Total Pageviews

Wednesday, 13 February 2013

Barzakh - In a Meaning the Note - 7 Track Album - Released 2007


Barzakh
In a meaning the Note
7 Track Album
Released 2007


Barzakh – Jakarta, Indonesia

Links:
www.myspace.com/barzakh
https://www.facebook.com/barzakhband
http://barzakh97.webs.com/

Genre: Atmospheric Black Metal

Discography:
Ritual of Darkness - 1999
From the Devil to Sin – 2001
Heart Holy in Hypocrite – 2004
In a Meaning the Note - 2007

Formed on March 29, 1998, Barzakh are inspired by bands such as Mayhem, Cradle of Filth – (the earlier variety) and Dissection to name but three. The band sings around the themes of hatred and death and has come a long way in fifteen years but only produced four albums to date with the last one “In a meaning the note” released in 2007 and the first was actually released as a promo on cassette.

The good old days of tapes

All the way from Jakarta Indonesia this CD has travelled and judging by the dates on the discography feel there should have been two more released from Barzakh but like with most bands the usual line-up changes and trying to add extra instruments such as keyboards I feel this may have hampered them somewhat and more importantly after losing two band members to the Grim Reaper can’t have been an easy thing to get through.

This album although released in 2007 is self-released but does not take away the effort that has gone into making it.  The cover is as you would expect in keeping with its lyrical form and genre depicts a girl hanging onto a wooden cross with the band name and title in red letters.  The inside cover holds three photographs of the band as they are now with all the necessary information within.

Barzakh the band

Shadow in the Grief
There is as you would expect a lot of ambiance and familiar blast beats with screamed black vocal scathing and demonic – so a good start! I cannot help but think this track was written for the passing of the two members who were taken by the reaper (July 25th Rony and October 26th Yudi) RIP

She’s not honoured
Really good fast track with lots of cymbal thrashing, consistent beats and more caustic vocals but here there is another deeper vocal which compliments the track on its journey.



Hatred in Mourn Heart
Deep demonic vocal screams into life as an array of blast beats flurry like a stirring mass of musical thunder. Good strong bass hooks and melodic guitar riffs really give this track life.

The Valley of Unrest
A crunching of drum beats and spasmodic cymbals accompanied by a deep cutting guttural vocal as well as a more high pitched screaming vocal surrounded by very juicy melodic rhythms with black metal tempos and strong bass lines.

A place to Prey
These guys certainly have an appetite for rhythmically violent vocal tracks and deliver yet more scathing, but complex melodic riffs and as a result it achieves an interesting atmosphere with ground holding ability.

Hallucination of Psycho
This is a highly delightful musical surprise with more of a dominating Thrash rhythm incorporating black vocals and a drum beat that literally chatters like teeth on a cold winter’s morning! Great rhythm and a great tonal sound all round. Superb track!

The Satanic Place
Another gratifying track composed of a cornucopia of fast percussion and melodious rhythms offering an intense listen with harsh grating howls from the darkest hell and sadly finishes far too soon.

To sum up:
Despite this album being produced in 2007 it really has stood the test of time with the band creating a superb dark atmosphere and yet giving their tracks the added melodic guitar riffs and thrash element that is cleverly created and already there is a new black metal forming in the name of Barzakh.

I am keen to find out how the band sounds today and to see where their epic masterpieces, violent rhythms and tortured vocals have brought them to in their musical career?

Their music is not all the same although it is in keeping with the black metal theme and predominantly black but the added surprises on this album far out-weigh the monotonous samey black metal and I would hardly call this depressive as this has more bite than a crocodile!  Barzakh really do have potential, but sadly being in Indonesia there is little chance of seeing them live unless they get signed and do a tour, but for now we have the Internet and so that will sadly have to do! Great effort! Great music!

9/10

Track List:
Shadow in the grief
She’s not honoured
Hatred in Mourn Heart
The Valley of Unrest
A place to Prey
Hallucination of Psycho
The Satanic Place



Members:
Agni – Guitar/Vocal
Arvin – Drums
Getz - Bass

Sunday, 10 February 2013

Retconstruct - Retroactive Continuity Construct - Dear Doomsday - X-Fusion Music Prod - 13 Track Album - Rel. 29.02.12


Retcontstruct
Retroactive Continuity Construct
Dear Doomsday
X-Fusion Music Production
13 Track Album
Released 29th February 2012

Dear Doomsday

RetConstuct – San Jose - California

Links:
https://www.facebook.com/RetConStruct

In Association with https://www.facebook.com/JuggernautServices

Genre: Electro-Industrial

RetConStruct is an Electro-Industrial project based in the heart of Silicon Valley. RetConStruct is a sharp edged cacophony of hard electronic sounds produced by Guy Valdes - all brought together by the haunting vocals of Jill Valdes. From fast-paced club stompers to eerie industrial sound scapes - RetConStruct delivers Doomsday.

Nice CD cover that is both striking and eye-catching with fold out sleeve although hard to read the track titles on the back as they spiral over a photograph of Guy and Jill.

Inevitable Retconstruction
The rumblings and eerie sequences begin with a sampled voice both in male and female voices along with a regimented drum beat. It rambles on for 2.40 and does not get anywhere fast.

Orbital Outpost Empyrean
Some nice sequences here with jagged synth that has bubbling rhythms the beats are continuous and solid. At least you can dance to this! The vocals are harsh and blunted which gives the track that nice edge.

Virtual Hero
More regimented beats along with a great overall sound of chugging and ferocity – this appears to be my favorite track so far of 4 minutes and 55 seconds. Another track to practise the old dance moves that is both solid and uncompromising.

The Maelstrom
An ominous build-up of bubbling beats and haunting synth melodies that are full of intrigue and passion. The vocals are reminiscent of an attack by the Daleks accompanied by Siouxie and the Banshees – very clever mix with deep pummeling synth sounds that definitely appeal.

Legion of Dolls
Alarming beginning as the underlying synth pulses and then a tirade of beats come tumbling forth with mutated vocals that give the track a spiky sound and again quite a clever mix that holds a good melodious rhythm.

All gone awry
Eerie and haunting this track builds with an evocative rhythm with a harsh and disturbing vocal. The jagged synth keys pulsate with stark resonance and leave a memorable imprint.

Dear Doomsday
Great opening, this track surges into life with a thunderous and melodious bubble and squelch that immediately has your feet moving. The vocals sound poignant and harsh from Jill and altogether leave a nice lingering melody in the brain.

Dark Days
Clanking and harsh beats pummel furiously but with good solid rhythms and a chanting type of vocal – this really works! Jill opts for then a clean vocal.  A lot going on, on this track it is hard to keep up - but a bit later on in the track a monastic chant features and then back to the clean vocal amid recurring beats.

Somnial Sanctum
This sounds like two tracks played together and is a bit of a nightmare – not my favorite track at all with too many odd sounds that mute the flow.



Access Infernus
Good opening synth sounds furiously build along with a cornucopia of little beats and stupendous vocals – loving the sound of this track!

Embers of Eden
Deadly thumping beats emanate with a marching drum beat swathed in haunting little melodies – the vocals are harsh sounding and give that edge of audial glory – liking this track a lot!

Invasive Species
Scathing and perplexing little melodies with sampled male voice gives this track a superb sound.  The bubbles and squelchy rhythms are to die for. Vocally amazing and shows the diversity of Retcontstruct – this packs a punch right between the eyes and hits the mark perfectly! - I really do not want this track to end and have my finger on the repeat button already!

Complete Retconstruction
More diversity shown as a piano plays and some humongous beats usher forth with a monastic chanting until a vocal harsh and compelling takes over both ambient and ominous although slower in content it has intriguing qualities and will suck you into its addictiveness.

To sum up:
Overall a great listen lots of diversity and clever samples with a complexity of beats and rhythms, and high energy vocal content - although one or two dodgy tracks but not bad on a 13 track album. Can’t like everything but I do enthusiastically recommend you take a listen to this album, as it has many twists and turns that are not only unusual but creative in a lot of places!

More of a good listen than not and holds a lot of potency with some of the tracks i.e. Virtual Hero, Invasive Species and Complete Retconstruction warranting a repeat of four! Although The Maelstrom, Dear Doomsday. Access Infernus and Embers of Eden will probably be repeated too - but you decide! – anyway there’s a lot to listen to on this album and 13 tracks is hardly a taster and gives an insight into what Retconstruct are all about - so get listening!

8/10

Track List:
Inevitable Retconstruction
Orbital Outpost Empyrean
Virtual Hero
The Maelstrom
Legion of Dolls
All gone awry
Dear Doomsday
Dark Days
Somnial Sanctum
Access Infernus
Embers of Eden
Invasive Species
Complete Retconstruction

Retconstruct in action!

Members:
Guy Valdes – Composer/Producer
Jill Valdes – Author/Narrator/Illustrator

Saturday, 9 February 2013

Miguel Rojo - Metal goes Mental - Khaldera - Rozetta Stone - Coronach - Kuru - Oceanis - Killaflaw - Zanzibar - 8.2.13


Miguel Rojo
Metal goes Mental
Khaldera - Rozetta Stone – Coronach – Kuru – Oceanis – Killaflaw
Zanzibar
8.2.13



Another superb night at the Zanzibar not that I expected any different but this time it seemed to be the icing on the cake! Despite my camera refusing to do its job and failing miserably, so no pics to be had here which is a shame but nothing I could do about it. Big thanks to Ian Laver and Paul Bigley for trying to revive it – to no avail.

Khaldera were the first band who started but played covers and the vocals seemed strained and not in keeping with the music however the musicians were good and there were some good guitar solos and the drumming was excellent from a guy called Aaron (I think)

Nothing is known about this band, so there are no links, no set list, not even a Facebook page. They played the likes of Anthrax and Pantera if that is any use. The band did not stop around after their set and just faded into the background – so none the wiser as to what is happening with regards to them.


Rozetta Stone                             (8.45)



Links:

Genre: Rock with Psychedelic tendencies

Well not a bandana in sight - since last seeing Rozetta Stone play and also Chris Dixon has now left the band – so down to four members and with a big change in direction they have finally become a more solid unit.

I liked Chris’s guitar but between him and Dil they were more like a two man show with the other members not so heavily featured. Sometimes a bit tongue in cheek but now they seem more serious about their goals and with new songs have surged ahead adding to the more psychedelic feel. The only thing that remained of the old Rozetta Stone I could see was Dil’s socks!!

Their new brand of rock/psychedelia certainly works! It is trippy yet heavy and the vocals although still had the Louis Jackson Payne stamp on them also produced something new and exciting to listen to.

Jay has excelled as a bass player and looked a lot more confident on stage than he did previously and Ash looked a lot more pleased with his efforts behind the kit and as a whole looked like they really enjoyed their set as much as the crowd goers did watching and observing.

Be interesting to see what happens further down the road with Rozetta Stone as I think this change in direction will be the making of them.

9½/10

Set List:
Untitled
Stag
Believe
So Blind
Mantra

Members:
Ashley Janes – Drums
Dil Lewington – Guitar
Jay Lashbrooke – Bass
Louis Jackson Payne - Vocals

Coronach – Wirral                                (9.30)



Links:
http://www.facebook.com/CoronachUK

Genre: Technical Death Metal

Well despite not getting a set list due to a pisser of a week for the band they still delivered a great set and played my favorite track “Hobo with a shotgun!”

Chris’s vocals although extreme and pushing the boundaries was not up to par – sound wise, until the second to last track when he finally asked Pat to turn it up a notch or two, then you could hear him properly, but with spider fingered Benn doing the frets and Liam really smashing it last night the set was a success.

Chris always introduces the tracks in death metal style which usually means you can’t hear what he is saying and this time was no different, but it is all in keeping with the bands tremendous stage repertoire although I do wish (and this goes for most bands) that when the vocalist is talking that they stop playing their drums/guitars/basses for just one minute so we can hear what is being said or introduced – Please take note bands this is so annoying!

I could not even move my fingers on my air guitar as fast as Benn was throwing out those riffs and now with Mike on guitar and Ryan on bass replacing John they too seem to have upped their game and become a more solid band than previous with a lot fuller sound.

Benn was not as vocal as he normally is probably due to the bad week they had had, but everyone seemed to enjoy the set and they certainly did deliver with the usual resounding ferocity that we all know and love when we see Coronach play.

9½/10

Set List:
To be added in the next few days

Members:
Benn Freeman – Guitar
Chris Furlong – Vocals
Liam Edwards – Drums
Ryan O’Quigley – Bass
Mike Cliffe - Guitar


Kuru  - Wirral                             (10.15)



Links:
http://www.facebook.com/kuruband.kuru

Genre: Heavy Metal

Kuru is a force to be reckoned with – last seen at Metal to the Masses at the Lomax last year.

Their intro brought smiles to the faces of the heaving crowd as the band waved their arms in the air to a little ditty until the ferocity began then all hell broke loose.

All their songs although slow with a lot of crashing cymbals really carved out another notch on the metal bedpost so to speak and their rendition of “Gangrape Style” was just superb and had the audience trying to do gangnam style dances around the place which added humor to the set as well.

Jon as ever smashed that kit so much that I thought he was going to break it as the heavy vibes resonated around the Zanzi. The band just oozed professionalism on each and every track they played – absolutely superb!

Tom and Pete were brilliant both working well together on stage and half way through the set swapped instruments but this did not deter from the intensity or passionate set the guys did last night – but it was done as different members write some of the tracks so it is quite fitting that they should take on the instrument for their said track they have helped to create.

I was enjoying the set so much last night it seemed to fly past and the seven tracks played seemed to just be like three or four. Kuru has indeed made their mark on the metal scene and worth checking out if you get the chance.

10/10

Set List:
Intro
Red Sea
Defunkt
Hell Confinement
Gangrape Style
Selfish Existence
World of Sin
Bloodgrudge

Members:
Pete - Guitars,
Jon - Drums,
Craig - Vocals,
Tommy – Bass

Oceanis – Liverpool                      (11.15)



Links:
http://www.facebook.com/oceanisuk

Genre: Technical Metal/Post Hardcore

With things hotting up Oceanis took to the new improved Zanzi stage which has now been widened and so allowing band members to get nearer to the seated audience and a real benefit to both band and punters.

As usual Joe started to do his morphing act – his face distorting into evil glares. His tongue leaped out of his mouth in such a demonic way it half scared the people there that had no idea what Oceanis were all about.  I knew, but I was still scared shitless as there is always that “oh shit what are they going to do next!” feel about their gigs.

Joe did not disappoint and after jumping off the stage started pushing people quite harshly provoking them to form a pit and savagely mosh each other half to death. Joe removed hats and screamed at people face to face, and then after jumping back on stage used the widened part of the stage to make his way to me sitting on the seat at the front.  Without warning and little be known to me at what was about to happen, he grabbed a handful of my hair and with such force pulled my head down to the side.  I could not move – totally powerless to stop him – not that I wanted to as the music was just so violent and savage – I waited for his grip to loosen and felt the pain thereafter burning in my skull.  It felt like acid had been poured over me.

Joe moved round the crowd to pick on his next victim and moved to two girls sitting not far from myself, he also grabbed the hair of one and she clearly enjoyed it judging by the look on her face and the girl sitting next to her - and grabbed her blouse and pulled at which point Andy from Killaflaw was looking a bit anxious and told Joe to back off.  I thought there was going to be a boxing match after that but luckily things returned to “Oceanis” normal and Joe went on his rampage further into the building, knocking people out of the way like toy soldiers and then he appeared on the steps where Andy was and pushed him around a bit but Andy gave just as good back.

Dangling from the old Zanzi beams Joe’s foot slipped and a monitor turned over as bodies continued to be thrown around the floor like bits of discarded paper, but a friendly hand was always there to pick them up again – one good thing about a mosh pit!

The funny thing is Joe is Mr Nice guy off stage and I am sure he goes to cookery classes and helps the elderly in his spare time!  His face is happy smiling and his eyes ooze that “Love thy neighbor!” look – but on stage – he simply gets carried by the force of the Oceanis rhythms and I really don’t think he knows what he is doing as he is led by the evil but yet compelling ferocity that surrounds him.

The band played extremely well with Stu doing backing vocals it sounded crisp and clear and in between the rampaging the band offered a bit of banter to Joe’s questions like “Who has not been to a metal gig before?” At least two of Oceanis answered “Me!” which was funny in itself.

The band have gained this evil reputation but a venue will always be packed out when they play as people love to see this kind of brutality – it is something that brings out the beast and the best literally in all of us and we want to see more!

10/10

Set List:
Collision
Of Flesh
Ghost of Man
Ethereal
Prevalence
Brotherhood
Ergo Proxy

Members:
Joe Maryanji - Vocals
Stu Donachie - Guitars & backing vocals
Dave Waite - Drums
Craig Miles - Bass
Phil Dyer - Guitars

Killaflaw – Liverpool                     (12.00)



Links:

Genre: Electronica/Rock/Blues

Well the finale had now arrived and after a 45 minute delay of the proceedings to the gig (for some reason only Tony seemed to know about) - Killaflaw took to the stage at 12.00.

The handful of people that remained gathered at the front of the stage and as soon as those resonating pulses began immediately started dancing on the beer stained floor of the Zanzi myself included.

Nobody could be still as they listened to these sounds as Ben and Andy got to work and produced a mind blowing set.

Seen last year and totally blown away with their performance as mentioned by Pat who quipped to me “You will love these guys!” and love them I did so much so I went out and got a T Shirt made and something I think the band appreciated and I am certainly proud to wear that shirt as well.  These guys just controlled the crowd with their amazing tracks.

Broken Idol is so catchy you can’t help but sing along and your body just took on some unruly and merciless steps that warranted the body to move in time to the beats and rhythms being played.

There is a lot of soul in the way Ben sings each track and like all the bands that played tonight it was clear on his face that he lived and breathed each track.

The floor was filled with mainly women although a few guys were down there getting into the vibes and “strutted” their stuff with smiles on everyone’s faces – and certainly a fitting end to a tremendous evening’s entertainment.

For me Broken Idol and Set me on Fire are two tracks I could never tire of – they simply carry the listener/watcher to another realm and I can’t wait to experience this all over again when they play next and hopefully it won’t be too far away!

10/10

Set List:
Broken Idol
Revolution
Already Dead
Milk & Whisky
Happy Daze
Glass of Water
Holy Funk
Human Life
Set me on Fire

Members:
Ben Helm – Vocals/Guitar
Andy Paton – Keyboards


**Special thanks to Mike Hardy as ever the guy behind the night. Tony, Pat for the sound and Paul for looking after us all, plus Tottie for being charming! - Ian Laver, and Ganikah Brown, for being my good companions during the event. Dave Dixon and Dave Purcell (Grind Horizon) for being there and supporting the other bands, Dil Lewington and Hannah Lloyd for helping to mend broken bridges – good seeing you both again – Paul Giggs – lucky sod having a camera that worked! Paul Bigley for his camera tips, Danny theLash – from Solitary Confinement and Rich Lashbrooke for their input and not forgetting all the bands, Khaldera, Rozetta Stone, Coronach, Kuru, Oceanis and Killaflaw for a great night’s entertainment – you really blew me away!

The only thing left are the memories of a superb night and a faded blue Jack Daniels stamp on my wrist!

Sunday, 3 February 2013

United and Identified - At the Border of the Line - 4 Track E.P - Released 17th November 2012


United and Identified
At the Border of the Line
4 Track E.P.
Released 17th November 2012


United and Identified – Belgium

Links:
www.facebook.com/unitedandidentified
http://unitedandidentified.bandcamp.com

In Association with https://www.facebook.com/JuggernautServices

Genre: Trance/Electro/Futurepop/EBM



In the band’s own words:
United and Identified is formed by ex-1D-Fens member Steve Caster.
The music aims as a crossover between several electronic style like Trance/Electro/Future-Pop/EBM and expresses an impression of the world, society and human reactions.

Lyrics are an important bit of the whole concept. The music is a journey into the inner self and the outer world. It defines a place and time which exists between reality and fantasy, events and dreams.

The world evolves day after day. The abbreviation of United and Identified (U&I) in case you are wondering is aimed at and pointed out that we all are part of the world. Whatever race/skin colour/ideology people tend to divide themselves and others in”

I like what I am reading – music is indeed a journey into the inner self and can mould the way you think and feel.   I personally feel that the more genres you listen to the more it completes that inner self. We all have favourite genres and industrial is top of the list as it really strikes a chord in the heart of my very being. Of course other genres do too! But industrial/EBM is powerful in its own right!

X-Truth-E
Female chanting amid jerky little rhythms and heavy beats sound very futuristic – a trait of this genre and as the track progresses a clean male vocal starts up. A very haunting little track although this is more synth pop whereas I prefer a more harsh or bizarre vocal these days but the shrill synth sound is very addictive.

Mirror of Denial
Quite harsh rhythms and a female sampled voice begin and say’s “You know, I was 12 years old when your step father first started having sex with me!” Clean male vocal kicks in after that and obviously the track is about denial of the fact. The track itself is very catchy and undeniably absorbing, but I feel should have a more powerful vocal attached to it.

At the Border of the Line
Melodic synth notes and a sampled voice starts up – great little rhythm to this! Harsh pumping and enthralling with little melodies running through it make it captivating in its own right. The clean but forceful vocal comes in quite a bit into the track.

Life
Beautiful haunting gentle melody opens this track offering stark dimensions and plenty of atmospheric vibes. Controlled in tempo it wanders off into a dream-like direction which shows diversity in the song writing and is indeed a pleasant track to listen to.

To sum up
I personally feel that United and Identified could do so much more with their music by incorporating a harsh vocal and really upping their game, however not losing the clean male vocal altogether as that is in keeping with their style of music but just adding a more caustic feel to the track Mirror of Denial especially would be beneficial to the nature of what the band are singing about and isn’t so much of a change in direction as it is a natural progression for the band to make but they are absent for the sake of something larger in scope and this could easy be rectified but it may mean the band need to change direction slightly and move away from their comfort zone.

None the less an enjoyable E.P. to listen to with great melodic rhythms and dark electro beats with good samples.

7/10

Track List:
X-Truth-E
Mirror of Denial
At the Border of the Line
Life

Members:
Steve Caster – Programming/Vocals
Joep “The Surviver” Moens - Drums
Sammy “IS Rafil” Glaied - Studio Aid