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Wednesday, 16 January 2013

Roy Stone - Sunshine & Liquor - 3 Track E.P - 2013


Roy Stone
Sunshine & Honour
3 Track E.P
2013



Roy Stone – London

Links:
https://www.facebook.com/ROYSTONEROCK
http://www.roystone.com

Genre: Rock

The last review I did for Roy was around the 28th July 2012 http://paganhelreviews.blogspot.co.uk/2012/07/roy-stone-4-track-ep-2012.html
 It was not one of the easiest reviews to do as it was very patchy and sounded muffled in places but I am hopeful that this three track E.P. will sound a lot better.

The CD itself to look at is a lot better than the last one – although no proper cover but the disc contains a picture of Roy and the title of the E.P Sunshine and Liquor, and underneath are the titles of the said tracks – although done in a double print a little hard to read.

But ... I am going to look at this CD with fresh eyes 

Sunshine & Liquor
Good title but the track itself sounds like it is being played backwards in places and the vocals are slightly muffled, out of tune and drowned out by the music. But yes! It is fast and the technical abilities of Roy do shine through.

Rock Bich
Is this a spelling mistake? The production again sounds muffled like there is something missing as it does not flow at all – sadly. Maybe Roy should pass the vocals on to someone else and just concentrate on the guitar as it clearly shows he can play but the quality is not really to a high standard.

Red Moon
A balled of sorts with mediocre vocals but does not seem to have any direction. But the guitar is Roy’s redeeming quality he can play no doubt about that, but this track does not really cut it!

This is surprising for someone doing recordings since 2000.  It should sound a lot more crisp and intelligible but sadly sounds like it has been recorded in a garage in 1980 yet again.

There is however, one thing that can be said for Roy and that is he believes in himself and has the conviction to do what makes him happiest and nobody can knock that.  He also does everything himself on the E.P, but the overall sound on it sounds shoddily put together and very old hat!

I don’t like being negative but these are my thoughts and opinions – perhaps others may take a different approach but to me nothing really stands out on this E.P or has any wow factor! Done in a good studio it may stand a chance but it is lacking in quite a bit, no cover, no lyrics contained, nothing that really tells you anything about Roy Stone the man and what his goals are.

4/10

Track List:
Sunshine & Liquor
Rock Bich
Red Moon



Members:
Roy Stone – Guitar/Vocals/Drums/Bass

reADJUST - Alive - 17 Track Album - Advoxya Recordings - Released 26th March 2012


reADJUST
Alive
17 Track Album
Advoxya-Recordings
Released 26 March 2012


reADJUST – Duren, Germany

Links:
https://www.facebook.com/reADJUST.Official
http://www.readjust-music.com
http://www.myspace.com/readjustmusic
http://www.reverbnation.com/readjust

Genre: Dark Electro / EBM / Minimal

In the bands own words:
“In February 2002, just read from the drive out was founded to unite our own musical tastes and implement our songs. After the surprisingly good resonances to the first demos, we developed the claim to want to achieve more. Added were more band members to jointly realize our set goals.

The first official CD "statement" was then released in 2006 on the U.S. label Hypervoxx and blossomed in the United States to tip and has even achieved a ranking in the American alternative charts. The following CD's "morphosis E.P", "Metamorphosis" and "vision: CIVIL E.P" was then released on our own and also brought the hoped for attention in Germany.

Readjustment could be seen from now on to more and more live (next solo gigs as support for bands like Agonoize, Spetsnaz, Noisuf-X, SITD, psyche, Leichenwetter or Stahlmann) and also the DJ's discovered the potential of various songs . Published with the CD "Level of Courage" 2010 on the British scene Rebco Records label, then the final breakthrough and we had established ourselves on the scene.

This was followed by the album "Relaunch E.P" (2010), "Mind Walk" (2011) and "Alive ..." (2012), which made a major contribution to the further strengthening of our band on the scene. Cooperation with other bands (e.g. Nightmare Supreme Court TraKKtor, Leichenwetter, All the Ashes, C-Lekktor angstfabrikk, Centhron, Incubite) also for increasing awareness about the borders of Germany has provided. Over the years, in our own style, more and more developed, until it finally became Melodic Electro Body. So reADJUST hit the nail on the head.

Strong melodies combine with elements of EBM, dark electro classic, minimalism and a touch and merge with moderately distorted vocal and snappy lyrics into an independent symbiosis.

On stage, convinced by an energetic show, where we also convey the fun and let the sparks fly with the audience.

Even after over 11 years as a band we still have lots of energy and creativity, so that a cessation of no thought is wasted. reADJUST will always go out of our way to try and improve ourselves constantly and continue to develop. True to its intent: WE WANT TO PROCEED!”

**

Germany is rife with bands from this interesting and select niche. reADJUST are just one of the bands who have found themselves in this superb and attention-grabbing genre.

It still amazes me that at the click of a mouse more and more bands spring into life and become part of yours.  It is also great to know that despite the distance their music can be heard and enjoyed although getting to gigs proves much more difficult.

reADJUST is noteworthy and appealing from start to finish, and this very stimulating 17 track is awash with plenty of fascinating and motivational tracks all ready and waiting for you to lend your ears to!

The album cover is simple but eye catching and well in keeping with the title: Alive depicts two graphs which signify the fact that you are indeed alive. There is no need to embellish the cover any further.

Alone
That wonderful dark electro feel comes alive and you feel anything but alone as the beat forges heavily from the speakers along with some splendorous evil screeching vocals dark and edgy. The exciting rhythms surround you like a warm cloak of sumptuous notes and with that your body just explodes into jerky movements in time to the music and as for your feet, well mine refuse to keep still.

Grab and Store
Gonna grab me a bit of this and store it in the old memory bank. Rigid beats just flurry uncompromisingly offering more superb evil vocals. Shrill keys just keep on flowing with luscious rhythmic content.

Pech und Schwefel – Pitch and Sulphur
Swaying rhythms and a more robotic vocal comes into play on this ear-catching track which already has me reaching for the volume control. That thud of mesmerising beats make my heart miss a beat, the keys are just wonderful, powerful and intense – this is one track I will be repeating very shortly. The fact there is German contained within the track all adds to the flavour – just prefer when bands sing in their mother tongue – so lecker, wasser im Mund!!!

Pride
Harmonious, dark, brooding with shrill key accompaniment make this a track that holds further intrigue. The vocals evil and unholy never far away, and the ominous thuds, basking in rhythmic fascination continue – a really great track to practise a few dance moves.

Trauerflor - Crepe
Nice sturdy beats and rhythms collectively bring a swaggering sensation of lip smacking appeal. Superb vocals add spice to an already mouth-watering track.

Breaking News
Great incidental samples with a gut wrenching beat that is slightly slower in pace but none the less brutal. Choppy little keys add to the interesting rhythms as the incidental samples continue.

Wahre Helden – True Heroes
A fuller sounding track with rolling beats and tempestuous rhythms giving you that uncontrollable urge to don the furry boot covers and take to the dance floor with emotional and wild abandon! – The true heroes are indeed reADJUST. Another memorable track!

Stab my Back
Get the knives out! This track is compelling and intense with edgy beats, emotional rhythms that intermingle with a scathing vocal – licking my lips already! My body is doing crazy things right now! This is music that urges you to move! It really gets under your skin and infects you with an addictive drug – once heard you want more! Anyone not made of stone will literally want to move to this piece of exceptional music.

Memories
So far all the tracks I have sampled on the CD are something out of the ordinary and this track is no exception to that rule as it holds brutal beauty all its own. The hard damning beats will eat you alive – and most definitely will give you good memories!

The Truth
“Explosive and implosive” The sampled voice explains the meanings to a hard edged dance beat – I know which one I am at the moment and it doesn’t have the word “in” at the beginning :D The swirling array of keys; along with the choppy quick paced synth give it that amazing sound of raw, with a barrage of prowess.  

Dead Whore (Remix by Die Braut) - The Brews
This sounds like a floor filler just with the first six notes! Broody and melodic with tons of hard violent rhythms, I am amazed I haven’t worn the carpet out! This is extremely intense with a barrage of sound that will literally flood the audial canal. Insane explicit lyrics with a mesmerising pounding of killer beats!

Pride (Remix by ES23)
Orchestral sound of haunting melodic and building rhythms that will pulverise you with the scathing beats – scornful vocals give it a smack to the groin as the sound pulsates rhythmically with serious caustic effects.

Dead Whore (Remix by Trakktor)
More harmonious build up with a big drum sound and haunting little keys - A blistering track! Jagged synth adds to its tremendous raucous powerful melody – “Want to get up and dance appeal” – this is one such track!

Only Silence Remains (Remix by Doswerk)
I certainly hope not! This little track is bubbly and lively and offers a brutal scathing barrage of vocals that will tear you apart! It doesn’t give you a minute to breathe before battering you half to death with its melodic rhythms.

Golden Cage (Remix by Kontaminant)
I wasn’t too keen on Kontaminant’s track on the “Now that’s what we call British Industrial” but this track has a goal and does not wander around aimlessly. It has a more sinister edge to it – dark, brooding and malevolent – the scourge begins – derisive and mocking in tempo with critical beats although slower it offers a nice solid intensity and overlaid with sweeping rhythms a plenty.

No Surrender (Remix by Final Solution)
Chugging effect that is both sinister and wounding cleverly building to haunting levels of brooding with startling force, the biting rhythms solid with cascading beats that flurry with melodic overtones of synths are just superb.

Army of Bastards (Remix by Angstfabrikk)
Building to contemptuous intensity amid a critical haunting synth sound with great bass this track then explodes with a sneering vocal. Reverberating beats and a vast array of melodious rhythm – great track!

This two man army of melodic body electro fiends have not compromised anything here and produced an amazing album that is nothing short of genius. It is such a pity that the UK has not cottoned on to this genre as yet, as it offers an exciting and interesting twist to the scene.

The dress code is also interesting as well as eye catching and the dance moves are awesome to watch. All in all, this genre is feisty, offers brutality with loads of melodic twists and techno beats the body cannot ignore. It is the whole package deal.

Each track on this amazing album with its rigorous scathing beats, tasteful floor filler rhythms, haunting melodic synth, thunderous bass and superb vocal content should appeal to a vast majority and already does in Europe – it is indeed a select niche that now needs to be filled in the UK.

I urge you to at least give this album a listen and if you are not convinced by the end of it then I will be more than surprised!

10/10

Track Listing:
Alone
Grab and Store
Pech und Schwefel
Pride
Trauerflor
Breaking News
Wahre Helden
Stab my Back
Memories
The Truth
Dead Whore (Remix by Die Braut)
Pride (Remix by ES23)
Dead Whore (Remix by Trakktor)
Only Silence Remains (Remix by Doswerk)
Golden Cage (Remix by Kontaminant)
No Surrender (Remix by Final Solution)
Army of Bastards (Remix by Angstfabrikk)

The reADJUST duo!

Members:
Jay – Vocals, Song writing. Lyrics, Admin, Booking)
Tommes – Song writing, Programming, Keys, Web design, Admin)
Thomas – Live Keys

Sunday, 13 January 2013

WeaksaW - James Huston Jr. - 4 Track E.P - Season of Mist/Klonosphere - Release date 14.01.13


WeaksaW
James Huston Jr.
4 Track E.P.
Season of Mist / Klonosphere Records
Release date 14.01.13

New E.P. from WeaksaW


WeaksaW – Montpellier France

Links:
https://www.facebook.com/WeaksaW

Genre: Metal

WeaksaW claims to have been “brutal” since 2008 and hail from Montpellier in France. Little is actually known about them and when I was sent this to review I was however a little sceptical over the name as it doesn’t sound very metal at all and on checking out Myspace was greeted with the words “New full love song online!” The E.P. Cover has a war plane flying low over some mountains amid a cloudy sky with a ray of sunshine shining on an open stretch of water – and the track titles don’t seem to make much sense at all - But this only served to spark my curiosity further as to what WeaksaW is all about.

Declaration
What seemingly is an old sound track of a war time exploit but very hard to distinguish what is being said, (but may have been the last known recorded voice of James Huston Jr. as his plane crashed after being hit by the Japanese) it is very sinister indeed.

James Leininger and James Huston Jr

Leininger
This track prompted more research and I came across this piece “The Past Life Memories of James Leininger” about a young boy of 2 who suffered terrible nightmares that saw him seemingly fighting to “get out of a box” and could only get out of the dream when awoken by his parents. On reading more it seems that James Leininger was the reincarnation of James Huston Jr who was shot down in his plane in 1944 – starting to make some sense now? The music is quite ominous and could be a background track for a movie. There are no vocals brutal or otherwise, there seems a lot of sadness to the track which stops abruptly without warning and does not seem to go anywhere, like a sort of limbo!


Barbara Stone talking about James Leininger
Natoma
Now this track cannot be called anything other than brutal.  The vocals alone will rip your skull open no nonsense, whilst a scathing guitar surges into action a drum beat pounds endlessly into oblivion and the harmonies are superb. Although on doing some more research on the name came up with two possibilities as to what the name Natoma is in reference to:

USS Natoma (SP-666), a patrol motorboat in the United States Navy, 1917–1919
USS Natoma Bay (CVE-62), an escort carrier in the United States Navy, 1943–1946 and strangely enough was mentioned in the story about Leininger – I think I have hit on something here.

WeaksaW Logo

White Tip
Some nice chunky beats and rhythms here that swagger and offer a brutal sound with great vocal content and after a brief respite the brutality continues at a fast pace. Manic and feverishly scourging – cursing and savage the track continues to wreak havoc with the blast beats pummelling solidly until again a brief spell puts forth some sparse ambient strings that seem to swerve around but go nowhere and the name white tip doesn’t feature in the story or so I can make out. But this band likes mystery it seems.

If it were not for the internet this riddle would not have been solved, but it was however good to unravel the mystery and finally get to the bottom of what it was all about.

It isn’t easy listening by any stretch of imagination although the last two brutal tracks kind of make up for the complications of the first two but unless you know the story it doesn’t make any sense at all.

But I suggest you take the time to check out this link and all will be revealed http://www.ianlawton.com/cpl3.htm

Unless I am barking up the wrong tree or just barking mad this is one strange concoction however there are two superb brutal tracks on the E.P. as I mentioned previously and the band have done well in putting this concept together. A brief introduction would not go amiss here. It would also be interesting to find out where the band got their name from as there is no reference I can readily find. It is slightly hit and miss with varied tracks that end up in a maze and don’t follow in any set pattern which can be quite hard to navigate. The trailer for the E.P.

Trailer video for WeaksaW

without question shows brutality in the making but bypasses the two most questionable tracks. However, the theme is interesting and does indeed spark curiosity which is always a good thing.

Listening to earlier tracks from the band there is that metal influence there but they certainly have ventured out into pastures new with this E.P. Check them out and see what you think? For me it reveals the striking truth about reincarnation set to music and good to know that a hero's efforts have not been forgotten.

7/10

Track List:
Declaration
Leininger
Natoma
White Tip

WeaksaW - The band


Members:
Leo Sendra: Guitar
Bryan Tronquet: Drums
Charles Villanueva: Bass
Tristan Haillot: Vocals
Erwan Billon: Guitar

Friday, 11 January 2013

Old Corpse Road - Debut -The Witching Hour - as the spectres we haunt this Kingdom - 10 Track album - Godreah Records - Released late 2012


Old Corpse Road
Debut: The Witching Hour – as the spectres we haunt this Kingdom
Godreah Records
Release date Late 2012

New album by Old Corpse Road

Old Corpse Road – Darlington – Co. Durham

Links:
https://www.facebook.com/OldCorpseRoad
http://www.oldcorpseroad.co.uk/
http://www.myspace.com/oldcorpseroad

Genre: British Black /Folk Metal

In the bands own words:  “The Old Corpse Road was conceived during the autumn season of 2007 during a brief excursion to the Lake District, more specifically Haweswater. This Autumnal break, in celebration of the wondrous and powerful music that we all know as Black Metal, awoke our desire to share our musical passions with other like- minded people. The band name was taken from the road of the same name which rises out of the Haweswater valley and leads to Mardale.

Old Corpse Road is not aiming to break any musical barriers, nor do we seek fame or infamy; we only seek to give back to the scene that has given so much to us. Musically we are inspired by many diverse bands; within black metal Bal-Sagoth, Primordial, Cradle of Filth, Burzum, Emperor, Abigor and Immortal.

Old Corpse Road also enjoys classic early doom bands such as My Dying Bride, Celestial Season and Paradise Lost. The band finds much pleasure in various other musical styles from Cold Meat Industries (Arcana, Raison D'etre) to traditional folk music, classical pieces and film scores.”

Not having heard much - if at all Black/Folk Metal I am keen to see what is in store here.  Judging by the titles it will be right up my alley as well as being different and unique.



The mere mention of Witches and Spectres makes me sit up and take an interest and when coupled with Black/Folk Metal well it is a must as I feel this genre is overlooked somewhat.

The cover is really tasteful and sophisticated and gives off that ominous complexity that black/folk metal has incorporating the gothic writing which really gives an air of serious importance about it.

Tis Witching Hour
The sophistication continues with a superb build-up of intrigue begins. Ravens cackling and then a menacing voice starts up amid the jangling strings and a chorus of a saintly but haunting melodic choir of voices merrily chanting away in the background to some superb keys.

The Cauld Lad of Hylton
This track bursts into action with some thunderous screeches and then a low growl – blast beats plunder boding evil at a rate of knots but then slows and a more dream-like flurry takes over, but the vocals do not let up and a more familiar screeching vocals along with an unholy growl comes into play – it literally sends chills down your spine, with some haunting keyboards that wouldn’t seem out of place at the Adams Family residence. The melodic chanting really adds an inauspicious flavour to the proceedings. Superb track; for the people who love something different and unique!

Hag of the Mist
This track has more of a blackened feel to it as the music builds to an intimidating frenzy. The evil black vocals screech out with an unholy chant accompanied by a more gruff and powerful growl. In the background the guitars sound solid and uncompromising. A jangle of melodic keys float around and then an explosion as the grisly vocals take hold. A serious plethora of nastiness with aggressive vocals and thunderous bass builds and there is no compromise here. It sums up a hostile and frightening image of literally - a hag of the mist.

The Buried Moon
Another ominous track that has a more sophisticated edge of brooding about it, with soft keyboard melodies that have dream-like qualities - offer the listener a soothing but intimidating listen and quite a classical composition. The acoustic strings add so much to this track. It is a real little gem, of soothing yet cleansing power.

The Wild Voice Came
A male voice starts up and is then accompanied by a host of other voices – “Again, again the wild voice came! A boat, a boat in heavens name!” The sounds of gently trickling water and a sparse bell add intrigue and mystery to this one minute and 6 second track.

The Crier of Claiffi
Haunting strings crisp and clean sound beautiful and dreamy and then Satan himself screeches amid a wild array of guitar and plundering drums. Briefly slowing to allow a deep male vocal to sing and then within seconds the musical content ferociously starts up again. The chanting rhythms adding a foreboding feel to an already menacing track. The folk side of Old Corpse Road ever present but more so on this track with swaying rhythms and solid beats. This is quite a long track at over 7 minutes long.

The Secret of Rolling Waves
Enchanting harmonic vocals which last about a minute but don’t really serve a purpose in my opinion except as an intro to the next track.

A "mental" fan of British black metal

Isobel – Queen of Scottish Witches
Ominous and yet breath taking all at the same time as the haunting melodic strings purge the soul. Rhythmic and soothing but it still manages to possess an edgy dark feel with softly spoken vocals; and a screechy accompaniment of a blackened nature adds a nice dark twist to this atmospheric track with the evil cackling from Isobel, I presume - is superb!  A strong growl adds a nice complexity to this strong, unyielding and hard-hitting track.

Glassensikes at Witching Hour
Interesting to note – (The Glassensikes Hound is a spectral dog which haunts the Harewood Hill area of Darlington. First the head appears, then its body materialises before onlookers flee in terror) Consistent beats flurry and evil screams outline the marvellous surge of guitar as the track builds to an epic proportion of wondrous folklore and myths. Bellicose and ambient this track is one to behold with particular interest and intrigue.

As Spectres We Haunt this Kingdom
Poignant and hostile this over baring track emanates evil from within a musical spectrum and is a reminder of the remnants that have long gone – delving into another realm of wonder and enchantment. Its choral voices reach to a height of unconquered history within the musical field.

To sum up: From the land of pointy hats that have adorned the heads of many a witch who in turn has indeed trampled the earths landscapes for centuries – this album conjures up a well carved imagination into what roamed the earth years ago and may well still be roaming the villages, lakes and castles of today – who knows?

Old Corpse Road has captured a rural path that leads into an obscure and interesting world of legends and folklore with their unusual and unique blend of black/folk metal.

Dragon slayers, goblins, wizards and devils all play a part in folklore but Old Corpse Road should have a place in your record collection for its exceptional portrayal of Black/Folk metal which will bring to life tales from the past and bring them into the distinct present, shape shifting into a powerful and magical insight into the unknown.

Don’t forget to listen to the interview with Old Corpse Road scheduled this evening on Infernal Rock Radio presented by DJ Fox who is the master of folk metal. 3PM EDT - 8PM UK. www.infernalrockradio.com

9/10

Track List:
Tis Witching Hour
The Cauld Lad of Hylton
Hag of the Mist
The Buried Moon
The Wild Voice Game
The Crier of Claiffi
The Secret of Rolling Waves
Isobel – Queen of Scottish Witches
Glassensikes at Witching Hour
As Spectres we haunt this Kingdom

Not folklore - it's Old Corpse Road

Members:
The Bearer: Guitars and Vocals
The Revenant: Guitars and Vocals
The Wanderer: Bass and Spoken Word
The Dreamer: Percussion and Ambience
The Watcher: Keyboards and Vocals

Tuesday, 8 January 2013

Incassum - In Vain - 6 Track - Casket Records - 2008


Incassum
In Vain
6 Track E.P
Casket Records
2008



Incassum – Manchester

Links:

Genre: Technical Progressive Groove Metal (with Clout)

Incassum came into being in 2004 and not looked back. Despite the obvious line-up changes they are now a solid unity and gaining serious recognition everywhere they play.

The band is down to earth as you could possible get making not only seeing them live a treat but also meeting them in person.

I know that this CD was released in 2008 but after purchasing it at the bands last gig at the Krazy House it seemed only fair that I write this review.

Imagine an angel that heavy metal music turns into a screaming banshee and you have Sharleen Kennedy. Her looks are angelic too but once she starts singing her alter ego takes over, her face distorts into a demonic angel and she becomes a predator. Andy Snowden becomes an axe-murderer on stage in fact not only do Incassum deliver on all levels they act out a superb stage show with inter-mingling personalities which play out tremendously well on stage and this can be said for their unique brand of fiery and most definitely passionate blend of technical metal they produce as a band.

The Beckoning
Pumping and driving rhythms flurry to an extreme level of conscious. Superb evil vocal sung in duel effect offers angelic vocals too and such a compromise. You would hardly think it is the same person. From angel to demon you never know which one is going to come out next and accompanied by a vast array of blast beats – it is one track that is both exciting and will leave you awe struck!

History Repeats
Nice solid rhythm with “bansheesque” vocal accompaniment. But once again the angel comes forth and presents a clean and beautiful vocal.  Ominous heavy bass hooks emanate through the speakers offering some respite from the onslaught but not for long. Thunderous guitars plough their way through the track like a combine harvester. Tremendous to the last note!

Space to Breathe
Heavy melodic bass hook opens and then a rip roaring guitar rhythm takes over. Howling vocals along with a more angelic voice carry the track further into oblivion. Driving beats and rhythms take you on a voyage of discovery with wild abandonment.

So Red
More ominous bass feel and guitar starts slower in pace with haunting angelic vocal. Not one of my favorite tracks it has to be said - nice to see a variance, but prefer the more raucous and fast paced. It does however build to reveal punishing rhythms and guitar work.

All these Lies
Bass features once again with a powerful guitar melody building gradually to give a more reckless feel, fast paced with demonic/angelic vocal – neatly put together in true Incassum style.

In Vain
Haunting strings melodic and moody build with intrigue and sends the listener into a dream-like state. Powerful frenzied guitar then takes over whilst the blast beats bring it to life.

Incassum are one of those bands that are a must see “live” act as the CD in my opinion does not do them enough justice. Although the CD is now five years old in that time the band as you would expect have grown not only in confidence but stature.

Seriously brooding with bags of style and attitude – I really must get their latest CD “Rites of Passage” as comparing the two you can tell that the band have not just taken tiny steps up the ladder but about three gigantic leaps at a time.

Hopefully I will get to sample them live again at some point in time – but if you have the chance to see them don’t pass up the opportunity of seeing them live and experiencing the angelic forces battle the demons it is quite something to behold.

8½/10

Track List:
The Beckoning
History Repeats
Space to Breathe
So Red
All these Lies
In Vain

The old Incassum  line-up


Members:
Sharleen Kennedy – Vocals
John Curran – Drums / Backing Vocals
Dave Mullard – Bass
Chris Taylor – Guitar
Andrew Snowden - Guitar