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Saturday, 18 March 2017

Coltsblood - Ascending into Shimmering Darkness - 5 Track E.P - Candlelight Records/Spinefarm Records - Release Date: 21st April 2017

Coltsblood
Ascending into Shimmering Darkness
5 Track E.P
Candlelight Records/Spinefarm Records
Release Date: 21st April 2017



Coltsblood – Scotland & Northern England

Links:
https://www.facebook.com/Coltsblood

‘Ascending into Shimmering Darkness’ produced by Chris Fielding (Winterfylleth, Primordial, and Napalm Death) at Skyhammer Studio and mastered by Greg Chandler of Esoteric and Priory Recording Studios.

Genre: Unfathomable Doom

Biography:
“Hailing from Scotland and Northern England Coltsblood has long taken influence from the rugged ice carved peaks, valleys and wilderness of its native lands, invoking sounds and visions from the past, the voices of ancestors, terrifying legends once roared with passion from around fires beneath starlit skies, fuelled by mead and ale, the greatest dreams and darkest fears of humanity and the great journey towards death. Coltsblood take up their weapons, summoning colossal riffs loud enough for their ancient Gods to hear, screaming into the abyss, to those who have passed, into their destiny!”

~~~~~~~~~~

The resounding heavy path is forged into the wilderness on which this track ‘Ascending into Shimmering Darkness’ follows. It’s sweeping heaviness twists and turns like a powerful storm that has raged out of control, and festers in a doomy haze that pushes forth some eerie ambience and imagination. It stretches to around 13 minutes so there is a lot for the ears to take in and digest.

Mortal Wound lays the doom on with thickly coated fuzzy guitars and bass. The drums are just beat infected rowdiness and ready to attack the ears like a deadly infection. Using an emotive force the vocals encourage darkness and disturbingly unhinged activity if you ask me, but this is how I like them personally!

The Legend of Abhartach is a ‘ploddy’ track that just twists so much it more or less digs its own grave! However, I can never resist vocals so deep and be harrowing such as this, that I am compelled to listen until the end of this raw and edgy track.

Ever Decreasing Circles again plods on its way with an imposing fashion. It lacks appetite and lustre and so leaves me in an ever decreasing circle as it musically just washes over the senses with no real direction and repeats itself far too much to be thoroughly engaging and as it is a long track the listener tends to lose a bit of interest along the way, despite the amazing vocal.

The Final Winter and by the time this track finishes it will be summer. It’s another slow and exceptionally long escapade that deliberately antagonises and taunts with regular monotony. The best way to describe it is being given a steak and having no teeth to chew it!

A little disappointing, this 5 track E.P despite the superb vocal action. This music tends to just go on far too long and is far too slow to capture any emotion other than sleep especially on the last too awkwardly long tracks.

7/10

Tracklist:
Ascending Into Shimmering Darkness
Mortal Wound
The Legend of Abhartach
Ever Decreasing Circles
The Final Winter

Line-up:
John McNulty - Electric Bass Guitar/Vocals
Jemma McNulty - Six-stringed Battle Axe
Jay Plested - War Drums

Black Zeppelin - The Fleece - Ashton in Makerfield - 17th March 2017

Black Zeppelin
The Fleece
Ashton in Makerfield
17th March 2017



Black Zeppelin – Wigan, UK

Links:

Genre: Classic Rock from Sabbath & Zeppelin

Biography:
“Black Zeppelin is a 'double-tribute' featuring the songs of Black Sabbath and Led Zeppelin in the same evening.  As well as the expected classics, both sets will feature a few rarer album tracks not always covered by Black Sabbath & Led Zep tribute bands!”

~~~~~~~~~~

It certainly was an eventful evening at The Fleece last night but for varying reasons. Being an absolute lover and admirer of Zep and Sabbath I was itching for the band to get on stage and start playing, but Oggy wanted to go to another pub for a drink or two so we went into the Kings Arms opposite and it was empty apart from a few punters you could count on one hand and then the Karaoke began and it was like hearing a dog howling as this guy absolutely debauched the track (I think it was Sweet Caroline by Neil Diamond) but it could have been the Sex Pistols for all I could hear, the noise was crippling, so much so I couldn’t stand it and we got out quick and made our way back to the comfort of The Fleece.

I spoke early on with a woman called Chris and we got on really well, and she gave me the heads up on the band and what to expect, as I had never witnessed them live before, great making new friends and this is the way to do it and not just by Facebook alone!

And what seemed like an eternity finally, 9.45 PM arrived and thanks to Mike G the band's vocalist I had a seat right at the front, which he kindly put aside for me.

From the start of their first set which was all Led Zeppelin, I was hooked. It was just magical hearing the songs I listened to at 15 years of age and made more poignant was the fact I never got to see Zep live in Knebworth in 1979. So for the first time hearing Zeppelin live was just amazeballs for me!! Even if they weren’t the real Zeppelin!

Kevin Brown, the band's drummer was just like a young Bonzo – I told him so, he just possessed that drive and energy needed to make the band sound compelling and awesome to watch and even the rest of the band say Kev is highly respected and I can see why. But the three members all gel on stage and as mentioned by Mike Grady the band voice and bass licks said “We love what we do!” and boy did it show!

I loved Mike G’s introduction to the track The Ocean he said, up here it’s called Th’ocean!” and so it is, but it didn’t make it any less compelling having a slightly different title attached to it. I just love Wiganese! :D

Track after track was just mind-blowing – I sat literally ‘dazed and confused’ open mouthed at Mike’s strings and the way he manipulated them on his guitar, it was Jimmy Page mastery! (Without, the bow of course) It also helped that Mike Grady looked a lot like Robert Plant so that was a bonus in itself.

Oggy’s Son Steven turned up and a bit later Darren Oggy’s brother turned up so it was nice seeing the little family gathering. Later on, I bumped into Viv Hankin who was looking well but sadly didn’t see Al.

As the first set came to a close the band left for a quick break and mingled with the wall to ceiling hordes that had turned out to see them despite an absolute deluge of extremely wet weather - which says a lot in my book.

As the band reintroduced themselves to the crowd to deliver their doom-laden Sabbath set applause kicked in and screams and shouts were echoed around the room. But a little surprise lay in store for vocalist Mike Grady just as the band were about to go into their second Sabbath number someone produced a massive Birthday cake – and I mean massive! Much to Mike’s amazement and amusement as he celebrated his 56 Birthday the day before, so the band caught him off guard - great moment indeed! (I so wish I had brought my camera, but Oggy said it would probably be wall to wall and so pictures would be very few, but I will always regret the decision of not being armed with my camera)

The Band invited everyone to get up and have a piece of cake and Mike announced over the microphone “Fuck the midnight curfew!” which was shouted loud and proud to the dork over the road who has probably now got his wish to close the pub down, so it is with real regret that this weekend could see the end of the Fleece for good as yet another venue closes its doors to memories that are lost forever, but not without Roadhog playing their final gig there tonight.

As the band finished they were met with screams for more, the small pub was still bustling with punters well after 12. So they finished their set with a Led Zeppelin classic – Rock n Roll and another classic from Sabbath Symptom of the Universe – the place was literally bouncing!

As the band left the stage, I saw Oggy trying to calm a woman down at the bar – her name was ‘Sarah’ and she was visibly upset and she told me that some chav had accused her of pushing him – which was unlikely seeing as she had a walking stick and had suffered a stroke… then I noticed Oggy talking to a guy in the next room and went over to investigate – another woman sat at a table on her own, her name was Rachel, and Oggy’s temper was rising after it was discovered that he had also accused Rachel of the same thing.  Oggy went into Sir Galahad mode and was telling this idiot a few home truths and in the end the bar staff ushered this drunken moron out of the pub, however, maybe about ten minutes after that I heard a young girl crying and found out her name was Alice and she had just come in from outside the pub to witness her father and boyfriend lying in the road. Her step sister Natalie had been struck by the door of this drunken moron and that made her hit the back of her head on the door behind her, Mark, her father went out to see what had happened and this evil piece of scum had apparently attacked him, literally, knocking all his front teeth out. The police were called but they didn’t show up – at least not while we were there.

I got the lowdown of what had happened from Julie (another friend of Black Zeppelin – yes they do have a large following now!) and then had another lowdown from Alice it didn’t sound good at all.

After about ten minutes it became apparent that these two people Mark and his daughter Natalie plus Alice’s Boyfriend, needed hospital attention so I asked someone if an Ambulance had been called and nobody had called them so Jane (a follower of Black Zeppelin) called and gave them all the details. We continued to try and do what we could for these three people and hoped that they received the proper care and attention they so needed.

It was a very bittersweet night, for a couple of reasons, the obvious one was that the venue is soon to be closing its doors for good, and the fact that the raised voices and abusive and assaulting behaviour was so unlike the Fleece, usually everyone just wants to have fun, but even Josh a member of the bar staff looked visibly shaken as to what he had just witnessed, but putting that all aside the sweet moments were Black Zeppelin who gave a fantastic performance to a lively crowd, and a gig that will be memorable for a long time.

Sabbath and Zeppelin – how can you go wrong? Mike Smith the guitarist explained to me after the show,

“I wanted to form a Zeppelin band and our Mike wanted to form a Sabbath band as he'd always wanted to play bass in one. (As he also plays guitar too) So I jokingly said let's do both, and we rolled with it. We thought fuck it, nobody else is doing it. So we did it 🙂. I'm a massive Zeppelin fan first and foremost!”

I think it is the winning lottery ticket for sure. We had a thoroughly enjoyable evening, despite the fracas that unfolded later on.

So if you see a poster with the words BLACK ZEPPELIN splurged across it I urge you to take note and go and see them live – you won’t regret it in a million years!



10/10

Set 1
In The Light (intro tape)
Custard Pie
Communication Breakdown
Immigrant Song
Celebration Day
The Rover
Heartbreaker (Moby Dick mid-section)
Over The Hills & Far away
Dazed & Confused
Misty Mountain Hop
The Ocean
Black dog (out in the tiles intro)
Whole lotta love

Set 2
Behind the wall of sleep
Black Sabbath
Iron man
Into the void
Hand of Doom
Hole In the sky
N.I.B.
War Pigs
Fairies wear Boots

Encore
Rock N Roll
Symptom of the Universe

Line-up:
Kev Brown – Drums
Mike Smith – Guitar
Mike Grady – Vocals & Bass

Special mentions to The Fleece Bar Staff Josh and the crew for coming to the aid of people who needed it. Darren and Steven Lee, Chris, Sarah, Rachel, Viv Hankin and Al, Sean Breadster Melling, Mark, Natalie, Alice and her boyfriend – hope everything turns out ok for you all! Julie and Jane who danced the night away in front of the band, and of course to my wonderful Oggy who makes everything better! And playing at the Fleece tonight for another round of classic bone-crunching rock! (Sorry for the lack of photographs)

Thursday, 16 March 2017

The Sarcophagus - Beyond the World's Illusion - 9 Track Album - Satanath Records - Release Date: 4th April 2017

The Sarcophagus
Beyond this World’s Illusion
9 Track Album
Satanath Records
Release Date: 4th April 2017



The Sarcophagus – Ankara, Turkey

Links:
https://www.facebook.com/thesarcophagustr

Mastered – Necromorbus Studio (Swe)
Cover Art – Paolo Girardi

Genre: Black Metal

Biography:
This is typically a black metal outfit no more no less with its hearty chunks of seething metal that really rips you a new one! The strides it takes rampage and attack with utter menace. The good thing about it is that it also holds a chugging melodic content that you can latch on to, and the vocals are superbly gnarly and nasty. This track will devour you whole and lives up to its name of Reign of Chaos.

Ain Sof sounds like the vocalist is gargling and gurgling and in fact, he is but it is such a sweet and delicious sound for the well-trained ear of an extreme metal head. The more putrid the vocals the more I like it anyway! I love the vengeance and rebellion attached to it and the music that surrounds it all makes for a superb listening experience.

Dymadiel is harsh and unyielding just as you would expect it to be with no hidden surprises along the way just a black magic ill-intent and bludgeoning blast beats. This track could summon the devil in seconds!

The Profanity Rites slows things down and provides a more levelled path on which the track stands but it is growing darker by the second, accompanied by flourishing riffs and dark shadowy roars that sound evil and nothing short of demonic!

Sapremia of Earthly Creatures really kicks the pace up a notch and delves into the unknown creating a whirlpool of madness as its storm brews up choking smoke and energy that would keep a nuclear plant in business for a lifetime! The harshness of its melodic rhythmical infection is far reaching!

Triumphant Divine Terror is a major track that gathers all its force and energy and turns it into a blinding rage of pure terror as it covers the unhallowed ground. The insane wickedness is fuelled by a frantic rhythm that is never ending.

Armoured Death the hellish notes continue along with the devilish screeching blackened vocal that spews out utter filth and darkness and as a siren screams the torment worsens and leaves a trail of ash in its wake where its large footprints have been – there is no escaping this mighty beast at any cost!

Flaming Key to Divine Wisdom meanders for a brief time. The vocal bleakness cuts and leaves its bleeding marks on tender flesh while the music rips deep crevasses in the senses knocking you into a confused void of madness.

Apocalyptic Beast the beast is out of the bag so to speak! Witnessing this album first hand I have seen the destruction it can do and it isn’t a pretty sight. The potency is strong, and it will punish its victims in such an unusual way it will be remembered for a long time.

This is one black magical album that deserves respect as it will put a curse on you if you don’t!

10/10

Track List:
Reign of Chaos
Ain Sof
Dymadiel
The Profanity Rites
Sapremia of Earthly Creatures
Triumphant Divine Terror
Armoured Death
Flaming Key to Divine Wisdom
Apocalyptic Beast

Line-up:
Mørkbeast - Vocals
Burak Sümer – Guitar/Synthesiser
Ozan Yıldırım - Bass
Oktay Fıstık (Session) - Drums


Epi-Demic - Malformed Conscience - 11 Track Album - HPGD Productions - Release Date: 14th April 2017

Epi-Demic
Malformed Conscience
11 Track Album
HPGD Productions
Release Date: 14th April 2017



Epi-demic – Calgary, Canada

Links:
https://www.facebook.com/theplaguebegins

Genre: Crossover/Thrash Metal

Biography:
“Epi-Demic are a three piece Crossover/Thrash band From Calgary who started out in 2005. Released a Demo in 2006 called "The Plague Begins" and recently dropped a full-length disc entitled "Madness" and will certainly continue to spread their unique brand of violent crossover for a long time to come!”

~~~~~~~~~~

The production doesn’t sound as sharp as it could be on this track Rotting in Plain Sight as there is a certain amount of fuzziness present that spoils the overall sound somewhat. It is ferocious enough but it sounds like it has been recorded in a basement or garage, or hearing it through a closed window, which isn’t a good start.
Dark Thoughts the second track, however, does sound a lot crisper and so I am thinking that the first track must have been recorded that way for a reason. This track has a Sabbath influence and the vocals are harsh and cantankerous. The music, however, holds a great pumping rhythm that is challengingly serious.
Stewing in Misery starts with a sultry riff that expands and holds a chugging rhythm but once again I can hear a fuzziness so I am beginning to think that the first track was meant to be that way, but it didn’t do it any favours in my humble opinion. This track, however, a real thrasher and has plenty of venomous intent.
Ruthless Ambition rewards the ears with an amazing rhythm that spans over the entire track and creates chaos and violates on all levels. The vocals really hammer home their anger. Losing Time is full of electric riffs that savage the audial with prowess and immense thrashing imagination, however, the rhythm it gives out is near on a nuclear explosion! It is an absolute beast of a track!
Famine entwines its riffs and rhythms around you like a venomous snake until it finally releases its grip and then the fun starts with a battering ram of unruly savage beats and hate-filled vocal tones. There doesn’t seem to be a famine at all, not where the infectious rhythms are concerned there is more than enough for a feast here!
Hatred is a jagged and sharp collection of riffs that gather in momentum and pummel the living daylights out of your ears. It flexes its muscular structure and sneers. And yet another badgering force is let loose in the form of Sons of Dogs it marches its heavy structure into view and ravages the senses in an emotionally charged and thrilling brawl. Breaking Your Mind is a real ambient killer that stalks its prey cornering it and removing all choices from its victim - goes in for the kill, showing its ill-intent it jabs with feisty aggression and gets its reward – and so does the listener as its pace quickens and runs away with itself.
Punishment has a stark beginning that bristles with chunky rhythms and molests the ears with a primordial attack! The riffs are energetic as are the kick beats and the growling vocal adds to the feverish content. Mortal Kind the final track on the album plays to a slow and deliberate beat that doesn’t stay slow and deliberate for very long. Again holding plenty of thrashy anger and electric jabs, repeating itself a few times it is again back in its basement and shrouded in a fuzzy tone – so I am guessing this is a purposeful thing.

There is no doubt about the band’s musical ability it is indeed harsh and menacing for a thrash crossover but the resonating fuzziness for me is a problem as it sounds like you are being cheated out of hearing all of the track, luckily for me, most of the tracks aren’t fuzzy and fully powered up for the ears to receive a battering, so it isn’t a too disappointing album at all.

8/10

Track List:
Rotting In Plain Sight
Dark Thoughts
Stewing In Misery
Ruthless Ambition
Losing Time
Famine
Hatred
Sons of Dogs
Breaking Your Mind
Punishment
Mortal Kind

Line-up:
Adam - Guitar/Vocals
Kyle - Bass
Aaron - Drums

Wednesday, 15 March 2017

Woodscream - Octastorium - Adulruna Records - Release Date: 31st March 2017

Woodscream
Octastorium
Adulruna Records
Release Date: 31st March 2017




Woodscream –St Petersburg Russia

Links:

Produced by Alexander Klimov.
Cover art and booklet design by Mayhem Project. Out now!

Genre: Folk Metal



Biography:
Woodscream is probably the most outstanding band on the metal scene of Saint Petersburg (Russia). Band`s music presents a tuneful union of different styles of contemporary metal, incorporating different elements of European folk traditions and gloomy atmosphere of medieval legends, which are the solid basis of Woodscream lyrics. The band has already recorded 3 singles and mini-album «Pentadrama», which gained loads of favourable reports from listeners and critics from all over the world. Now the band releases their full-length album which is called «Octastorium» via Adulruna Records, Sweden. Woodscream distances itself from politics and religion!”

~~~~~~~~~~

The name Woodscream conjures up various images but one, in particular, is a gathering around a fire and hearing the wood literally scream as it is being burned, although it is not to paint a vivid horrific picture but just what the name conjures up in my head. It also says ‘nature’ in the most basic form.

Алан is a real foot tapper although no idea why they called it Alan. I am so glad the band are singing in Russian because it is a beautiful language despite being guttural in sound it really propels the track to great heights. Inflamed with monumental groove and on target harmonies, it reveals itself as both folk and metal orientated and a great track to boot!



Suvi (Slough) why anyone would want to sing about Slough I have no idea but this track is glazed with very favourable vocals – yes the deep grunting kind that is very, unexpected on a folk metal album, however, it is most welcome and very unusual. It makes me want to learn Russian so I can sing along! I can, however, grunt so all is not lost!

Ilxtup cgwi (King of the Forest) I am glad there was a translation for this as I wouldn’t have a clue what it meant otherwise. It is an embracing track that catapults an unreserved rhythm straight through your soul. Valentina’s vocals are clean, crisp and haunting.

An Dro has no translation so will just have to use your imagination and see what the track throws out! So far it has pumped out a bouncing rhythm that is moreish and beautiful. It is a track you can’t help but want to move your whole body too. When the vocals kick in it slows its tempo slightly but still, holds a great temperament and once again back to the Michael Flatley foot tapping extravaganza.

Kuigri (Blacksmith) is a very twisting and winding road of growling maniacal vocals to a superb recorder that enhances the track. It gathers quick momentum and intoxicates with a rapid breath. The clean angry vocals introduce themselves and then the growling adventure begins – just loving this to bits! Favourite track by far, but they are all superb!

Cuwut (Raven) bristles with a haunting malevolent feel and quickly brews its own storm. It holds a hungry rumble in its belly and a fire in its heart as it drives a fierce rhythm that underlies a heartfelt vocal from Valentina.

Hui (Call) is a magnificent romp that is fast and delirious with plenty of swift absorbing textures that one can enjoy along with a great chorus and growling tirade to a full-on blend of metal and folk that is highly engaging. This will need a repeat or six!!!!

Witness of J this track really transports the past to present as it gathers its melodic speed and makes haste with its groove. It is just so hard to keep still when listening to this believe me – I have tried and find myself rocking from side to side as I get caught up in its compelling rhythms.

The idea of using female clean vocals and growls and screams within a folk/metal band is an absolute genius! It more than works, it works magnificently and really adds a certain clarity to the tracks and makes them very unusual indeed!

Definitely worth checking out!

10/10

Track List:
Алан (Alan)
Suvi (Slough)
Llxtup cgwi (King of the Forest)
An Dro
Kuigri (Blacksmith)
Cuwut (Raven)
Hui (Call)
Witness of J

Line-up:
Valentina Tsyganova – Vocals & Recorder
Alexander Klimov – Guitar & Screams
Ivan Budkin – Bass & Growls
Pavel Malyshev – Drums

Monday, 13 March 2017

Vitja - Digital Love - 11 Track Album - Century Media Records - Release Date: 3rd March 2017

Vitja
Digital Love
  11 Track Album
Century Media Records
Release Date: 3rd March 2017



Written for RAMzine

Vitja – Köln, Germany

Links:

Genre: Rock/Metal

There is a certain rawness that is dealt out on this track ‘Scum’ that is highly charged and more potent than rocket fuel and no doubt send you into space on listening. The vocals are gravelly and throaty just the way metal should be sung and executed superbly. D(e)ad can certainly be described as edgy and melodic no doubt about it as it makes headway to attention grab which it does superbly with amazing lyrics to boot.

No one as master no one as Slave holds a warm melodic thrust of rhythms that penetrate with a superb raw scaring vocal that seethes vehemently. Firing out feisty attitude and dual vocals grazing, making it a very powerful track indeed! Roses pumps out a magnetic rhythm, forceful irresistible vocals and has a natural range while the riffs seduce is yet another rhythmic explosion. Digital love is a really special track as its nu-metal flavour reaps havoc with the senses.  It’s a very fertile track that offers a lot throughout its rapacious textures. Six Six Sick rewards the ears with some glorious and subtle synth notes before a scathing vocal explodes over the top of it and adds its emotive force to the drama. The Golden Shot sounds like an angry wasp in a Jam jar as it suddenly escapes from its restraints leaving a musical trail in its wake. The badgering tones are commanding and slightly jazzy without being progressive but there is a lot going on. Heavy Rain darts out of its comfort zone at the beginning of the track with a spiralling riff and softer vocal that produces a warm embrace with underlying intensity! Find what you love and kill it sounds like it is taking place in a factory of sorts that are machine producing as heavy melodic chunks of rhythms are expelled for duty and increasingly interesting. It has momentum and works well with the audial, hard hitting and throws out a superb track! In Pieces is another industrial sounding timepiece with the force of machinery leading the way boldly forcing out a bruising turbulence. The Flood is very unique and quirky with high pitched notes, chanting and thunderous rhythms with pounding beats. Holding attitude like an angry spirit in the middle of a haunting! However, it also portrays a warm rhythm too despite the harsh vocal slurring so offering the right blend of catchy and stirring infection.

9/10

Track List:
Scum
D(e)ad
No one as master no one as Slave
Roses
Digital love
Six Six Sick
The Golden Shot
Heavy Rain
Find what you love and kill it
In Pieces
The Flood

Line-up:
David Beule - Vocals
Mario Metzler - Bass
Vladimir Dontschenko - Guitar
Daniel Pampuch - Drums