Virus Cycle
Tetralogy of Horror: Act 1
4 Track E.P
Bluntface Records
Released 27th August 2013
Out now!
Written for Crimson MoonZine
Virus Cycle – Boston
Links:
Genre: Industrial/Goth/Horror
Biography:
“Virus Cycle is an Industrial project from Boston, MA that combines haunting
lyrics, pulsating beats, and guitars with abrasive static frequency that
induces the audience to explore the topics of horror, the occult, and the
supernatural that lurk within the shadows of our world. Johnny Virum, the
mastermind behind the project, is a veteran of the Boston music scene. Before
working on Virus Cycle, he released a number of albums and toured, while having
the pleasure of opening for The Misfits on their 30th Anniversary Tour,
Gothminister (Danse Macabre Records), Carfax Abbey and Thou Shalt Not.
In 2011, Virus Cycle self-released their debut full-length album
Alice in Zombieland in February along with their remix album Return to
Zombieland in November. Virus Cycle toured in 2011 and 2012 in support of both
albums. In April 2012, Virus Cycle was signed to Bluntface Records, owned and
operated by Otto Kinzel.
In late summer/early fall 2012, Virus
Cycle released Zombichrist through Bluntface Records. The first single
"Why Don't You Love Me?" was released with accompanying remixes from
artists around the world. The single also had a music video produced for it by
Rockwater Pictures. Virus Cycle closed out 2012 playing shows in support of the
album.
In 2013, Virus Cycle
began writing new music, which was released as Tetralogy of Horror: Acts I - IV and has been released as four
separate E.P.'s between 2013 and 2014 through Bluntface Records. Virus Cycle will play shows in support
of Tetralogy of Horror beginning later this summer.
Virus Cycle has played different venues and events in support of their albums
such as QXT's in New Jersey, Incantation in NYC, The Webster Theatre in
Connecticut, Darq in Salem MA, McGanns in Boston and The Level Room in
Philadelphia. While touring, they had the great privilege to open for KMFDM
(Metropolis Records) The Ludovico Technique (Metropolis Records), Nolongerhuman
(COP International), Morningwood (VH1 Records), Angels on Acid, Ego Likeness
(Metropolis Records), and Mindless Self Indulgence (The End Records)”
13
The eeriness can be experienced first-hand in the opening track with
samples explaining about black masses to an edgy and unsettling musical accompaniment.
Dreams in the Witch house
From an eruption of fuzzy and muted notes comes a monotone vocal
that is harsh and unfeeling, taking the route along a more punk vein but within
its core runs some hostile guitar and sketchy drum beats. It does leave one
feeling slightly consumed and disturbed.
-------------------------------------------------
“This is quite sparse of the full
rhythmic hit for me, but it is unusual as it can be described as “Johnny Rotten
does Goth!” My favourite track is definitely the final one ‘Gods Monsters’ as
there is a lot more contained within its veins to feast upon!”
-------------------------------------------------
At Night
This track however opens with sampled voice talking of vampires and how
to deal with them. A superb synth melody bristles stealthily throughout its
meandering.
Gods Monsters
Opens with a repetitive melody and more sampled voices although
short lived. This holds a hostile feeling despite its bouncy rhythms. The vocal
is gnarly and again devoid of feeling, however the bounce keeps it afloat and
is a lingering track that boasts a hellish maelstrom of provocation. Great
track!
Summary:
This is quite sparse of the full rhythmic hit for me, but it is
unusual as it can be described as “Johnny Rotten does Goth!” My favourite track
is definitely the final one ‘Gods Monsters’ as there is a lot more contained
within its veins to feast upon.
It isn’t all out shocking and it isn’t dull either – it sort of
balances in-between although there could and should be a lot more intimidation
than is already contained within the tracks.
It seems to be a taster in parts and the tracks suddenly stop
without warning, whether they should be so, I am unsure.
The final track ‘Gods Monsters’ can boast a lot more than the
previous three and therefore a lot more interesting to witness. The incidental
noises are well in keeping with its angular stance. But for me I would prefer a
whole lot more of an industrial angle than the horror/punk route, but the final
track does have a lot of potential when it really let’s its hair down!!
7/10
Track List:
13
Dreams in the Witch house
At Night
*Gods Monsters
Members:
Studio Members:
Johnny Virum - Vocals, Guitar, Drums, Synth, Programming
Veronika – Artwork, Social Media
Otto Kinzel - Studio Producer, Programming, Bassist
Live Members:
Johnny Virum – Vocals, Guitar
Veronika - Live Programming
Otto Kinzel - Bass