Rock



Biography:
“Formed in 2011, Bäkken are a classic heavy metal band from Northern Ireland. The quartet describe their sound as “combining the visceral edge, gruff vocals and choppy riffing of early thrash metal with melodic sensibilities and complex song structures of German power metal and NWOBHM”.

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Considering Bäkken formed in 2011 and released their debut album in 2012 I am wondering what has happened since the release of Death of a Hero? Well it seems as if the silence has apparently been due to line-up changes with bassists and guitarists. Bäkken released a 5 track E.P back in 2014 entitled Worldwide Genocide and have since completed a successful mini tour of Holland during February last year, but since then all seems quiet on the Bäkken front.

Darkest Day – Opens with a siren’s wail and a regimented drum beat which paves the way for what is about to follow. Sounding ominous and filled with angst the sound of gunfire through a saddening riff is quite poignant, until a rousing fast pace cuts through the ambiance and devours it with unrelenting energy.

Mystic Mogul – is a powerful and energetic journey that bounces with fierce velocity and good harmony! Strolling with a confidence and compelling charm that has an addictive quality all its own when the bass kicks in!

The Cursed – has a wiry angular sound that starts and then explodes into a familiar chug with full on harmonies and no doubt would have an audience with fists in the air as its underlying intensity blossoms into a good head banging session!
Sasquatch – is so far my favourite track as the blinding chugs are unmerciful and devious! The tempting melodic hues come in between and really give the track some clout!

Back to the Future – Brilliantly powerful with huge slabs of rhythm and dynamism from the Irish quartet! Emotionally enjoyable, distinct and right from the heart! While the vocals are clean and engaging! The rampaging creativeness of Bäkken draws on addictive and emotionally charged riffs!

Get back to your Feet – throws you into turmoil as it begins with a beautiful little melodic riff and then explodes into full on menace!

Fortress of Evil – Engages with a meaty bass hook and melodic tones of swagger with a strong chug in tow that scintillates with each stride. Raw and predacious it certainly doesn’t let the grass grow under its feet.

Voyage of Aodh – is fuel charged and full in your face. The riffs are fast and furious as the warm familiar rhythms melt your ears, and then there is a sudden drop that slows significantly showing its calmer side.

Summary
Well with 4 years gone and just a 5 track released in 2014 there certainly is a lack of classic metal thrash from Bäkken which is a shame as they certainly have a good strong sound, intense vocals, steely heartfelt riffs to encounter and appear to be all-embracing, even potent at times!

Bäkken seem to be plagued with bad luck as yet another member has left the band so this has caused a serious lull in the bands career, however, I hope it won’t be long before a new bassist is recruited putting Bäkken on the map again!

8.5/10

Track List:
Back to the Future
Darkest Day
Fortress of Evil
Get back to your Feet
Mystic Mogul
Sasquatch
The Cursed
Voyage of Aodh

Members:
Mark-Anthony McGinnis – Guitars
Brian O’Kane – Bass
Simon Pickett – Guitars & Vocals
Niall McGrotty – Drums & Backing Vocals

Wednesday, 21 September 2016

Pagandom - Hurt as a Shadow - 12 Track Album - Gain Records - Release Date: 28th October 2016

Pagandom
Hurt as a Shadow
12 Track Album
Gain Records
Release Date: 28th October 2016



Written for RAMzine

Pagandom – Gothenburg, Sweden

Links:

Discography:
* "Instead Of Watching Your Funeral, I Watch You Live" DEMO 1989
* “Hear Your Naked Skin Say Ashes to Ashes” DEMO 1990
* DEMO 1992
* "Crushtime" CD/LP 1994 (Crypta Records)
* “Battery”/Metal Militia – A Tribute to Metallica” CD/LP 1994 (Black Sun)

Genre: Thrash Metal



Biography:
“Pagandom is a Thrash Metal band hailing from Gothenburg, Sweden. Formed in 1987. Pagandom disbanded in 1996.  They reunited for the “Gothenburg Sound Festival” in January 2014, and has since then continued writing music. New album Hurt as a Shadow - to be released end of October!”

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Well hang on to your heads with Pagandom because they hit the ground running! Fast and furious this Swedish quartet are blistering and on the rampage, just what you expect from Vikings! Fever pitch is something the band do to perfection and is evidently clear listening to these tracks. Unleashing a chug from hell the highly charged rocket fuel for excitement continues and with it creates tracks of blistering quality.

The rhythms are intoxicating and intense, no coaxing needed to fully engage in this brawl of madness for sure. Its virulent core simply smoulders with vengeance, even when its pace drops, so the band are on a recruiting spree and certainly employing a raw energy that rewards well.

It explores blood thirsty riffs and inescapable groove that hits hard no matter which way you look at it. Sauntering and snarling in all the right places it’s a feast of thrash that is led in such a way it invades with sheer imagination and prowling assault.

The delivery pulls you up with a short sharp shock, possessing a sound that immediately intimidates with violent and vicious endeavour, spreading its raw punching beats and rumbustious riffs very generously.

It stirs emotions be it by thrashing chugs or a slower tempest of sorts as on ‘Breather’ gaining intrigue and offering feisty beauty.  Enthralling and mesmeric creating thick expressive textures and standing proud allowing one to partake in the head banging endeavours it offers.

It isn’t even an all-out thrash album although there are obvious thrash elements contained in its core but concentrates on being ‘metal’ and offers grand proportionate chugging and cataclysmic groove!

For the hardened thrash head there is plenty to enjoy on this album as it offers a whole lot more within its tracks, so buckle up and enjoy the ride!

9/10

Track List:
Forever
An Entity a Ghost
Hurt as a Shadow
Behind the Words
Catapults and Trapdoors
Monochrome Vision
Breather
Not of Diamonds
Bridges Burn
Terminal Narcissist
No hope to be lost
Flooded City

Members:
Martin Carlsson - Guitars
Christian Jansson - Vocals
Sören Fardvik - Drums
Martin Meyerman - Guitars