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Sunday, 23 June 2013

The Four Tyrants - Split Album - Winter Forest Industries - Released February 2013

Sturmgeist.Fornicator.Insultus, Razakel Krieg, Lord Andras & Lord Forneus – (The Four Tyrants)
Split Album
Winter Forest Industries
Released February 2013





Sturmgeist.Fornicator.Insultus – Stratford upon Avon

Links:
Genre: Extreme Satanic Black Metal



In the bands own words:
“Sturmgeist.Fornicator.Insultus vocalist/lyricist and founder member of black metal band Mundus and Suffering. Mundus has been an established name since 2003 by Sturmgeist.Fornicator.Insultus but not had much luck being an established band, due to various members coming and going due to lack of commitment and various other reasons. Andras has now been enlisted as our new guitarist. Mundus is currently and urgently looking for a guitarist, bassist and a drummer to rebuild the line-up. If you or anyone you know would be interested then contact us ASAP, we would really appreciate it! We also really appreciate all the support we are getting from all our fans and people we know, so thank you all very much! HAIL SATAN to you all and HAIL MUNDUS!!”

Looking for a meaning to the word Mundus and at least four were found, the first being - ‘Devil May Cry’ which is a series of video games set in the modern day, developed by Capcom, created by Hideki Kamiya and produced by Shinji. Secondly - A guy’s state of mind after he sees the girl of his dreams...He just can't believe it! The third is adornment and I will not mention the last, but whatever it is Mundus the band is the most extreme and heavily versed in Satanic Black metal I have heard.

Tracks
Addicted to Feminine Flesh
A subtle beginning of eerie ambiance and samples of distant thunder to a steady guitar.  Vocally angst ridden and gnarly it is safe to say these vocals scour their musical bleakness with an emotional terror. Just imagine a vocalist gargling glass and you will have some idea as to how gruesome this is sounding!

Lusts and Midnight Moons
The eerie screeching sounds like it is emanating from the deepest bowels of Hell with dark resonating, building guitar and is one mighty jumble of raw and (un)pure satanic metal that will indeed possess your soul as soon as you listen.

Mircalla Karnstein
Strangely deep resonating guitar begins it ambling and meandering until a gruesome gnarly vocal spews forth into the eerie blackness with a slow ambient graze of evil malevolence, and screeched to a conglomerate of noises – I think a crucifix is needed here not that I believe in God, but more for comfort value!

The Dark
A distorted buzzing epitomises the sounds of hell like it should reside in the Amityville Horror house! The vocals sound torturous amid a climbing guitar that carves its path through total chaos.

Members:
Sturmgeist.Fornicator.Insultus - Vocals/Lyrics.

****

Razakel Krieg - Lincoln

“Razakel Krieg is the solo work of Baalberith front man Razakel.  Also known for being the Vocalist for UK black metal Bands Winter Tranquility and Dibolus Ritus... Lead guitarist for Grimsvotn, Vocalist & Guitarist for Dark Debauchery and Demoniacal. Ex Guitarist for Xenolith, Ex Drummer for S.W.A.F.I, Chaos AD & Aborted by hell... This project sees a variety of styles all deep seeded within the black metal genre and is a true expression into the mind set of Razakel himself”

Just be nice to Razakel - and then he won't curse you!

Tracks:
Better off Dead
Blisteringly black, bleak and unholy – this track really gives the impression that you are dead and landed in hell as you witness the emotionally pressuring scourge of guitar and distant incoherent vocal that is spewed out to some insane drumming.

Alone I wander
Do not turn this track up, for the simple reason, it is much louder than the previous array of gnarliness and will split your head open upon listening. Again it is bleak and unbridled with deep dark and passionate ambiance of driven guitar and snarled vocal.

Failure - Worthless Life
This has faster moments of guitar attached to a grisly vocal onslaught and is unforgiving as it is merciless, however, it does have a solid melody running through it as evil as it is.

****

Lord Andras


Very little is known about the mysterious Lord Andras other than he plays Guitar and Drums for Mundus.

Tracks:
Tragedy of Twisted Souls
For whom the bell tolls? This is slow and bleak ambient with an eerie twist of malice and black melancholy. Vocally impacting with a lot of direction all of it pointing downwards – to hell, of course! Thunderous and shrill guitar vibrates throughout the track and does invent a powerful imagery of death.

My heart once sang aloud instrumental
Crisp guitar moments to savour here amid the dramatic surrounding sounds of a sparse drum beat that beats slower than a dying heart!  The deep rumblings blend effortlessly into a powerful array of sinister goings on.

The Vampiric Tyrant – Satanic Warmaster
Laden with crisp cymbals and mesmerising guitar riffs it is as ferocious as black metal gets with a driving rhythm of solid fortitude. Again vocally urgent and encroaching with an evil breath of darkened screeching to pummelled beats.

Countess Bathory Live - Venom Cover
A very ‘dry’ recording of the track although it is a good rendition, it would have been better to have it recorded in a studio for the split, to give it a more crisp sound, however it does give us an insight into how the band would fair live.

Lord Forneus - Unknown
https://www.facebook.com/forneuslord



“Lord Forneus began in music in the late 90's.Playing in various local bands but not being able to find the right path. Eventually, after various music outings, in 2004 Winter Forest Industries was formed. This was a multi genre collection of artists & projects, either by or including Forneus. Then around 2005 Forneus began playing guitars for local band Krieg’s Philosophies. The band was started as a drunken covers fuck about until they discovered they actually wrote good Black Metal together. Thus, a split with other UKBM projects was released in late 2007 followed by the only 2 demo's the band ever made in the middle of 2008. The band declined several invitations to gig with various European & Canadian bands in and around these territories. The band went their separate ways over the next few years, neither confirming nor denying they have split forever but they feel the project served what it needed for them personally so a reunion is unlikely.

During this time around 2006, Forneus made his first proper solo recordings which remained the only material until 2012. It was at the point of Krieg’s Philosophies releases that Forneus had started writing material for a proper project. A band was formed but nothing was written or often rehearsed due to line up issues. By now, Winter Forest was more developed and in 2010, Mists of Poveglia was the first official release by an artists from this 'stable' of projects. A year and a half passed and finally the project began in 2008 was now named Grimsvotn. The first raw lo fi demos appeared, and over the course of several EPs & one full length album the band gathered pace and everyone including the members await live rituals. It was from these connections that Forneus became involved in a UKBM split by some of the darkest artists in the current scene. So, in 2012 Forneus wrote the first full solo tracks since the very first ones back in 2006. The split came to light finally in 2013 after much trouble securing a label big enough to cope with such darkness...”

www.facebook.com/winterforestindustries

Tracks:
Ancient Halls of Regret
The strange distorted malevolent chaos exudes through the speakers into one eerie shot of madness – blacker than black, more Hellish than hell. Just too much distortion to fully get a feel of where the track is going.

Pentagram of Stoners
Stupendously fast array of euphoric guitar to some gnarly growling, grisly vocal that is totally incomprehensible but all adds to this fuelled and emotionally charged track.

Anti-Everything – (Re working of Anti-Christ by Sepultra)
Typical black metal that drives into the unknown with bleak grunts and muted guitar riffs that suddenly turn into a faster array of frets – beating the ‘dark’ fantastic are some highly delicious drum beats that really gives the track some clout!

War Cry
Edgy and antagonistic but just a filler track that really serves no purpose other than to waste a bit of time.

Abattoir – Napalm Death Cover
A torturous scream can be heard crying out in what sounds like pure agony to a darkened array of distorted guitar and pummelling beats in this dizzying array of bleakness.

To Sum up: Pick of the crop:
Lord Andras certainly stands out for me as having some sort of direction musically other than just contrived black metal that simply knocks out distortion with no true path, however compelling. Tragedy of Twisted Souls is a superb track as the balance is met and peppered with dark ambiance, haunting passages and glass shattering vocals. 

Razakel Krieg and Failure – Worthless Life is an amazing track and whistles through the aural in this grisly array of melting black metal, that adds plenty of atmospherics and gnarly, gruesome vocal in every shape and form with plenty of rhythmic quality.

Sturmgeist.Fornicator.Insultus – Addicted to feminine flesh, is without a doubt quite an interesting track for the sound effects alone. It is certainly a brooding encounter of heated, twisted vocal that must be spawned by the devil himself as the music spirals itself eerily around some doom laden rhythms. The screams are terrifying – be warned! It is the official sacrilegious slaughter that turns into a mega love making session and weather the woman is getting throttled at the end is for you to decide.

Very apt for the above track!

Lord Forneus – Anti Everything (Re-Working of Anti-Christ by Sepultra) is an immense array of beguiling and bewilderment as a myriad of dishevelled guitar riffs emanate to a squally, biting, intense vocal onslaught.

The Four Tyrants’ are indeed that and have concocted some gristle and bone with these tracks, however, not recommended for night time listening as it is likely to give you nightmares, and if you do listen at night, I urge you to take a crucifix and place it under your pillow – just in case, as you don't know what you might unleash!

One downright obscure album for the totally bizarre!


8½/10

Saturday, 22 June 2013

Slavebreed - Dethrone the Architect - 14 Track Album - L'Inphantile Collective - Released 23rd July 2012

Slavebreed
Dethrone the Architect
14 Track Album
L’Inphantile Collective
Released 23rd July 2012



Written for www.brutalism.com

Slavebreed – Athens, Greece

Links:

Discography
Live Rehearsal – Demo 2007       
Pain Syndicate - Full-length 2008         
Hibernation / Slavebreed – Split 2011    
Dethrone the Architect - Full-length    2012 

Compilation appearances:
2 Days Tattoo Core Fest (Pain Syndicate) 2008
Obscene Extreme 2009 (Doppelganger) 2009
Undead - A Tribute to Disrupt (Dog Eat Dog) 2013

Genre: Death Metal/GrindCore

In the bands own words:
Slavebreed is a band from Athens, Greece, playing a mixture of grindcore and death metal with some crust/hard core influences. They were formed in late 2004 by Pavlos and Kostas, from the remains of Pavlos' older deathcore side-project band ("Scorned" mcd, 2001). Slavebreed recorded a 4-track live rehearsal mini-cd in early 2007, receiving positive feedback and less than one year later recorded their first full length album, "Pain Syndicate", released under L'Inphantile Collective (Czech Republic, 2008). "Pain Syndicate" received great reviews worldwide and soon after its release Slavebreed hit the road, performing live on a number of tours all around Europe, sharing the stage with bands such as Napalm Death, Fear Factory, Entombed, Doom, Ratos de Porao, Birdflesh, Afgrund, Warcollapse, Mumakil, Rotten Sound, Severe Torture and many others. On 2011 a 7” split was released with Hibernation and “Dog Eat Dog” cover was recorded for the Disrupt tribute compilation, soon to be released from Power It Up records (Germany). In the summer of 2012 Slavebreed released their second full-length album, "Dethrone the Architect", under L'Inphantile Collective (CZ) and Noise Attack (GR). A mini tour is scheduled for late August 2012 to support the release, which will contain 2 open-air festivals (Fekal Party 14 and Arschcholio 10), as well as 6 more shows in Central Europe”

A New Plague upon us
A siren wails furiously to some sonic buzzing as this full length album gets underway – Let the purgatory commence, and it does so in no uncertain terms – immediately impacting on the ears, it unleashes its distinct grindcore noise and tears off in the direction of menace - but in true grind style lasts only a brief time before finishing.

Avaritia
A lot of grinding, growling and menace as this little onslaught carries the weight of melodic scathing riffs and devilish beats.  Its taunting and torturous notes fly in abundance and will no doubt trigger total chaos when played live to an audience of hungry grinders!

Diluted’s Canticle
Sampled voice begins and then a climbing of tremendous riffs take over, combining more gnarly growls and fierce drumming. Fast paced and virulent this will numb the senses for sure!

Failed Sepuku
Dark and menacing, as it reaches its peak well in the allotted time for a grindcore track. Riveting and compelling in its strengthening stance and impacted with infectious groove - although too damn short to really get into!

Plebeians
Catchy although still gruesome, scathing and indeed more than just potent, the screeching alone sends shivers down the spine, finishing with a sampled voice.

Flagellants
Superb heavy chiseled guitar riffs that are invading and forcibly removes the inside of the ear drum with musical precision. A caustic brewing of overwhelming intensity and sheer intrigue and again finishes with a sampled voice its last words: “Deviant thoughts will not be tolerated” Although listening to the track I do have a few :D

Grecian Death Grinders - Slavebreed

Dethrone the Architect
The title track to the album – comes blistering into sonic existence with striking vocal prowess and a dizzy array of kick beats full of spite with added gnarly threat that has a compelling rhythm and just eats you alive.

Inside the Jaws of Famine
Smouldering with intent this track ignites, and then explodes into a maelstrom of deadly riffs proving to be a good encounter of the thoroughly brutal kind that will leave scars as the thickening rhythms twist into total fury.

Maleficium
Starts with another sampled voice and then bursts into some guttural growls that sound more than menacing and in purgatory! Its coarse riffs are solid and unyielding whilst the drumming is fast and chaotic – a good invasive track!

Penal Colony
Rhythmic and stands proud on a fierce gruff vocal this is one track that really is worth playing over again for its rich textures of unbridled scorn as it unleashes a malevolent force straight to the aural cortex and if you try and windmill to this will do yourself a permanent mischief! Enthralling, and to the very extreme but has plenty of rhythmic swagger and lasts just long enough to get your teeth into. I shall have to repeat this one several times to savour its goodness... or should that be badness?

Preaching to the Fallen
A shrill guitar riff fires up and then the track levels out even if it is gruesomely gnarly.  Very expressive and descriptive musically although lyrically you can never tell what the bands are singing but that’s what makes grindcore special - it is crazy and barbaric but it sure does scratch the itch! – Well if you like music played in this manner – which I do! Oh yes!

Dog eat Dog (Disrupt Cover)
Just like the real thing – aggressive, devious and downright evil, being the muscle bound predator this scales the heights with a ferocity all its own through displaying immense power. A very good cover done by the band.

Chironex Fleckeri
A sampled whispered voice starts up and then the track gets more inflamed as it unfolds.  Nice and brutal as you would expect, merciless but again short!

Sailing the Styx
Drums are more prevalent here.  It houses an eagerness to be potent and sculpted in the fine art of brutality and ravenously devours as its torrid rhythms disrupt the aural with brute force of a vibrant chaotic nature, and leave a tang of confrontation on the tongue. The ending is a distorted buzz that turns into a sampled voice talking about a caged lion and how important freedom really is – here, here, to that!

To Sum up:
A relentless and unbridled passionate album that bares its teeth like a rabid dog to water. Although there is some predictability in its work as you would expect grind core is meant to be fast with a potent landscape of sound and this is what you get here. Emotive, and strong, showing a solid provocative journey into a punishing and gruelling nightmare that grinders everywhere will not want to wake from, and will definitely unleash a few demons from the system on playing. The sparks will fly and the aggression will be felt, so I think the band have proved their worth on all fourteen tracks but “Penal Colony” is my out and out favourite and will no doubt get a few more plays yet! This is a feast of impressive ear splitting sound that will give no respite - if that is what you want? – But I doubt that! Bring on the brutal I say!

4½/5

Track List:
A New Plague upon us
Avaritia
Diluted’s Canticle
Failed Sepuku
Plebeians
Flagellants
Dethrone the Architect
Inside the Jaws of Famine
Maleficium
Penal Colony
Preaching to the Fallen
Dog eat Dog (Disrupt Cover)
Chironex Fleckeri
Sailing the Styx

Members:
Kostas - Drums
Tolis - Guitars
Pavlos - Guitars/Backing Vocals
Thanasis - Bass
Smirnoff - Vocals



A Tribute to Barry Jenkins - The Vulcan - Rehearsal Rooms/Studio, 69 Waterloo Road, Liverpool L3 7BE

The Vulcan

Rehearsal Rooms/Studio
68 Waterloo Rd, Liverpool L3 7BE
0151 236 2724

www.vulcanstudios.co.uk/
Barry@vulcanstudios.co.uk

The Vulcan is said to be one of the earliest surviving examples of a fireproof warehouse, built in 1843 and designed by Liverpool Architect A.H.Holme.  It was built in order to store cotton and by the middle of the 1840’s was used as a holding area for refugees fleeing the Great Hunger in Ireland. Who would have thought back then that this building would become home to thousands of varying artists? – It is an incredible thought, and I often wonder what the ghosts of past would think of it all, as I am sure The Vulcan has a few if not many, that wander through its meandering corridors.

The Vulcan

In 1985, I joined the Sons & Daughters of Liverpool shortened to SADOL, a music, art & drama group – that still currently runs today, although focusing more on the drama side and now and called Yellowhouse - carried out not anywhere near the old warehouse in Porter Street and stands directly behind The Vulcan in Vulcan Street off Waterloo Road.



The Vulcan is a converted warehouse and another of Liverpool’s listed iconic buildings (and should be mentioned when talking of the three graces, as The Vulcan is much older than them and has plenty of vibrant history attached to it) and yet one building that is only usually, talked about within various music circles and famous in its own right, for playing host to Liverpool’s Independent music scene since 1979.

The Vulcan is still situated in Vulcan Street off Waterloo Road and many times I sat staring out of an open, sometimes cracked window pane of the old warehouse in Porter Street listening to the bands rehearsing opposite. Their sounds drifting above the odd rumble of a train or passing car.

Of course music being my passion I used to go into The Vulcan when one of the SADOL bands were rehearsing.  The maze of dark corridors and ambient atmosphere was vibrant with sound as it still is today and even more so!

A lot of the “now” famous band’s including Joy Division, Echo & the Bunnymen, Icicle Works, The Jam, Microdisney, The Smiths, Scott Walker and of course, Dead or Alive to name but a few, rehearsed at Vulcan Studios (early Sunday mornings) at the same time when Half Man Half Biscuit were recording their 1st album (1985-1986) and reported that Dave Treble (of Crikey, it’s The Cromptons) most famously recorded the debut Half Man Half Biscuit LP for a cost of 40 quid!!! (And apparently not received a penny more even though the LP sold zillions!) Could be heard muffled behind the closed doors, which housed the sounds of the 80’s.

Post Punk band Half Man Half Biscuit from Birkenhead - Trumpton Riots

Rehearsing Details

Room charges: £3 per hour.
Monday - Thursday after 6pm - Minimum of 4 hours rehearsal space.
Other times - Negotiable

I was still very “green” to the music scene back then, but loved to listen to the various bands that attended The Vulcan in order to perfect their acts.

The Vulcan started in 1979, but I never set foot inside its rooms until around 1985, but the presence of The Vulcan has always stayed with me, and now it has grown into not only a shrine for the bands that used to rehearse there but also become a musical temple for new bands within the Independent scene, welcoming bands in and around the Liverpool area and beyond.

A lot of the SADOL bands rehearsed at The Warehouse in Porter Street, where I became George McKane’s right hand woman so to speak, collecting the subs from the many people attending and making up leads for the bands once I had finished my electronics course at M.E.T.E.L believe it or not!

It is indeed fantastic to see that The Vulcan has all that music history behind it and even more strange, to think that the ghosts of previous bands once graced (or disgraced) the building in the hope of making it big.  For some the dream happened and this was, I am sure, and still is, partly down to the way in which The Vulcan was (and still is run) by Barry - A softly spoken man, who has been in the background of the music scene for many years! In fact the silent voice in many ways!

The Atlantis Code practising Toy Story at Vulcan Studios
https://www.facebook.com/theatlantiscode

Nowadays with the Internet bringing everything into your front room, you can see what The Vulcan looks like. You can also advertise your gigs there, sell equipment and more besides.  The Vulcan is no longer just a formidable building along the Dock Road, but home to many a band, who seeks a safe and affordable sanctuary to perfect their music, and this, is all down to one man “Barry Jenkins” who has throughout the years remained strong and built the studios up to such an immense level.

Now The Vulcan offers 16 nicely decorated and carpeted rooms, (very different from the 80’s when everything seemed so sparse) and now accommodates any bands’ needs, styles and indeed sizes.  Open from 11am to 11pm including Bank Holidays. No parking restrictions and an on-site shop that caters for all musicians needs including guitar strings, plecs, drum sticks and cables. Not to mention lockers and equipment hire, that everyone in the music biz needs occasionally! Barry has indeed thought of everything, and grown this business from scratch.

**Breeding Violence with Phil Berrington at Vulcan Studios recording Admordeo their E.P
https://www.facebook.com/BreedingViolenceOfficial

The Vulcan is neatly tucked away and you can play as loud as you like and nobody will complain. A bit like space “Nobody can hear you scream!” The once eerie corridors that housed the feet of many an old band from the past, has now been replaced with the new  feet of up and coming bands around Liverpool and further afield.

There are not many people in Liverpool that don’t know about The Vulcan and its reputable reputation that has indeed been carved into the history of Liverpool, and is still growing today, offering a safe haven for bands everywhere to pave the way for their particular brand of music.

How I have missed the long walk from the Pier Head and the numerous glances from the Warehouse in Porter Street, through into a world where music poured out of the heavily dust laden windows of The Vulcan opposite, watching the bands loading and unloading their various equipment from their old clapped out vans that were parked outside and in a road that very few cars frequented. Today is certainly very different, - well perhaps not where the vans are concerned!

Some years have passed for me but The Vulcan continues to stand proud along the Dock Road and behind its walls the bands of the future rehearse tirelessly in order to perfect their art!  All this would not be possible if it were not for the endurance and determination of one man – Barry, and now his daughter Trish.

Barry, we salute you and what you have done for the Liverpool music scene in the past 34 ground-breaking years and what you have continued to do, despite the usual chaos of the music scene.  Lots of bands have come and gone but you have perfected an art and stood the test of time just like the building itself and this should in my opinion be recognised.



It is amazing to hear the varying styles of music from 80’s punk to present day Metal Core and even better knowing it is all still going down at Vulcan Studios today!

I so wished, I had owned a camera back then and taken some pictures of the building as it once was.  Definitely a lot different to the rooms the band’s now frequent.  I remember it being quite dark and it had a musty smell that often hung in the air as you went inside, and quite smoky too, with there being no ban on cigarettes back then, not to mention the graffiti that was scrawled across some of the walls and would be etched into the fabric of the building forever, if not for a can of paint! But it all adds to the character of what was and still is, an immense musical playground for bands near and far, proving that the past is not quite the ‘forgotten past’ and lives within the future of the bands that frequent this iconic building, guided by the watchful eye of Barry Jenkins and his crew.

Long live The Vulcan!


*Photographs courtesy of The Vulcan Studios*
** I do not own the three video's attached to this review - Two are featured to simply show the inside surroundings of The Vulcan Studios, the third portrays  a band who once recorded there back in the middle 80s.

Thursday, 20 June 2013

Disfigured Divinity - Zapotectron - 11 Track Album - Released 6th June 2013

Disfigured Divinity
Zapotectron
11 Track Album
Released 6th June 2013

Amazing listen: Zapotectron out now

Disfigured Divinity – Austria, Germany

Links:

You can now pre-listen and purchase all tracks on ITunes, Amazon and all other download-platforms worldwide.
Physical CDs will be out 27th June 2013

Buy Here:

Genre: Melodic Death Metal

In the bands own words:
“Austria's death metallers Disfigured Divinity released their debut album "ZAPOTECTRON" on 6th June 2013. ZAPOTECTRON" marks also the third and final part of vocalist George Misanthrope's (Raising the Veil, ex-Miasma) triptych inspired by Mayan mythology.  First and second part were accomplished with Destination Void ("Xibala"-album) and Raising the Veil ("Yucatanimvs"-E.P) - X, Y, Z.  "ZAPOTECTRON" was recorded and mixed at AudioRiot studio in Austria and mastered by Christoph Brandes at Iguana Studios (Necrophagist, Deadborn) in March-Buchheim, Germany. The artwork was created by Remy of Headsplit Design (Arch Enemy, Psycroptic, Whitechapel, and Cryptopsy)”

Wasting no time whatsoever to review this album kindly sent over today (20.6.13) by George Misanthrope – the man behind the gnarly gigantic monster vocal capacity of Disfigured Divinity – This album simply cannot wait, and once you listen you will realise why!

Aeons of Reincarnation
Straight away this makes a resounding impact as the guttural growls and sinewy screams make their presence felt within a quality musical production. The melodies flow freely in abundance capturing that addictive essence we have all come to know and love when listening to melodic death metal. There is something deeply satisfying here and for me it’s the vocals that scour the depths amid a clean urgent vocal and that catchy rhythm – fuck! Melodic death metal is such a superb genre to listen to and this track delivers and doesn’t short change you either!



Eradication
This track is a bit more ominous with fast paced beats and heavier rhythms and a striking diversity from the previous track. Openly refreshing and immense in stature as it gains a ferocious momentum. For some the clean vocals don’t work but here they really work well together.  The sonic growls are low and resonating, you would swear you just heard the voice of Satan! Persistently hitting all the levels, ticking all the boxes this track doesn’t disappoint.

Ocelot’s Wake
This track comes to the forefront brandishing a sharp vocal scathing scream and heavy dark toned guttural swathes amid melodically engaging rhythms and ferocious solid beats that show no mercy! It seductively teases and taunts, then slows into some soft stringed arrangement that is short lived before it returns to its deep scathing moments of ravenous rampage.

Systematic Phobocratic
A delicious beginning of scream and growl amid towering blast beats that chop their way through the aural – this track means business as it oozes passion and fire from its expanding rhythms that swell into even larger crescendos of infernal blasting swagger.

Mandatory Heirs
Immediately springing to life like the eternal beast as it wakes from its slumbers, even more gnarly than the previous track and boasting more of a chanted growling vocal with an equally clean urgent vocal, however, the melodic content although still present, is never predicable in any way shape or form.

Insignificance in Space and Time
This is one superb track with highly charged synthesiser that bubbles to life with supreme urgency as a guttural scathing confronts you and then taken over by a terrifying scream. Disfigured Divinity certainly has captured the essences of Space and Time with cleverly thought-out musical passages that in turn provoke imagery from its dramatic presence. This is just purely insatiable listening!!

Redefining the Universe
Bursting with explosive rhythm and hatefully spawned vocals combined with a tight guitar and impressive blast beats, it compels you to listen drawing you into its large swathes of deep grooves and complexities, infact it is so immense that you forget to take a breath! Twisting its ferocious sonic array of mesmeric dexterity you can’t help but be impressed as it leaves its mark.

Cosmic Radiation Flares
Another track that bursts into the limelight and waves its gnarly hands in the blackened air to gain more attention – as if that is possible? It bristles with malice and evil intent to possess and capture the soul with its deepening rhythms and malicious vocal onslaught that simply gnaws at the aural, not stopping until it has your full undivided attention.

Expanding Cosmic Consciousness
More synth sounds are an instant winner for me and such a welcome auditory factor. The vocals literally wrap themselves around you, whilst the screams filter through, as you are carried along on a frenzy of rhythmic swagger, naturally I have just turned the volume up another notch to capture its rising vibrant qualities - and check out those beats at the end! Fuckin’ ell!!

The End is Incomplete
The cascading fingers over a well-tuned Spanish guitar begins and are then forced away by a sweeping tidal wave of powerful electric guitar and strengthening drum beats. It vocally never loses its impact as the scathing breath rips you limb from limb and the clean vocal puts you back together again. It briefly slows to reveal soft strings once again with a whispered vocal until it decides to rip your head off yet again, amid cataclysmic rhythms that just devour with hunger!

Inconsistent Axiomes
I can’t believe I am listening to the last track on this album... it seems to have been just a second ago since I started listening L I am not sure about the clean vocal on this track though, it seems awkward and unbending somehow and not in keeping with the tracks momentum, however the guttural secretions are always welcome and the notes amid the death defying screams are its redeeming quality. Of course the melodic swathe is another factor that gives the track expressive depth.

To Sum up:
This is one highly charged album that without careful handling, as well as listening of course, is likely to explode, - well it does anyway, as soon as you play it.  

Not heard anything quite like this in its genre since experiencing The Dethisodes – Inside the Universe of Horror – (Due out for release tomorrow from UKEM Records 21.6.13)

The full on, in your face melodic death metal is ripe for picking, rabid with rhythms, ravenous with devious riffs and highly compelling. Extreme metal at its very best and with the added synth has been made even more stunning! Fuckin’ check this out if you love your metal raw with the beauty of rhythmic swathe – it has more bite than a venomous snake! Listen to the tracks “Insignificance in Space and Time” and “Expanding Cosmic Consciousness” and see if you don’t agree!!

This is one storm you will want to be caught up in, as the whirlwind ferocity contained within its dynamic structures will rip through anything in its path like a tornado and much more powerful than a live volcano spewing out molten lava – turn it up loud and melt your ears it is well worth it!

9½/10

Track List:
Aeons of Reincarnation
Eradication
Ocelot’s Wake
Systematic Phobocratic
Mandatory Heirs
Insignificance in Space and Time
Redefining the Universe
Cosmic Radiation Flares
Expanding Cosmic Consciousness
The End is Incomplete
Inconsistent Axiomes

Members:
George Misanthrope - Vocals
Ben Nowakowsky - Guitar
Albert - Bass
Sebastian Stadtegger - Drums

Christoph - Guitar